Buzzard

buzzard I-SpybuzzardA buzzard circles above the wood then heads over the meadow and garden towards the house. Looking up through my sloping roof-light window I can see it almost vertically overhead as it passes over my studio, the pancake patterns beneath its wing picked out by the afternoon sun.

However many times I see it fly over, I don’t think that I’ll ever get over the excitement that I feel when I see a buzzard. Even when it’s flying over our suburban street, that circling silhouette conjures up wild places for me.

I-Spy BirdsI saw my first buzzard in the Lake District, aged nine, on Wednesday 31 August 1960. I know the date because I still have the I-Spy Birds booklet that I started on that holiday.

I-Spy BirdsBirds of prey in general made a big impression on me, so much so that I chose them as the subject for a school project.

Birds of Prey

 Aged of nine or ten I already had big ideas about the kind of books that I’d like to write and illustrate. The gold label and ambitious title suggest that I was aiming for something authoritative.

I was struggling to work out how to produce the stand-out illustrations that I saw in books and on the Brooke Bond tea cards that I collected. Using large hogs-hair brushes and school powder paints wasn’t going to help.

from my Birds of Prey booklet
There’s some evidence in this handwriting of the essential tremor that I remember having since age seven. No wonder I’ve always found drawing and writing something of a challenge.

The method used for teaching joined-up writing or ‘real writing’ at my junior school was to keep the pen in contact with the paper throughout the word then go back to dot the ‘i’s and cross the ‘t’s. By the age of nine I’d already given up this method for my personal projects, preferring more compact block capitals which allowed me to fit my text in amongst my drawings. 
Observer's Book of BirdsI treasured a copy of The Observer’s Book of British Birds which I kept in my gabardine pocket, even though it was unlikely that I’d spot a Montagu’s harrier or a Dartford warbler in the school playground.

buzzardUnfortunately I found myself unable to emulate Archibald Thorburn’s elegant illustrations in the wax crayons available to me in Mr Lindley’s class. But I’ve added my own touch with the background; the Lakeland hills and crag where I’d recently seen that first buzzard.

Heron at the Pond

7.15 a.m.; AS I OPENED the blind on the window in the studio I was puzzled by a shape like a Grecian urn reflected in the pond. It was only after I’d seen the reflection that I realised that there was a juvenile Grey Heron standing behind the pond. It flew off towards the wood. As far as I remember, this is the first time in over 25 years that we have seen a Heron by the pond, although we’ve had them in the garden before.

It’s a reminder to me that I need to continue adding marginal, emergent and floating water plants to the pond to give the frogs and newts some cover.

Yesterday morning and again this morning we heard the high-pitched ‘mewing’ of a bird of prey. When I heard it yesterday, all that I could see in the air were a couple of crows. Today we saw a Buzzard soaring over the wood and I wonder if it has been perching somewhere down at this end of the valley, causing commotion amongst the local crows.

I’ve been working down by the compost bins. I opened the lid of one of the bins to add more compost and there, sitting at the top of the pile was a small Toad. It’s rare for me to do much work on a compost heap without coming across one.

Moriarty in Colour

With all the clearing up I had to do in the garden there’s not much time to immerse myself in the world of Sherlock Holmes today but I did have time to add a spot of colour to Moriarty. There’s a black and white engraving by Paget that I’d also like to draw from. It has the caption ‘He turned his rounded back on me’. In it Moriarty looks like a cross between a black beetle and a Marabou Stork. A colourful character even in black and white.