Richard Bell's nature sketchbook since 1998
As I sat drawing this alder at the lakeside at Newmillerdam I felt something drop on my back. An alder cone? No. My shirt needed to go in the wash. Not sure who was responsible but I’m guessing that the wood pigeon is the first one that I need to rule out of my enquiries.
They’re restoring the old water mill at Newmillerdam, re-using the flagstone roof tiles, a job that involves a lot of work with power tools so I’ve made my way along the lakeside to draw this multi-stemmed alder.
There’s a bit of a log jam where fallen crack willow debris has formed a leaky dam across Coxley Beck so after recent rain it’s overflowed amongst the alders.
Drawn in Adobe Fresco using the conté crayon, with a few lines ‘scratched’ into it using the eraser.
Out of the goose feather quills that I’ve cut, my favourite is the thinnest and most flexible, so it’s quite suited to the curvy shapes of ducks, willow branches and alder leaves, drawn this from a fishing platform at Newmillerdam.
But it isn’t practical for field work because the ink goes on so thickly that I can’t close the sketchbook. Over three hours later I’ve put it on the scanner and blots of ink have stuck to the glass.
Even carrying back my open sketchbook I managed to leave my thumbprint on the wet ink of the drawing. It’s part of what makes drawing with a quill more spontaneous than drawing with my usual fountain pen, but for field sketches, that’s what I’ll be going back to.
The alder is the nearest that we get to mangroves as it produces adventitious roots above ground which enable it to grow in very wet ground, even at the water’s edge. These female woody ‘cones’ are ripening and will attract seed-eating birds such as redpolls and siskins.