With summer temperatures and autumn colour, there’s a feeling of being in a continental city today in Harrogate. There are the now-redundant grand gates of Harlow Carr, which remind me of the walk from the top of the Spanish Steps to the Villa Medici in Rome and some solid stone-built arches near the station which reminded me of the ruins around the Forum but, as you can see from my photograph of the street guide with his tour group by the Pump Room, it was mainly Paris that came to mind. To add to the resemblance, there are several Paris-style Morris Column advertising pillars dotted around the town centre.
The giant rhubarb leaves of gunnera add a tropical feel to the Valley Gardens.
A male blackbird bathes enthusiastically in a small puddle in The Pinewoods as we walk down from Harlow Carr. On our return walk a black spaniel pauses to lap up water from the puddle.
‘Always draw with movement from the elbow or shoulder, never from the wrist’ was the advice that I read in a book on illustrating graphic novels recently. So that’s where I’ve been going wrong all these years. I’ve always had shaky hands so drawing from the wrist rather than the fingers is usually about as free as I get. For this geranium I made a point of moving my whole arm, so it helped that we were sitting in a cafe table and I could steady my arm by resting it on the table.
I didn’t find it so easy when I was kneeling, clutching my little A6 Hahnemuhle Watercolour Book, beside one of the beds in the walled garden at Sewerby Hall, drawing a red admiral on what I think was Hylotelephium telephium, a relative of the sedums. I find it impossible to sit in a crosslegged yoga pose, so kneeling is the best I can do.
Hoverflies were also attracted to the flowers and basked in the sun on the surrounding box edging.
Apostle Spoon
Reading up on comic strips and graphic novels makes me more aware of the stylisation that we’re familiar with in everyday life. Looking closely at this apostle teaspoon, part of the mismatched cutlery and crockery at Hilary’s in Cawthorne, I could see that someone had designed him with the sort of stylish simplification that you’d put into designing a character in a manga or comic strip story. He could appear as the ‘wise old man’ mentor for some hero, like Alec Guinness’s Obi-Wan Canobi in Star Wars.
‘You have much to learn, Grasshopper!’ would be a suitable aphorism for the Apostle-spoon character if he was admonishing me for my inability to adopt the lotus position, but it was actually Master Po’s line to David Carridine’s trainee monk in the 1970s television series, Kung Fu.
My mum had some teaspoons with Egyptian characters on them and I hope that I managed to keep one when we cleared her house. Now I’m thinking could they have come back with my dad from Egypt after the war. I don’t ever remember asking my mum about the story behind them.
Latest card, for Alistair, who we’re hoping to meet up with at the London Wetlands Centre sometime soon. Of failing that Beckton Sewage Works is a bit of a biodiversity hotspot these day.
There’s a sweet, moist, earthy smell of autumn in the woodland around the Lower Lake at Nostell Priory this morning. The bark of the old sweet chestnuts here reminds me of Arthur Rackham fairy tale illustrations.
On a fallen trunk, this fungus is sprouting from a crevice, perhaps a species of Mycena?
Rather than sit at the computer dubbing in the lines of each character in my Ode to a Duck, I set up a makeshift recording studio and Barbara and I each read through the whole poem, with just a few out-takes. As I’m taller than Barbara, I moved the drawing board up to the next shelf for my read-through.
I thought that it would sound better if we stood up, rather than record it sitting in my office chair. To cut down on any slight reverb we might get from the bare studio wall behind us, I hung a blanket over a clothes horse on top of the plan chest. The wall of books absorbed any reverberation from behind the microphones, which, by the way are iRig Lavoisier (snapped up in the sale when Maplins was closing down a couple of years ago).
Final verse (you can see there are a pair of rhyming couplets) selected, which I read in its entirety, as there’s just one character, the ‘desolate duck’ in the final scene.
In Adobe Audition, I cut and pasted each rhyming couplet, then used that for each of the characters in the film, Barbara and I reading alternate couplets.
After all the trouble that I’d gone to to avoid reverb, I added an echo effect to the grim warning given by the Pike and Perch in the penultimate verse.
10.15 am, sunny, slight breeze: A heron is patiently watching and stalking in the shallows by an old coot’s nest near the outlet of Newmillerdam Lake. This is an immature bird; it has moulted out of its brown juvenile plumage but still has a shade of grey on its neck. It has yet to grow its crest into the breeding adult’s pigtails.
But it’s successful with its watch, bend neck and lightning-fast stab technique of fishing, catching two small fish in the space of 5 or 10 minutes. The second fish seems to me to be rather squat, and I wondered if it might be a bullhead.
By the time that I move over to the Canada geese, gathering around someone feeding them near the main car park, my pen has stopped running freely, perhaps because there’s a bit of grease on my sketchbook page or the ink is running low. I bend down from the fishing platform and dabble the nib in the water. I like the transparent effect it gives to my drawing.
The tufted duck is so buoyant that it needs a little burst of power to push itself below the surface. It looks to me as if almost the whole duck jumps out of the water before diving sharply in headfirst, with legs ready to act as paddles to propel it deeper.
10.52 am, Newmillerdam near main car park, sunny slight breeze: There’s a commotion amongst the black-headed gulls and a boisterous flock of 20 or 30 of them swoop and tumble over towards me from the outlet corner of the lake. At first I think that someone must be feeding the ducks and they’re falling out, as they do, over a snatched crust.
Then I notice that the pale brown ‘crust’ is moving about on its own account. My first thought is that for some reason the gulls have ganged up on a sparrow, but the manoeuvrability is un-sparrowlike and I wonder for a moment if it could be a late swallow or martin.
One of the gulls briefly captures it and it’s not until it escapes that I can see that it’s a small bat. It dodges around then escapes into the lakeside willows where the gulls can’t follow it and the gulls head off back towards the outlet.
At last, the world premier of my cartoon inspired by the ducks, swans, geese, squirrels and monster pike seen on our Monday morning walks around Newmillerdam.
We were lucky with the weather for our midweek break on the coast, although at windswept Staple Newk at RSPB Bempton Cliffs, I made sure that I clung tight to my sketchbook as I drew this gannet calling and spreading its wings at the top of the cliff, just yards below the viewing platform.
In contrast, we had a day of near continual rain as we drove back home on Thursday.
