Richard Bell's nature sketchbook since 1998
I used an line/tone conversion on a photograph I’d taken at Newmillerdam for the background for these characters drawn for a Clip Studio Paint Tutorial.
I’ve tried to get a screen print effect with the colour on my sketch of the pointsettia.
Caught on my Browning ProXD trail cam last night at 11.30 pm, this fox slinks into view on the path by the veg beds, pauses briefly to take a look at the camera and at something at the opposite side of the garden, then it trots off towards the crab apple.
It’s not too early in the year to start some botanical drawings and I’ve learnt something even from drawing florist’s tulips: not all those ‘petals’ are actually petals. Tulips normally have three petals and, surrounding them, three sepals. Sepals are leaflike and enclose the flower.
I remember Letratone, which consisted of rub-down sheets of screen tone. It was rather expensive and you needed to be a neat worked to use it effectively, so I never used it. Here’s the Clip Studio Paint equivalent, designed to reproduce well in print rather than to be viewed on screen, which is why there’s a checkered pattern in the tones in this version.
From the trail cam footage, it looks as if we’ve got a pair of wrens roosting. Last year when there was snow on the ground we estimated somewhere between 7 and 11 wrens roosting, all in the nestbox on the left. The nestboxes don’t connect on the inside.
As they settled down there was a lot of flitting between all three holes and the pair seemed particularly interested in the middle hole but they eventually settled on the hole on the left to roost.
The last we see of the wrens on the trail cam is at 7.33 am when one of the wrens appears in the left hand hole and appears to be preparing to leave.
The blue tit arrives an hour later and makes a careful inspection of the first two nest holes, but doesn’t go in.
The roosting wrens are back, but how many of them are now crowding into the nestbox on the patio each evening? I’ve set up the trail cam, precariously mounted on a gorilla pod attached to Barbara’s dad’s cultivator which is fixed in the patio parasol stand, which itself it standing on the patio table.
Hope it works. At least my camera hasn’t put them off because as I write this just after sunset, Barbara tells me the wrens have already started to appear.
Drawn on my iPad in Clip Studio Paint, colour by the Clip Studio ‘colorize’ option. Not as camouflaged as the actual camera, but the cultivator does have orange prongs.
This red squirrel at a feeding box and small sketch of tormentil should finish off my Bilberry Wood double-page spread.
Making a start on the flowers of Bilberry Wood. Heather grows in tussocks on drier ground, cross-leaved heath in damper places.
Drawing this Scots Pine for my Bilberry Wood article makes me realise that I’d love to make a return visit to Speyside. My summer and Easter breaks as a volunteer warden at the RSPB osprey reserve at Loch Garten were where I really got into the sketchbook habit.
It was a contrast to the rest of the year at art college, latterly in London but I feel that I learnt as much wandering around the Caledonian pine forest with my sketchbook as I did back in the studio in South Kensington.
Birthday card for an archaeologist/organic gardener. Based on actual events (no, not the bit where Prof. Roberts identifies the variety of potato).
Moral: always let the guy who’s doing the rotavating where you’ve planted the potatoes.