



Another exercise in not lifting the pen from the paper as I draw. Colour and negative colour added in Photoshop.
Richard Bell's nature sketchbook since 1998




Another exercise in not lifting the pen from the paper as I draw. Colour and negative colour added in Photoshop.

On our walk via the canal and river to the Coffee Stop this morning: one drake goldeneye, 42 grazing wigeon, a pair of oystercatchers and, by the Navigation Inn, Rachel Modest – The Voice semi-finalist and leader of the Wakefield Community Gospel Choir – making a music video, assisted by vocalist and former roadie (to, amongst many others, The Smiths, David Bowie and Russell Watson) Oova Matique.
Rachel Modest on Facebook
Anonymous Groove Live Sessions on YouTube


Flowering cherry (or some other kind of Prunus?) at the hospice this morning.
Blackbirds are singing, wood pigeons occasionally perch in the branches but the most remarkable bird was a red kite, seen from the car park.

In a flagstone just outside John’s patio windows, these dendritic crystals look like the fossil of a tree but they’re actually crystals – perhaps of manganese as they’re black – that have grow across the layers of this flagstone, in a similar from to the ice crystals in a snowflake.

The fast food at the Falafel Street Kitchen was a tad too fast for me and this was as far as I was able to get in sketching the customers.

Luckily the pace at the Nats’ AGM was a little more sedate. Even so, these days we get through the business side of the evening in a little over fifteen minutes.

Rather than go for regular architectural drawings I’ve used the exercise of drawing without lifting the pen from the paper for this facade of Harewood’s Grand Lodge for next month’s John Carr anniversary show in Horbury’s Redbox Gallery.
The split complementary colour scheme comes from my experiments with Procreate.

I’m going to experiment with 3D versions, building up the facade in card.

Like a scene from Peter Rabbit, a woman walks up the garden path to Hilary’s cafe with a large bunch of fresh carrots, holding them by the lush ferny foliage of the carrot tops.
She’s soon back down the shed, returning again with three Petanque boule-size beetroots, again with fresh-looking foliage.
“I only came here for a cup of coffee!” she explains.

Some possibilities for using the library logo in a letterhead. Hopefully the secretary won’t be misquoting Cicero’s Latin as in the placeholder text of my mocked-up example.

At Newmillerdam most of the black-headed gulls now have their chocolate brown masks but they all seem remarkably laid back this morning with no noisy disputes. Soon they’ll be gathering at their nesting colony at St Aidan’s.
Another reason for it seeming so peaceful is that there are no Canada geese around. Last week I saw a flock of more than a hundred by the canal opposite the Strands and a similar flock on the Wyke.
By the outlet at Newmillerdam a lone coot was diving for freshwater mussels. In the few minutes as we passed by it apparently finished feeding on one and then dived for another. The mussel was the size of a small grape.

Rainy, grey skies, a wind from the north, so it doesn’t feel like the first day of meteorological spring.
8.30 a.m.: A grey squirrel bounds across the lawn.
It soon realises that it can’t climb around the baffle on the bird feeder post.
It climbs into the hawthorn hedge and you can see it weighing up the possibilities. No, not worth it. It scampers off across next door’s lawn.

My first thoughts on the typography to go with the Horbury Library logo.


I couldn’t exactly match the ‘KNOWLEDGE IS POWER’ typeface used in the iron gates of the porch of the library but I thought thats the font Hunter from the font family P22 Arts and Crafts available on Adobe Fonts had the right sort of confident swish about it.

I’d like to incorporate some of the flourishes in the wrought iron, if I can do that without making the logo too fussy.

I like this font, Scotch Display Condensed, Semi-bold (and semi-bold italic for the ‘of’). It’s more readable but slabs of black and the prominent dots over the ‘i’s echo the illustration and the ‘of’ gives a little Arte Nouveau flourish.