Alpha of the Plough

books
Drawing 3 inches, 8 cm, across

These books are rumpled, written on and one is even charred along its bottom edge: the result a narrow escape when it sat on a metal shelf above a spontaneously combusting homemade hifi system. Every book has a story to tell, or rather three stories: the one in the book itself, the story of the people who read it and perhaps had their lives changed by it and then the history of the artifact, the book itself.

When my mum died five years ago, a friend advised me, if you’re in doubt about whether to keep something or dispose of it, keep it: you can always send it to the charity shop later. I didn’t really need her encouragement because these books had fascinated me since childhood when I browsed through our book cupboard in the hall. The lofty book cupboard had previously been a linen or kitchen cupboard at the time when there were domestic servants in what had been a Victorian mill owner’s villa. It had tall sliding doors and I can still remember the sound as I opened them.

Each of these books which date from my parents’ school days, has it’s own individual story and I’m fascinated to see the hand written comments that they added. Someone, probably ‘E. Sparkes’, a previous owner of the book, has coloured the chapter headings and the portrait of ‘Alpha’ himself, the author of the essays collected in this August 1921 edition in the ‘King’s Treasuries of Literature’ series.

Published
Categorized as Books

Pen & Ink

pen and ink

Just half an hour with the Adobe podcast this lunchtime, so I stuck with pen and ink (Lamy Vista and Noodler’s) for my desktop drawing.

The Wolfskin Bag

Jack Wolfskin bag

I wanted to go inky for this 4 inch by 3 inch sketch of my Jack Wolfskin bag but then couldn’t resist adding colour because of the yellow Lamy Safari Pen and blue Buff that it contains.

It’s drawn with a Lamy Vista EF nib filled with De Atramentis Document Ink and for the Winsor & Newton watercolour I used a Daler Rowney Aquafine Sable Round 6. And I should add that it’s a Pink Pig sketchbook containing their 270 gsm Ameleie acid free paper.

Kingcups

3.55 p.m., 10 C, 50 F, breezy from north-east

kingcups

A female smooth newt appears briefly at the sunny, shallow edge of the pond. A bear-like cat saunters across our veg garden but makes a speedy return when Poppy, next door’s little dog spots him.

From our hawthorn hedge, the jingling song of a dunnock. There’s a sprinkling of pale petals of crab apple blossom across the pond, closely followed by the paper napkin that I’ve been using to blot my water-brush on. Luckily the cord of my sun hat gets caught in the zip of my fleece as it blows off my head, otherwise that would have ended up in the pond too.

No wonder the female smooth newt disappeared into the pondweeds: soon after I return indoors, I see that the female blackbird from the nest in the corner of the hedge has caught a male newt. She shakes it repeatedly and I get glimpses of the male newts bright orange belly, speckled with dark spots like a butterfly’s wing.

Two hours later, I saw her back again at the end of the pond. She went down to the water’s edge and with a quick stab caught another male newt.

Published
Categorized as Drawing

On the Nose

Stable Relationship

The second cartoon strip inspired by the ponies we pass on our regular morning walk. In the final frame, I’m getting pretty much the look that I had in mind. I decided not to go for shadows this time. I like the simplicity of flat colours.

Colour set, Clip Studio

Talking of flat colours, in one tutorial (see link below) I discovered that you could not only save swatches in a ‘Colour Set’, you can also name them.

Link

Making Comics for both Print and Webtoons Clip Studio Paint tutorial by SimonWL

SimonWL Comics

Cat Card

Cat Card

What we must expect now that the card shops have gone into lockdown: my lightning-sketch birthday cards are quicker and cheaper than going into town for the bought version . . . just not as slick and sparkly, but it’s the thought that counts.

This is Boris (thought he was called Basil, but, sorry Boris, I’d got that wrong), the cat that thinks that he owns our back garden.

A Stable Relationship

A Stable Relationship

I used the iPad version of Clip Studio Paint for this comic strip. In reality, the Shetland Pony has now dispensed with its pony blanket, although another pony in the field has taken to wearing a pink pony blanket and an insect shield hood over its face and ears. There’s probably another comic strip in that pink pony blanket.

Adobe Live: Radim Malinic

Radim

Today’s Adobe Live ‘From the Sofa’ session is with branding designer and former musician Radim Malinic. For my sketch, I decided to go back to pen – Lamy Safari – and ink – Noodler’s Black.

Radim

Someone asks where Radim gets his inspiration. Perhaps from galleries and museums? No, he answers, he doesn’t create art, that’s something different, so he observes how people behave in shops and cafes. How they buy things, how they carry bags. To me it sounds very similar to the way many artists gather material and inspiration, observing the everyday world rather than being preoccupied with reacting to art history and commenting on it, which you can’t get away from really, even if you do decide not to visit galleries.

Radim

He describes how he used the process of writing and designing his first book as a way of coming down to earth, becoming more mindful, after an intensive period of work. His three books, bursting with striking artwork, describe his personal design process.

Link

Radim Malinic’s Brand Nu website

A Scrape for a Yellowhammer

Smithy Brook
Smithy Brook, below Thornhill Edge.

Seeing us watching a heron fly down the valley over the Go Outdoors camping store, a man stops to tell us of the buzzards that nested a couple of years ago in the row of trees down below Hostingley Lane. He says that one pair of skylarks nests each year on the open fields here but he wonders how they manage as the crop soon grows too long for them. It’s not like the cliff top grasslands on the Yorkshire Coast.

He’s tried inserting square plastic plant pots into the hedge banks for robins to nest in. This year robins have nested not in but on one of them. He gently felt in the well-concealed nest and they’ve already hatched their chicks.

yellow hammer

But his most surprising success was with yellowhammers, ‘a million to one chance’ as he put it. He heard a yellowhammer singing and, using his hand, made a little scrape in a grassy hedgebank. To his amazement they did nest in the scrape and successfully raise chicks.

Crab Bay, Skokholm, April 1980

Crab Bay

Another page from my Skokholm Island sketchbook, drawn on Thursday, 10th April, 1980, watching razorbills, wheatear, and grey seals. My drawing of the rocks didn’t get finished because:

“The puffins were enjoying the evening sun, standing in pairs outside their burrows, when I came back from a tea-break so I decided to leave them in peace”

Probably a first even for me, blaming the puffins for an unfinished sketch!

Crab Bay