Richard Bell's nature sketchbook since 1998
Colour version of the troublesome trio of Dewsbury lads, Henry Smith, William Crowther and Alfred Grace caught ferreting in the Boathouse Plantation at Newmillerdam in October 1870 by Chevet Estate gamekeepers, George Stephenson and William Mellor.
For the moment, I’m leaving the gamekeepers out of the final colour version. Wakefield Archives hold photographs of Chevet Estate including at least one portrait of a gamekeeper, so I would be interested to see those.
Oh dear, it looks as if the game is up for our plucky little tenon saw. If there’s a moral to this folksy fable from Yes it is, it’s never put your trust in an even-toed ungulate.
Gothic architectural features of Newmillerdam Boathouse, which dates from the 1820s. I’d planned this as a small black and white diagram, but it works better larger and in colour. I’m still struggling with joined-up handwriting, some of these were ‘best out of three’, but I think that it’s worth the effort, as it gives a bit more animation to the captions.
We all know that moths are the unsung nightshift of ecosystem services, busy pollinating and recycling while we sleep, so these days it’s not often that one of them, in this case the humble clothes moth, gets to play the pantomime villain.
Another illustration for the PG-rated children’s storybook Yes it is, or OH NO IT ISN’T! in this case. Manic Moth: “Oh! Yes it IS!!!!“
I thought that I’d nailed it and created a moth that looked as scary as Nosferatu the Vampire but coming back to it he’s more closely related to Peter Firmin’s Nogbad the Bad. I think it’s to do with the way he walks, which would work well as a cut-out animation.
These two could have auditioned for the latest series of All Creatures Great and Small but they’re appearing in one of the folksy fables in Yes it is. I like the pig – just need him to tilt his head on one side as he listens to the tale – but for the farmer I need his expression to be flummoxed rather than irate.
Although Yes it is has a retro children’s story setting, it deals with themes that are all too contemporary, like the loneliness and isolation – in this case the loneliness of this green ball. The fact that the author has specified the colour makes me tempted to go for a spot colour, perhaps backed up with blocks of neutral grey, to hint at the style of children’s book illustration in the 1950s and early 60s; I’m thinking of Dr Suess and Gene Zion’s Harry the Dirty Dog, illustrated by Margaret Bloy Graham.
Margaret Bloy Graham uses a textured line which reminds me of conte crayon with a soft watercolour or gouache wash. With this in mind, I tried bamboo pen, to try and deliberately simplify the line (left) and dip pen (above) but inevitably, as I use it every day, I’m more relaxed drawing with a fountain pen, as in the farmer and his pig drawing, which was drawn in De Atramentis Document Ink with my Lamy Vista with an EF nib. That gives me more of the energy that I’m after, but without getting the particular vintage graphic look that I had in mind.
Before I add colour, I’ve scanned this drawing in black and white, which might be useful if I ever use it in a booklet. The Boathouse at Newmillerdam is currently celebrating its bicentenary. Although the date is uncertain, it appears on a map of 1826, which puts it in early Gothic Revival style.
Names of features from the delightfully useful Rice’s Architectural Primer. Matthew Rice makes it look so easy but getting all those terms in without overwhelming the drawing is tricky, however I’ve got my lettering on a separate layer so I might alter that a bit when I add the watercolour.
We’re set to have snow tomorrow, so I thought that I’d make the most of a sunny morning walk around Illingworth Park, Ossett, by taking Instagram-friendly square format colour photographs on my iPhone.
Being an illustrator gives you a unique insight into the author’s mind. Scary stuff.
1.45 pm, Monday 25 January: So far no takers. I’ve somewhat hopefully set up my DSLR, Olympus Tough and even my iPhone all focussed on the birdbath. Just a few feet away there are long-tailed tits, wood pigeons and starlings feeding but nothing is touching down for a quick drink.
What do you know?! – just as I wrote that, a blue tit came down and perched exactly on the spot that I’d focussed on. Let’s hope that the memory card lasted out!
Unfortunately it’s just as I expected: the blue tit turned up a few minutes after the two cameras ran out of memory. It should be there on the iPhone but that’s just taking a general view.
I give it another try and 3.30 pm, which in winter is late afternoon, proves to be a better time. Within the first five minutes this blue tit comes down to drink, then flies up to the sunflower hearts feeder.
I could have guaranteed some bird action if I’d focussed on the feeders but it’s going to take a bit more arranging to get my cameras up on that level. Besides, a bird’s bathing routine is going to be more interesting than just watching them feeding.
Just to be sure that I’d get something, I set up the iPhone at the foot of feeding pole, so at least I’ll have some close-up shots of blackbirds, chaffinch and robin on the ground.
Wrens at a sparrow box in mid-January – are they roosting or thinking about a nest site? And what will happen when the resident blue tit returns?
In the sequence where the two wrens are hopping around on top of the box, it looks as if one of them has a small green caterpillar in its bill. This could be courtship feeding, so the tour of alternative nest holes might be the male giving the female a tour of possible nest sites.
Wednesday 13 January, Barbara’s diary: Some day we will get it right for the birds!
First we put up a blue tit box and sparrows nested in it, so we replaced it with a sparrow terrace with three nest holes and the blue tits nested in it.
Now the blue tits are sub-letting to a group of wrens.
As I went to make our morning cuppa, passing the back door something caught my eye, I looked out at the sparrow box and in the half light could see a little head appear from hole number one. I was amazed to see a wren fly out and it was quickly followed by three more, they had obviously been using it as an overnight roost.
We had spotted a wren yesterday coming out of hole number three, while at the same time a blue tit was taking great interest in hole number one. Another blue tit attempted to investigate the middle hole but the one at hole one in no uncertain terms let it know it wasn’t welcome, although it didn’t seem bothered by the wren.
It would be lovely to think that we could have blue tit and wren making a nest in the terrace this Spring and a bonus would be a sparrow in the middle. Well, who knows what will happen with these contrary birds!
Barbara Bell
Saturday 16 January, 4.45 pm: I’d seen a wren hopping about on the hedge but it was taking its time coming over to the nestbox. That changed when a blue tit flew over an perched at the left-hand nest hole. Within seconds the wren was there, perching on the edge of the box and, in no uncertain terms, letting the blue tit know that it wasn’t welcome.
The wren popped into the hole for just a few seconds before flitting out again. We don’t know if there are any wrens roosting in the box tonight. On previous nights we’ve seen three going in there as darkness falls.