In 2024, the Baring-Gould Centenary year, we’re celebrating – in artwork and animation – his work inspired by the time he spent as a young curate in Horbury: the hymn ‘Onward Christian Soldiers’, his folklore study ’The Book of Were-Wolves’ and his semi-autobiographical novel, set in a thinly disguised version of Horbury, ’Through Flood and Flame’. Cue thwarted love, dramatic disasters and the villainous Richard Grover, man-monkey and firebrand preacher.
Special thanks to local historian Keith Lister, author of ‘Half My Life’, the Story of Sabine Baring-Gould and Grace, my main reference for this Redbox Gallery show.
3D cut-outs of Annis, the Nightwatchman, Richard Grover the ‘Man-Monkey’ and our hero, Hugh Arkwright, should make a dramatic centrepiece for my Baring-Gould Centenary display.
I was hoping to squeeze in a few were-wolves too but Baring-Gould’s lively research into folklore but they’ll be stars of the short animation that I’m starting work on today.
As the title is Through Fire and Flood, I don’t think that peril number 2 will be a plot-spoiler for anyone who hasn’t read Sabine Baring-Gould’s melodramatic novel.
You wouldn’t want to meet Joe Earnshaw on a dark night, but if you’d been prowling around the mill yard at Arkwright’s in Baring-Gould’s novel Through Flood and Flame, you’d find it hard to avoid him as he’s the resident night watchman.
Meet our hero, Hugh Arkwright of Arkwright’s Mill in Sabine Baring-Gould’s thinly disguised version of Horbury in his semi-autobiographical novel of 1868, Through Flood and Flame. I’ve gone for him encountering peril number one, the flood.
I based the action-hero pose on an Indiana Jones movie poster but as Indy is holding his trademark bullwhip and our hero Hugh was negotiating the flood walking along a garden wall clinging onto a clothes line to keep his balance, I’ve shown him in a later scene which involves a rescue by boat (although in that case Hugh is catching the lifeline rather than throwing it).
Despite the melodrama and the larger-than-life characters, Baring-Gould’s novel Through Flood and Flame was semi-autobiographical. Annis Greenwell was closely modelled on Grace Taylor, a young worker at Baines’s Mill, who – in real life – he met, fell in love with and, a few years later, in May 1868, married at St Peter’s, Horbury.
The first character for my Baring-Gould Centenary display is taken from his Horbury-inspired novel Through Flood and Flame: Richard Grover, man-monkey (and firebrand preacher).
Willy Wonka raising his hat on the cover of last week’s Radio Times struck me as the perfect gesture to show Sabine Baring-Gould introducing himself when he arrived in Horbury in 1865 as the new curate.
My first rough (on the right) for the main display in my Baring-Gould centenary exhibit results in awkward shapes to fit the characters into, so I’ve decided to go for simple rectangles (left).
The characters will be cardboard cut-outs to give the effect of a Victorian toy theatre.
Planning the Redbox Gallery Baring Gould Centenary Show
There’s so much that I’d like to include in my Redbox Gallery show but there’s only so much that you can fit into a phone box but the good thing about the limitations is that it makes me focus on the essentials of the story. I will be able to squeeze in a few extras though because I’m able to include an animation playing on a continuous loop.
1865 proved to be a productive year for Horbury’s new curate, Sabine Baring Gould as not only did write the hymn Onward Christian Soldiers for the church’s Whitsuntide Walk from the mission at Horbury Bridge to St Peter’s, he also published The Book of Were-Wolves and was inspired to turn his experiences in Horbury into a melodramatic novel, Through Flood and Flame.
By the way, this is my first post using a new theme, WordPress 2024, and I’m using Lightbox for some images, for instance this one: hover over it and click to see full size (and click again off the image to return to this post).
Click for full size image.
Of course the were-wolves were the subject that I wanted to start trying out my Procreate animation skills on but there are some colourful characters to include in the novel and, if times permits, including Onward Christian Soldiers would give me plenty of practice on animating a variety of characters walking.
I reassembled the set from a previous Redbox show and carefully measured up check on how much room I had available for the display.
Uncle Maurice and Aunt Florence at my mum and dad’s wedding, Sheffield. That’s Grandad Swift on the left, giving them the cold shoulder.
I never met my Uncle Maurice and Aunt Florence, pictured here at my mum and dad’s wedding, and my mum hardly knew them either because, following some family falling out, he left home when my mum was still a toddler. He and my grandad never spoke to each other and, as she grew up, my mum realised that she’d be in trouble if she ever contacted him.
“I don’t know how you put up with him,” said Maurice, on a rare occasion when he saw her walking home from school and pulled up in his car. My mum looked around nervously, hoping that no one would spot her speaking to her banished brother and relay the news back to her father.
Rivals
Telephone directory: Grandad’s firm, Swift & Goodinson, had some competition from Maurice Swift junior (in column 3). Copyright Ancestry.com
As I’ve explained previously, it didn’t help that my uncle, Maurice T Swift, set up a rival funeral directors business to his father’s and, as he had the same name, there was then confusion about which business was which.
The rivalry extends into the 1939 telephone directory with Maurice T’s listing dwarfed by a masthead banner from his father insisting that ’85, Headford Street’ is the ‘ONLY ADDRESS’ for Swift & Goodinson’s complete funeral furnishers.
The 1939 survey, image from Find my Past.
The 1939 survey, the nearest we have to a wartime census, provides a valuable snapshot of my long lost uncle’s life.
He a ‘Coffin maker, own a/c’ and Florence, ‘Shroud maker’ are living at 54 Hereford Street, not far from The Moor in the centre of Sheffield.
The Crerars
They’ve got lodgers; a family of variety artists, the Crerars: Peter and Elizabeth Crerar, aged 52 and 42, and their children, James, 21, Peter, 19 and Katherine, 17, all listed as variety artists, and Alexander, aged 10, who is still at school.
In the 1939 survey James and Peter have taken jobs in the steel industry and Katherine is a glazing machinist.
I’ve been unable to find any reference to members of the family on the variety circuit.
A year in December, 1940, James has enlisted but, along with a fellow soldier, Samuel Reynolds, aged 27, he’s remanded in custody in Rochdale Magistrates Court, charged with ‘having had carnal knowledge of a girl aged 15 years’.
Peter also enlisted as a gunner with the Royal Artillery. On 8th October 1941 he is listed as a casualty in the ‘Middle East’.
A distant cousin of mine who lived in Thirsk told me that when she was a young child her guinea pig died. In tears she took it, in its cage, to Alf White – a.k.a. James Herriot – the local vet.
“Can you do anything for him?”
It didn’t work out like it does in the TV series:
“No sorry, even I can’t help him!”
Grape Lane, Whitby, has no connection that I know to James Herriot but another James, later Captain Cook, was apprenticed there in 1746.
