Gothic Boathouse

boathouse, architectural features

Before I add colour, I’ve scanned this drawing in black and white, which might be useful if I ever use it in a booklet. The Boathouse at Newmillerdam is currently celebrating its bicentenary. Although the date is uncertain, it appears on a map of 1826, which puts it in early Gothic Revival style.

Names of features from the delightfully useful Rice’s Architectural Primer. Matthew Rice makes it look so easy but getting all those terms in without overwhelming the drawing is tricky, however I’ve got my lettering on a separate layer so I might alter that a bit when I add the watercolour.

Ossett Grammar School, 1962-67

Ossett teachers

Having drawn all my form teachers from infant and junior school, how could I not continue and include my teachers from Ossett Grammar School, from 1962 to 1967.
Miss Eves had her classroom at the right-hand end of the prefabricated classrooms, opposite the school dinners kitchen. Her specialist subject was religious education.
Mr Foster’s classroom was down the slope from Park House, the oldest part of the school, in a recently-built block of single-story classrooms. He was a mathematics teacher.

Teachers

Mr McGrady, the music teacher, was based, as you might guess, as far out of earshot of the rest of the school as possible, in the music room in the other, smaller, block of ‘temporary’ prefabricated classrooms overlooking the school playing field.
Mr Mason’s classroom was in the brick-built block of the school, towards the art room end. I can’t remember what his specialisation was. English perhaps. At the end of summer term he left the school and went to teach in Africa.
Mr Beaumont was the woodwork teacher. Again his classroom was in the brick-built block, this time at the gymnasium end.

I didn’t stay on into the sixth form. I was ready and eager to start at art college.

St Peter’s School, Horbury, 1958-1962

teachers
plan of school

My form teachers at St Peter’s, Church of England controlled, Junior School, Horbury, 1958-1962.

  1. Miss Andrassy, a relative of the Andrassy family who ran a butcher’s shop on Queen Street. I remember her being keen on art.
  2. Mr Harker had his classroom in the prefabricated block in the school yard. Organised a class walking group, The Travel Club. Walking must be good for you, because it’s only last autumn, a few weeks before he died, that he managed the two-mile walk around Newmillerdam.
  3. Mr Thompson, who I’ve written about before in this blog, had his classroom in the Ebenezer Hall, a few hundred yards away from the rest of the school in Ring O’Bells Yard. He was a great storyteller.
  4. Mr Lindley, back at the lower corner of the main school, encouraged us with drama and making little booklets. I still have my booklets on Bible stories, birds of prey and, from the last weeks of our time at junior school, a short summary of the history and myths of Ancient Rome. I was a bit over ambitious with that one!
  5. Mr Douglas, our pipe-smoking headmaster, worked from a small office in the main school which he shared with his secretary. Mr Douglas, like Mr Harker, was a keen fellwalker.

Art, walking, storytelling and writing and illustrating booklets: St Peter’s gave me all the basics I needed for my subsequent career!

Clifton Infant Teachers, 1955-58

Infant teachers

‘Draw your first teacher’ is the next prompt from Mattias in the ‘Memory Lane’ section of his Art of Sketching course.

I remember a surprising amount of details of the first couple of terms of my school life, in Mrs Clegg’s class at Wrenthorpe Infants, but we moved to Horbury before the end of the year and my sister Linda and I started at Clifton Infants, a newly-built school at the far end of Manorfields Estate.

Clifton Infants School

plan
  1. Go in the main entrance and turn left and you’d find yourself in Mrs (or Miss?) Birdhouse’s class.
  2. Mrs Wallis‘ class was nearest the school entrance, overlooking an oak tree and, beyond the school grounds, ‘The Reck’, Green Park recreation ground. In my sketch Mrs Wallis is holding a couple of the large, light greyish, wooden building bricks that we used. I remember building a model church with them and surrounding it with smaller wooden bricks to represent gravestones. I was into history even in my second year at infants school.
  3. The teacher holding the flash card had the classroom that faced you as you came in the main entrance. Unfortunately, I can’t remember her name. This was my penultimate class at Clifton. She’d made several of these flash cards, on sheets of sugar paper, each with a photograph from a magazine stuck at the top to give us a clue what the first word was as she held them up for the whole class to read.
    One sheet had just one word in place:
    “You like this one don’t you?!” she chuckled as she held it up.
    I believe that she was the teacher who specialised in music and, now that I’m remembering a bit more about her, I think that she had darker, longer hair than I’ve shown. She drove a car, which resembled a smaller version of the Austin Princess. The bonnet reminded me of the Rolls Royce. I remember this because she explained musical notes – minims, crotchets and semibreves – in terms of children, adults and her in her car, making their way to school.
  4. Finally Miss Marsh, our final class teacher, who became headmistress during my time there.

The Squire & the Nondescript

Charles Waterton

I’ve been thinking about how to bring this odd couple – traveller and conservationist Charles Waterton and his apeman creation, The Nondescript – to life for a short animation. I’d like to make people smile but also to be able feel that there is something that they can do about the state of the planet, even if it’s not on the scale of exploring the upper reaches of the Essequibo and establishing a full scale nature reserve, as Waterton did.

The lockdown and the restriction of a one hour a day exercise walk, starting from home, that we were all limited to (with certain notorious exceptions!) made Barbara and I realise how much we miss on our local patch in most years by dashing off to the coast or the hills at every opportunity. There was so much to see as spring unfolded during a spell of almost uninterrupted good weather on our regular walk to the upper reaches of Smithy Brook. And the garden – including our pocket-sized nature reserve – has never received so much love and attention.

With all that’s being going on, can a Georgian Squire have any message that is relevant to us? Well, yes, loads actually:

Black Lives Matter

‘Slavery can never be defended: he whose heart is not of iron can never wish to be able to defend it . . . he wishes in his soul that the traffic had been stifled at birth’

Charles Waterton, 1825

Charles Waterton married a woman of mixed race (Anne’s maternal grandma was Arawak) and he travelled with freed slaves on his ‘wanderings’. Waterton trained a freed slave, almost certainly John Edmonstone, in the art of taxidermy. In turn Edmonstone, then based at 37, Lothian Street, Edinburgh, taught young medical student Charles Darwin and, we believe, through telling him stories of his travels with Waterton, inspired Darwin to visit the rain forests himself.

So we might not have had Darwin’s theory of evolution if it hadn’t been for Waterton’s ability to educate and inspire. I believe that he can still inspire us today.

Covid-19

Waterton was part of the first team to successfully carry out a tracheotomy under anaesthetic, not only that, but he supplied the anaesthetic, curare, which he’d collected himself in Guyana. So you could argue that he played a small part in preparing the way for a treatment that during the current epidemic has saved thousands of lives.

My animation won’t go into any of the above connections but I think that it’s important to see Waterton as more than an amiable eccentric – even though that’s the character that I’m basically sticking to in the animation!

I hope that I can suggest that there’s a backstory to my character that is worth dipping into.

The Lost Hammerstone of Doggerland

cartoon

If you’d been standing on Flamborough Head 8,000 years ago, as early man began to move back into Britain, you’d be looking out over Doggerland, a landscape of woodland, marsh, rivers and lakes.

In the nature diary that I’m writing for September’s The Dalesman, I’m delving into prehistory but thought that I’d pop in one of my cartoons to lighten the mix a bit. But so as not to leave you in suspense, you’ll be pleased to hear that 8,000 years later we’ve found that missing hammerstone.

A Waterton Mystery

Walton Park

Here’s a story that I was told at a wedding reception in Thorpe on 4 September, 1982:

‘Graham Smithson and David Jones who were fishing at Walton Hall some ten years ago (so about 1972) found a log at the side of the lake. It was hollow and inside they found an old parchment and a diary. Yorkshire Television were doing a feature on Waterton at that time. They sent the material through the post and heard no more of it.’

From my pocket sketch/notebook, 1982
Graham
Graham was David’s best man at the wedding

An additional detail which I remember but didn’t add to the note is that the parchment referred to a land transaction. I have a vague idea that the documents might have been hidden in a compartment in an old tin, but I’m not sure on that one.

Owl house, c.1920, a photograph in the collection at Wakefield Museum, reproduced in Brian Edginton’s ‘Charles Waterton, A Biography’ and in my booklet on ‘Waterton’s Park’

What they’d found was probably one of Waterton’s bird habitat hollow trees. He had one enormous tree trunk moved to the lakeside and converted it into a combined nesting box and hide. Perhaps Waterton was in the habit of spending time there and for some reason kept a diary and a particular document there.

I’d love to know more. So, if you’ve been clearing out a cupboard at Yorkshire Television and you’ve come across an old notebook . . .

Remembering VE Day

Bill Ellis
Barbara’s dad, William Ellis in 1940.

On this day, 7th May, in 1995, we invited my mum, Gladys Joan Bell, and Barbara’s mum and dad, Bill and Betty Ellis, to reminisce about VE Day for the 50th anniversary. My mum was a primary school teacher in Sheffield who, in the early stages of the war, took evacuees to stay in rural Derbyshire to escape the bombing. In the Sheffield Blitz my grandad’s house was bombed but my mum, grandma and grandad were safe in the Anderson Shelter in the back garden. My great grandma next door wasn’t so lucky. She didn’t like the shelter, so she hunkered down in the cellar but the Luftwaffe scored a direct hit and demolished her house. Luckily great grandma and her pet bird in a cage were rescued via the coal shoot.

What the three of them reminisced about 25 years ago, I can’t tell you as we no longer have a cassette player in the house. My mum celebrated in Sheffield, Barbara’s mum was in Horbury but I’ve forgotten now whether Bill and my dad, Douglas, were on leave at the time.

When the lockdown is over, I’ll get the cassette transferred to digital.

My mum, Gladys Joan Swift, as she was before her marriage at the end of the war, somewhere in the Peak District, c.1946.

Sandal Castle

It’s good to see the display boards are now in place at Sandal Castle, including my illustrations on this panel on the bailey which overlooks the barbican, drum towers and keep. I like the contrasting styles by the five artists who have each illustrated a panel. In my photograph you can just make out Liz Kay’s board – a bird’s-eye view of the castle in its heyday – which has been set up on the viewing platform on top of the keep.

We called at Sandal this morning to see the panels and, for once, there wasn’t a stiff breeze blowing up over the ramparts! A dunnock was singing its rather rushed, jingly song from a fence post as we walked across the bridge to the bailey.