Platinum Jubilee

Coronation issue magazines, 1953

As it’s the Platinum Jubilee weekend I’ve dipped into a box of magazines that my mum saved. Eric Frazer drew the heraldic cover for the Radio Times Coronation Number.

Coronation Route, Radio Times

Cecil Walter Bacon goes for a freer style for The Coronation Route map on the centre spread.

Twenty-eight years later I was lucky enough to work briefly right at the centre of this area when Collins the publishers were based at St James Place, tucked away behind The Ritz near the Piccadilly corner of Green Park. It’s there on C.W.B.’s illustration.

Coronation procession, Picture Post

Equally impressive is Barbara Mary Campbell’s guide to the Coronation Procession in Picture Post. She’s included her signature ‘CAM, 1953’ on the cart that the street sweepers are trundling along at the tail end of the procession.

Cross-Stitch

Radio Times embroidered cover

If you didn’t want to have Eric Frazer’s artwork on display in your living room, this Clarice Cliff inspired (or perhaps even designed by her?) cross-stitch kit was available from Penelope (kit no. 3528). I don’t remember us using this but my mum was keen on embroidery, so I guess that this is her work.

Cross-Patch

Horlicks ad. 1953

I would have been just two years old at the time of the Coronation, so I don’t remember it but my sister has memories of it being the most boring of days. My parents had bought a 12 inch Bush television to watch the event and invited the neighbours round but the children had to play in the hall.

Worst of all, although there was a Dinky model of the Coronation Coach (I’m guessing that belonged to David next door) it was for admiring only and they were strictly forbidden from playing with it.

So my sister was very much in the situation of Betty and her friend Valerie in this Horlicks advertisement from the 6th June 1953 Coronation Souvenir Number of Picture Post.

Horlicks advertisement 1953

So what could Betty’s cross-patch mum, Mrs Forbes, do about her ‘nerves, her brain and her whole personality’? She needed ‘complete relaxation’. Luckily this was in the early days of the National Health Service and her doctor had the answer:

Your rest should really reach down to your subconscious. Only then can you wake truly refreshed . . . my recommendation is Horlicks at bedtime.”

I remember my mum complaining of similar problems. If only we’d known about Horlicks at the time.

What does your child drink?

Ovaltine advertisement 1952

But supposing your children were getting ‘disappointing results in school-work’ caused by ‘poor concentration and lack of alertness’. Horlicks would be out of the question, inducing, as it does, ‘complete relaxtion’ right ‘down to your subconscious’. Luckily there’s Ovaltine: ‘in many homes the regular breakfast beverage for children’. A ‘wise choice’ because of its ‘nutritive properties, including vitamins’ needed for ‘satisfactory development’.

Sole Stories

Phillips stick-a-sole

So, completely rested, right down to her subconscious, and with children developing in a satisfactory way, how did the 1950s woman stay so smart? I associate Phillips ‘Stick-A-Soles’ with a strong smell of adhesive because occasionally my dad or mum would fit soles and heels to shoes. For more ambitious repairs, we’d take shoes to Mr Whitehead, the cobbler who had a lock-up hut on Cooperative Street, Horbury. Like most cobblers, he had a 12 inch tall bust of the wise old Phillips cobbler in his window.

Dads of the 1950s

dads of the 1950s

But I know what you’re thinking: surely the dads of the 1950s, who sat around drinking tea (or was it Ovaltine?), pipe-smoking and reading the newspaper weren’t so good looking, with Brylcreemed hair and neat moustache. Well yes, and to prove it here’s my dad, Robert Douglas Bell relaxing (no tie) on the beach at Filey.

Sausages Milanaise

Kraft Tomato Ketchup

If you were snoozing after all those malty beverages, here’s a suggestion if you want to go Italian and wake up your appetite to the spicy taste of ‘prize, plump tomatoes, ripened in Mediterranean sunshine’.

I’d go for flat-leafed parsley rather than the curled variety, to give it that authentic Milanese vibe.

Mr Clunes

Alec Clunes

In an article on ‘The New Elizabethans’ in the Queen’s Birthday issue of Picture Post, 19 April 1952, I spotted a familiar face. But, no, it’s not Martin Clunes, this is his actor director father Alec: ‘mercurial yet stocky, mellow voiced yet passionate, a traditionalist and a bold experimenter . . . a gift for the gods’. So very like his son Martin (who we were once surprised to see running a used car business at Flamborough lighthouse. We never tracked down what he was filming for that day).

Ronald Searle cartoon

One of my favourite drawings is this Ronald Searle cartoon of humorist Patrick Campbell from an advertisement for Lilliput magazine in the April 1952 Picture Post.

Campbell once came to Horbury and produced a play. The Vigil, for the Pageant Players.

Betty

Barbara’s mum, Betty Ellis, would have been 100 years old today. Here she is in 2010 remembering the birth of he son John at Manygates Maternity Hospital during an air raid in 1941.

In some ways Europe hasn’t progressed much since then.

Betty delivering a Christmas cake to Barbara’s dad, William at his army camp in Sheffield.

Just after he was born the Air Raid Siren went, I asked where my baby was, they said he had been taken to the shelter, but I said could I go too, but they said no, as I had to stay in bed.

The [bomb] that dropped down Thornes when I was in Manygates Mum told me after, that it lifted her from her chair to the other side of the room.

We had a few bombs drop, one doodlebug dropped in Aunt Annie’s spare bedroom it did a bit of damage but not much, I used to go and clean for her and I didn’t like going in that room after.

Another dropped in Ossett, Mum and I had gone up to see Aunt Sarah Elizabeth and Uncle Wilson, Mum was in the kitchen with Aunt Sarah and I went into the garden with Uncle Wilson, we heard the Plane then we heard the Bomb coming down, I ran into the house, it knocked Uncle Wilson off his feet into the side of his shed, but he wasn’t hurt but we were all shaken up.

It made you realise what People in London and places [were going through] where they were getting that all the time.

Betty Ellis (1922-2012)
Betty and Joanne
Betty and granddaughter Joanne

Barbara walked around Newmillerdam this morning with John, watching a tern, the first they’ve seen this year, hovering about near the outlet. I stayed by the car park and drew hogweed and curled dock.

In Memory of William Baines

Baines
William Baines

My thanks to Keith Bosley (1937-2018) for letting me have a copy of his poem of a visit he made to Horbury over half a century ago.

In Memory of William Baines
(1899-1922)

Is this the church
we asked the caretaker
where there is a plaque
to William Baines?
It is, he said.

We had travelled north all day
to Yorkshire, to smell
and taste the soot
of Wakefield, to see
the pitheads, the slagheaps
the houses facing
two grey ways at once, to hear
people with grit on their tongues
giving a civil answer
a guarded edge:
we had come to find
what was left of a boy
in the village where he lived
fifty years ago -
this stern suburb, Horbury
hugging the hillside
above the city.

We had read old journals
proclaiming his debt
to Debussy and Skryabin
(the sea and the fire)
calling him a genius
and reporting his death
at the age of twenty-three:
we had met distant
relatives who told
of meagre schooling
of work with his father
playing in the picture
palace and the Primltive
Methodist chapel
and of consumption
and poverty that kept him
in the garden shed
till the hospital at York
could do nothing for him.

We had studied tattered
scores long out of print
from Paradise Gardens where
he walked at sunset
to Pool-Lights, whose last phrase
rises to silence
taking his bearings meanwhile
from his own Flamboro' Head
and sailing out
alone beyond the beacons
where no one was to follow.

This is William Baines
but the caretaker
unlocked the door and showed us
into gloom. Upstairs
he sald. We trod, fingered
grime and there it was
with laurels and flaming
torches carved in oak
an inscription
in the taste of the time
and at the bottom
a scroll in bronze
with a piano Prelude
engraved in full
chosen for its
brevity and because
they called it the
Amen Prelude.

He fetched us a triptych
of photographs
from the organ loft:
- a printed title page
with two corners
turned down and shaded
- a dark young man
with plain strong features
creased down the middle
- A page of manuscript
marked Labyrinth
a deep sea cave.

Call him up, call him back
from the lonely places:
here in his England
his Yorkshire where men
have died for a hard living
let this fiftieth autumn
flare in his honour, for here
is small treasure, here
is filigree of iron.

Keith Bosley
Plaque from the Primitive Methodist Chapel, now preserved in the Methodist Church, Horbury.
Blue plaque at Baines’ birthplace, Shepstye Road, Horbury

The Lone Wreck

The Lone Wreck

I am working for my Pianoforte recital at Horbury (Nr. Wakefield) which is on the 16th of this month — how I look forward to these occasions. Oh! music — what a delight you are to me — it is one thread between man — & spirit.

For “bread money” — I play as “relief pianist” at the Electric Theatre (Picture House) (York) — hours 4.30 to 7 o’clock.

It does not take up too much of my time — what a blessing! !”

William Baines, 1899-1922, in his diary for Wednesday, 2 January, 1918
Baines

Baines biographer Roger Carpenter thought that William Baines’ 16 January 1918 recital would have been only the second public recital that the 18-year old composer gave. I’ve met people who remembered William playing at the Primitive Methodists’ Ebenezer Hall, so probably that was the venue.

Goodnight to Flamboro'

Tomorrow lunchtime at a recital in Ripon Cathedral Robin Walker performs William’s Tides, two sea pieces for piano, The Lone Wreck and Goodnight to Flamboro’ in a program that also includes performances of William’s Five Songs.

birds in flight sketch

Fifty years ago, for my ‘major project’ at Leeds School of Art I was organising a Baines exhibition and a biographical leaflet. Looking back through my file today I like the inky roughs that I produced on layout paper. Unfortunately the finished publication was in two colours only, so I didn’t take those any further.

Flamborough cliffs
My drawing, from an old postcard, of the cliffs at Flamborough, for Roger Carpenter’s 1977 biography of Baines, Goodnight to Flamboro’.
The sea stack known as Adam, since eroded away, at Flamborough. Drawn from an old postcard for Goodnight to Flamboro’.

1921

My mum, Gladys Joan Swift as a child
Mum heading for the hills in the 1940s.

Where was my mum, Gladys Joan Swift, one hundred years ago today on Monday 25th April 1921?

Thanks to the 1921 Census records now available on Find My Past, I’ve been able to track her down. She was just three years old at the time, living at 77 Nether Edge Road, Sheffield.

Census record

Maurice Swift

Swift census record
Maurice Swift signature
Maurice Swift

Her father Maurice describes himself as a Cabinet Manufacturer and Undertaker, the employer at his firm Swift and Goodison Ltd.

His signature seems to fit with what I know of his character, bold with a bit of a flourish.

Childhood drawing by Maurice Swift senior.

Maurice Junior

But there was another Maurice Swift, Maurice T. Swift, cabinet maker at number 77. This was my uncle, then aged 16 who was employed as a Cabinet Case Apprentice at Maurice Senior’s workshop on Headford Street.

Giving your son your own Christian name and training him up in your business isn’t without its risks and after a falling out with his father, Maurice junior set up his own funeral business, resulting in confusion when people turned up to pay their bills. Maurice senior had to resort to placing a notice in the local paper pointing out there was no connection between the two businesses.

Sarah Ann

Sarah Ann

I checked out 79 Nether Edge Road because I knew that my great grandma, Maurice’s mum, Sarah Ann Swift (nee Truelove) was living there at the time of Sheffield Blitz but she hadn’t yet moved in a hundred years ago today.

33 Cemetery Road, Sheffield, August 2020, copyright Google 2022.

A search of the census shows that, aged 70 and a widow, she was supporting herself as a boarding house keeper at 33 Cemetery Road.

1921 Census record, 33 Cemetery Road, Sheffield
1921 Census record, 33 Cemetery Road, Sheffield.

Her boarders were a Singer Sewing Machine Salesman, James Pemberton, aged 50, and Mantle Shop Manager, John Robert Preston, aged 46.

Sarah Ann Swift signature

She was born in 1851 so her signature is Victorian copperplate. I’m intrigued that she ran the Sarah and Ann together, signing herself as Sarahann Swift.

The Rotunda

We walked across the deer park to the Rotunda at Wentworth Castle this morning before heading up beyond the house to Stainborough Castle, built as a folly by Thomas Wentworth in 1731.

The bird highlight of the morning was before we set off, as we were packing the car. A woodcock flew up the road, flying about 8 feet above the centre road, as it would along a woodland ride. A few doors up it diverted between the houses, still at the same height, heading towards Coxley Woods. I’m guessing that it might have been hunkered down somewhere in the lower end of the woods but had been disturbed.

Hail, Sarah!

Roman cartoon

Sarah’s birthday today, and this card celebrates her enthusiasm for giving her class to a hands-on taster of Ancient Rome.

“Zach said straight away when I opened it ‘I know this one, it’s definitely Uncle Richard’s!’ ” she tells me, “and then was occupied for 5 minutes trying to work out the maths problem! Until Will explained it was deliberately very difficult :-)”

Mock-up Roman newspaper

From my school Ancient History book my S.P.Q.R. News features a comics section based on my mum’s paper, The Daily Mail, so my Col. Pewtius was inspired by Arthur Horner’s Colonel Pewter which ran in the paper from 1960 to 1964. I thought enough about Colonel Pewter to collect the strips, originally four square panels in a 2×2 grid, and paste them into a newsprint booklet I’d made for them. This was a story called 12.2 to the Tropics about a Titfield Thunderbolt type steam excursion that ends up on a tropical Shangri-La deep in the North Wales hills. Unfortunately I no longer have it and it’s not one of the reprints that show up when I search Google.

At first the adventures of Adamus in the Corn Top strip didn’t mean anything to me but, knowing the way my mind works, I remembered the title Barley Bottom.

Artwork © 1986 Derek Chittock

I must have read Barley Bottom in a friend’s dad’s newspaper as at that time it appeared only in the Daily Herald, a left-wing paper. My Adamus seems to be in the same mould, a hapless everyman frustrated by big business and establishment politics:

‘Frame 1: Adamus is trying to keep an old soari service going (possibly I meant to write ‘sella’, a Roman sedan chair)
Frame 2: At Bigus House: ‘Lay an ambush’.

Barley Bottom by ‘Lucian’ was written by Roger Woddis and drawn by Derek Chittock.

Colonel Pewter had originally appeared in a liberal newspaper, the News Chronicle, Barley Bottom was left-wing so presumably Flook the strip that I read for years in my mum’s Daily Mail was suited for right-wing readers. I liked the nostalgia of Colonel Pewter but out of the three of them my favourite was Flook because of the crisp, bold pen work of the strip’s cartoonist Trog.

St Paul’s, Sheffield

St Paul's

When St Paul’s was built in 1721, it overlooked open countryside on the southern edge of Sheffield. As the city expanded its congregation swelled, amongst them my grandma and grandad’s family. Grandad was a church warden here.

Slum clearance resulted in a plummeting congregation and in 1937 the church closed. It stood next to the Town Hall, on what is now the Peace Gardens.

Published
Categorized as History

Taxi Rank

taxi rank

At first I thought that one of these top-hatted figure on the left was reaching into his inner coat pocket to pay his fare for a Hanson cab ride into town.

taxi rank

It’s a small detail in a photograph of the top end of Westgate, Wakefield, taken, I guess in late Victorian times.

cabman's shelter

They’re standing by the cabmen’s shelter. My thanks to Graham Cass for posting the photograph on the Wakefield Historical Appreciation Facebook page.

Drawn in Clip Studio Paint on my iPad Pro using the Real G-Pen, the Lasso Fill Tool and a bit of virtual Charcoal.