The Boathouse

Boathouse

To my mind the prettiest village is Newmillerdam, four miles from Wakefield. The scenery is in the village, not outside . . .

In summer people are allowed to walk round the lake, and admire the beautiful trees and ferns and flowers. In winter, when everything is covered with snow, and skaters are gliding along the lake, which is about a mile in length, it is a picture worth painting.”

Florence E. R. Clark, letter to the Leeds Mercury, 10 August 1907
British Newspaper Archive

Newmillerdam was ‘the ice skaters’ mecca in the Wakefield district’, according to the Yorkshire Evening Post, in January 1946, but they warned that although the surface was strong, it was ‘far from smooth’.

Spare a thought for the Chevet Estate gamekeepers, George Stephenson and William Mellor, who in October 1870 spotted a familiar trio of poachers – Henry Smith, Alfred Grace and William Crowther – in the Boathouse Plantation, sending a ferret down a rabbit hole. While Smith ran away, Crowther picked up a stone to strike the keepers with. They admitted poaching but said that they’d go to Sir Lionel Pilkington and ask to be let off. At Wakefield Court House, they were fined £2 each plus costs or two months imprisonment.

£2 in 1870 would be equivalent to £220 today.

Watercolour Border

I’ve redrawn this border from my Dalesman nature diary featuring the walk around the lake at Newmillerdam Country Park, near Wakefield. In the first version, I thought that the pen and ink was competing too much with the text. To soften it I’ve gone for:

  • soft B pencil instead of black ink
  • textured watercolour paper instead of smooth cartridge
  • loose brushwork, all with a no. 10 sable round, instead of trying to define what textures are
page layout

Floating the Ducks

page layout

As I’m writing about our circuit around Newmillerdam for one of my Dalesman nature diaries, I thought that I’d represent our walk as a decorative border. The text fits neatly into the frame but it’s better to drop in the ducks, swan and coot to float above the background and text, then, in a program like Adobe InDesign, you can set it so the text wraps around them.

It makes a change to my usual nature diary format and I’d like to try it again with another walk, along the seashore, for example.

The Mob

birds

“As we head down the track we spot a buzzard being mobbed by a magpie and kestrel. As it dips and soars fending off the two birds another buzzard soars carefree over the ridge.”

From Barbara’s nature diary, 30 January 2020

I needed to inject a bit of drama into my next (January 2021) Wild Yorkshire diary for The Dalesman, so I’m illustrating the incident Barbara described, along with a male stonechat perching on a fence post. The pen and watercolour of the reedbed and lagoon will go right across at the foot of the double-page spread. I was busy with Sandal Castle and the Rhubarb Festival last January, so I’m having to recreate what my sketchbook might have looked like if I’d had time to draw on the day.

lagoon

Alder

alder cones

The alder is the nearest that we get to mangroves as it produces adventitious roots above ground which enable it to grow in very wet ground, even at the water’s edge. These female woody ‘cones’ are ripening and will attract seed-eating birds such as redpolls and siskins.

Hard Rush: feel the grooves

hard rush

Rotate the stalk of hard rush, Juncus inflexus, between your fingers and you’ll feel the ridges. The similar-looking soft rush feels smooth. There’s a filling of white fleecy pith in these rushes; in soft rush it’s continuous and the pith was collected to make the wick of rush lights and candles. The pith in hard rush is interrupted.

Skelton Lake

Skelton Lake

“You’ve got a good day for it!”

The anglers don’t agree with me: “It’s terrible weather for fishing!”

But Skelton Lake is a great place for a muddy stroll on a dull October morning; at the motorway services, a family are getting their children to change into wellies.

We’re here to take photographs of autumn colour, alder cones, the flowers in the wild flower beds by the services, which itself has a green roof. Rather than put this morning’s photographs in a slide-show style gallery, I’m putting them into an e-pub publication. I’ve only got as far as the cover so far, but I’m learning as I go along.

St Aidan’s, October

A perfect morning for an autumn walk around St Aidan’s RSPB reserve. I set the Art Filter my Olympus E-M10 II to Pin Hole. All of these were taken with the Zuiko 60mm macro lens. It wasn’t until I crouched down and focussed on the buttercup that I noticed the hoverfly. There are also a couple of green aphids at the top of the stem.

Buttonweed, Cotula coronopifolia, is a native of temperate South Africa, introduced to Britain.

Rodley Nature Reserve

Rodley

You drive down through what feels like a factory yard, cross a small swing-bridge over the canal then cross the River Aire via a century-old 38m long Pratt truss steel bridge to reach a low-lying area of lagoons and meadows, enclosed on three sides by a meander of the river, so that being on the reserve feels like being on an island. We’re actually on the inner side of the busy Leeds Ring Road, but I feel as if I’ve got a long way away from all that rush.

As a change from my usual approach, I thought I’d launch straight into watercolour for this sketch – no pen, no pencil – which is based on a panorama that I took from one of the hides on a Wakefield Naturalists’ Society field meeting at the reserve in August this year. No field meetings at all this year, which is probably a first for the Nats since the end of World War II.

Dalesman article

This is the header image for my August Wild Yorkshire nature diary in The Dalesman.

A Long Ramble at Addingford, 1962

Addingford ramble

A post about the Hartley Bank Colliery mineral railway on the Horbury and Sitlington Facebook page today prompted me to go up into the attic to look out this spread from the spring of 1962. This must have been the first time that my brother Bill and I explored so far in Addingford, with our friends, the Cassidy brothers, Steven and David. We dressed for the occasion, armed with a couple of garden canes and with two of us wearing World War II tin hats.

My Exercise Books from 1960 to 62.

I’m glad still to have these exercise books, but unfortunately they don’t often take a diary form like this: I was more likely at that time to be turning the latest Biblical epic into a cartoon strip. I drew hundreds of Roman soldiers. Having said that, I have a complete run of diaries from my Grammar School years.

“It may not have been a long walk we went on but when we were back we had the benefit of playing commandos and learning how to swing on trees, seeing frogs mating, toads and a canal salvage boat in action.”

My summing up of the ramble (spelling corrected), spring, 1962

I don’t mention it in my comic strip but ‘learning how to swing on trees’ reminds me of an occasion, perhaps later that day, when all four of us were swinging over a water-filled ditch by the canal near our ‘Frogtown’. I ended up in the water and stormed off back home on my own, blaming Steven for my downfall.

The canal near Horbury Bridge, this morning.

Notes on the Panels

Panel 1: Gathering together at the end of our driveway, Smeath House, Jenkin Road, Horbury. Our family lived in the ground floor flat, the Cassidys in the first floor.

Panel 2: Setting off via Grove Road, crossing Westfield Road and down Addingford Lane (the A642 Southfield Lane Horbury bypass was constructed a few years later).

Panel 3: Addingford Drive hadn’t been built at the top of the slope, so the woods and scrub alongside Addingford Steps, with steep paths running through them were ideal for a game of commandos.

Panel 4: Crossing the bridge over the railway, the footway alongside the Hartley Bank mineral railway and the bridge over the canal at the foot of the Balk.

Panel 5: The open-ended shed is one of the coal loading bays alongside the canal at Hartley Bank Colliery.

Panel 6: Repairs to the canal. They did a good job: over half a century later, these interlocking steel sections are still holding up this section of the canal bank.

Panel 7: Steven.

Panel 8: Welder at work, note the goggles.

Panel 9: I think that this is my brother striding by in the foreground with long socks, short trousers and yellow pullover.

Panel 10: ‘Frogtown’, a notch cut in the canal bank to allow coal barges using the British Oak loading chute to turn around. This effectively cut off a stretch of a public right of way. The route of the footpath is still marked on the OS map but, 60 years later, the route hasn’t been reinstated.