

Richard Bell's nature sketchbook since 1998



Can there really be so many mussels in the lake?
Nearer the shore we can see these shells, at least some of which look empty. I’ve boosted the contrast in the photograph because of the glare on the water surface.


At first glance, as it dives under, the Dabchick or Little Grebe looks like a diminutive duck but, as it keeps bobbing up briefly, we can see the more pointy bill of the grebe. By the boathouse we see a Goosander, a saw-billed duck (the saw-like edges of the bill help it grip small fish).
I’ve drawn squirrel-nibbled cones on several occasions but, as it was too cold to be comfortable to stop and sketch, I picked these up to draw in the studio later.
As we walk back through the conifer plantations, there’s a twittering all around us in the tops of the trees. Even with binoculars I can see no more than a 

You’re looking down towards the Roman river crossing – which was probably a ford. The bedrock is sandstone, which might explain the pebbles although the riverbank has been restored using landscaping fabric here, so these pebbles might have been tipped here to protect the bank.
This is the inside of the bend on the river so you’d expect slack water and deposits of silt here however there’s a weir not far upstream so the strong currents will scour the riverbed.
We’re here to deliver books but we manage to time that to coincide with a late lunch (goats cheese and spinach risotto, a good winter warmer on a cold, wet breezy afternoon) at the table with the view of the Chantry Chapel so I get chance to make a quick sketch as we wait for our meal.
One of my paintings, Waterton’s World, a large acrylic on canvas from 1984, is in the Hepworth collection but wasn’t hanging in the public galleries today. Perhaps one day . . .
Actually I say it was a large painting but it was tiny compared to Clare Woods’ mighty composite panel paintings of Brimham rocks which are getting on for the size of the actual rocks themselves.
Link: Waterton’s World image of my painting on BBC Your Paintings at the Public Catalogue Foundation. You’ll also found a student picture, acrylic on board of Denby Grange colliery.

WE’RE MISSING one of the regulars on our traditional and slightly delayed Boxing Day birding walk. My friend from schooldays David hasn’t been able to migrate back from Cumbria to his home town this year so this is the perfect opportunity for John (back from Plymouth) and I to add two brand new species to the list of Boxing Day birds that we’ve built up over the last 30 years or so.
On our way to the Main Hide at Anglers Country Park we meet local birder Peter Smith and ask him to point us in the direction of today’s star birds:
“Is the American Wigeon still around?”
Pete explains that it’s out towards the centre of the lake. And he directs us towards the Greenland White-fronted Goose which has joined a flock of Greylags in the fields beyond.
“We’d like to get them on our list, so that we can tell David, who’s been coming round with us for the last 30 years but can’t make it this year!”
“That’s ‘griping off’!” chuckles Pete.
Sadly, we don’t get the chance to ‘gripe off’ David. I’ve no doubt that we saw the American Wigeon and the Greenland White-front, but we didn’t have the birdwatching skills to pick them out amongst (a) the hundreds of European Wigeon on the choppy water’s of Europe’s largest pond-liner lined lake and (b) amongst the other 77 grey geese (we counted them!) in the field.

David also missed out on an us getting slightly lost. After puzzling over the geese for 5 minutes we decided to press on directly to Walton Park but soon found that the footpath started veering off unhelpfully in the direction of Crofton. Still, we can’t complain because we spotted around 33 species including Goosander, Tree Sparrow and Pink-footed Goose (the latter probably an escape but, as a native, it can still go on the list).
And there was a bonus; because we hadn’t managed to get out on the Boxing Day bank holiday we were able to finish our six mile circuit at the Squire’s Tearooms in the Anglers Country Park visitors centre.


A heron flies past Beckside Farm and over the old grey viaduct. Two Mute Swans bring grace and elegance to 
On one narrowboat, they’ve improvised a giant Christmas pudding by the tiller, using a black plastic bin bag and cut-out holly leaves.
We turn back when we reach the pylon wires, which are sizzling and crackling in the rain like sausages in a frying pan. 
Just 15 minutes walk from our doorstep and I feel as if we’ve escaped into real countryside and experienced the wider world.
As we walk back up from the towpath alongside the Bingley Arms, I rub my fingers through the Wormwood to smell this bitterly aromatic herb. It’s appropriate that it should be planted here by the pub as it has been used in brewing and as a flavouring in absinthe and in some Polish vodkas.


But, thanks to a birdwatcher sitting near us in the hide we saw the equally elusive Water Rail, emerging from the reeds and crossing a grassy gap. I’m pretty sure that it’s a lifer, a first for me. Oddly, it was a bird that I was very familiar with as a child; a terrace of old stone-built cottages on our street stood empty, awaiting demolition, and my friend Stephen went rummaging there. He rescued a leatherbound copy of Cassell’s Science Popularly Explained (1856) by David A. Wells, which I still have on my shelf, and a stuffed water rail in a glass fronted cabinet, long since vanished. A little time capsule commemorating some Victorian’s fascination with natural history.

The bird that I looked up was Golden Plover – that was my first guess – but the field guide that I consulted showed summer plumage only; a striking golden yellow bird, as the name suggests.
The warden took a look at my sketch and confirmed that was what it was, but of course in winter plumage.
Back home, looking in my current favourite field guide, the Collins Bird Guide, there are several illustrations of various plumages and, helpfully, an illustration of a winter flock, looking just like the birds that we saw.




It’s strange to think that one of these seeds might have germinated and grown to be a tree that might have lived to be some 3,000 years old, like the Fortingall Yew near Loch Tay, which might be the oldest tree in Europe, surviving until the year 5011 A.D. or beyond . . . if the vole hadn’t eaten it first!
This Clyde Puffer, the S.L. VIC32 from Greenock, one the last coal-fired steam coasters, was moored on the Caledonian Canal at Merkinch. Puffers worked along the west coast, supplying the island distilleries, such as Laphroaig, which stands on the shore at Port Ellen, Islay.
I illustrated one for Stephen Cribb’s Whisky on the 
WE WALK along the towpath beside the Caledonian Canal for a lunch break at the café at the Floral Hall then return to the centre of town via the footbridges to Ness Islands. I draw the standing waves at the upstream tip of the first island. It’s like sitting at the prow of a ship. Anglers stand waist deep in the river.



Looking up into the branches (top photograph) it appears as if the tree has long slender needles like a pine or fir but if you look closely the leaves are scale-like, as seen in this photograph of a dry twig (they’re green when fresh) that I’ve taken with a low-power microscope.

I made a rudimentary clinometer using my hand lens (which hangs on a loop of string) as my plumb-line to establish the vertical and the long edge of my sketchbook, held to my eye, to point at the top of the tree, marking the vertical across the inside back cover of the sketchbook.

By drawing out the angle to the horizontal and the baseline distance to scale (right), I can measure the height as 96 hiking boot lengths so that’s 96 x 34 centimetres (they’re big boots, but very lightweight!); that’s 3264 cm, making the Sequoia approximately 32.64 metres tall, about 107 feet.
Errors include the gentle slope of the ground down to the river and my eye being about 1.8 metres above ground level but those two probably cancel each other out. Also from such an oblique angle I couldn’t actually see the top of the tree.
Mas leat an saoghal, is leat daoin’ an domhain
If the world is yours, the people of the world are yours too.
Gaelic proverb on the wall of the Cuach Coffee Shop, Inverness Museum and Art Gallery.
(A Cuach or quaich is a shallow, two-handed drinking cup, still used on Burns Night in Scotland)


10.25 a.m.: A juvenile Herring Gull wheels 
Some of the litter bins have posters on them asking you not to feed the gulls. The gulls are streetwise, hanging around on the bustling pedestrianised high 
These crows are black like the Carrion Crows we’re used to seeing in Yorkshire but we also see Hooded Crows which are grey with black head, breast-patch, wings and tail. Seeing this race of the crow always makes me feel that I’m in the Highlands. They’re also the crows that you’re likely to see in Europe to the south and east of the Alps. We see a number of hybrids of the two races.

Three Herring Gulls swooped down on the Heron and half-heartedly tried to dislodge it from its perch. They then took up look-out posts on the tops of buildings overlooking the river.
I’M WORRIED about my local patch of countryside. What’s there to worry about, you might ask; the old railway marshalling yards at Healey Mills were featured on a BBC Natural World film as a superb example of butterfly habitat; the Strands and the Wyke made it into the national press as a unique wetland area (the first place in Britain that wild White Storks have nested after an absence of 600 years) and, crucially for biodiversity, these Calder Valley habitats are linked to the Yorkshire Wildlife Trust’s nature reserves at Stoneycliffe and Stocksmoor by Coxley Beck – the only stream in the area with a population of bullheads – and the much-loved woods of Coxley Valley.
Well that’s just how naturalists like myself, local people and the national media see it. This particular stretch of the Calder Valley is also a literary landscape; it features in the novels of the late Stan Barstow who was born in Horbury. Addingford Steps on the path down into the valley take on a symbolic significance in a couple of his novels where characters move from their everyday urban existence to an inkling of a new life with a deeper meaning. I think that’s what a patch of countryside on our doorstep does for a lot of us. It gives us somewhere to think, to forget our everyday concerns for an hour or so.
The valley was where I roamed with my friends as a child and where I set out with my sketchbook as an art student to draw plants, birds and animals.
So much for stories and inspiration; planners and politicians take a different view:

But the habitats that I have described above don’t enjoy any special protection. In that sense, they have no special significance in planning legislation. On paper there would be no environmental implications; we’re not talking about a National Park or a Site of Special Scientific interest. None of these habitats, despite their national fame, is recognised as a Local Nature Reserve (not that they enjoy any special legal protection). Approval of applications would, presumably, be automatic.
In the south of England the most biodiverse nature reserve in the country is on brownfield land. At the Olympic site in London, efforts have been made to integrate meadows and watercourses into the design.
We can encourage biodiversity in planning but only if local people, who know the area best, are encouraged to contribute to the planning process. The presumption in favour of development would make it almost impossible to save habitats like these.