Following the Aire into Leeds, we walk through a snow shower but as it clears and the sun returns we see our first warbler (chiff chaff or willow), just flown in from Africa, checking out the branches and twigs of a riverside willow.
A cormorant laboriously takes off flying upstream, into the icy wind before veering around and heading off down the valley.
The goosanders are diving so close and in such a good light that we can see the bottle-green iridescence on the drake’s head.
One more colourful item bobbing along on the Aire; Barbara’s wooly hat which blows off as we come to a wind-gap between the riverside blocks of flats. It’s close to the bottom of the eight foot stone embankment but as the nearest available branch is just three feet long we have to leave it, blown downstream by the icy wind.
It might the shortest day but there’s just time before the light fades to get into the wood. The days will be getting longer from now on so I feel that after a difficult and disrupted autumn there couldn’t be a better time to get back to nature and to creative work. There isn’t time to sit and draw in what’s left of the daylight but, after enjoying the black and white photography challenge last month, I’m keen to push my skills in another direction and have a go at making little movies again.
These still photographs were taken on my FujiFilm FinePix S6800 digital camera, the background sound recorded in one take using my iPad Mini and the whole thing put together in iMovie.
I used the Alon Dictaphone app for the recording. It’s free but the file transfer extension is a £1.69 in app purchase and I felt it was worth another 69 pence to remove the advertising banner which floats annoyingly in the foreground as you’re holding your precious iPad inches above a babbling eddy in the brook!
Stanley Ferry from site of St Swithen's chantry chapel.
Stanley Ferry Flash.
Mute swans.
Route of proposed Wakefield East relief road.
River Calder near Southern Washlands.
Dripstone on brick under arch of railway bridge.
Ashfields circular walk.
Foundary Shoal bridge.
Back of Rhodes Group factory.
Chantry Chapel of St Mary Magdalene, dating from c. 1342.
This walk, which starts and finishes at Wakefield cathedral and passes Pinderfields, the Old Park and the Chantry Chapel. There are a number of Robin Hood connections, including a sculpture of his sparring partner George-a-Green, the Jolly Pinder of Wakefield. On 25 January 1316 the maidservant of Robert Hode, was fined two pence for taking dry wood and green vegetation from the Old Park. This walk must pass very near the scene of the crime!
More about Robert Hode and the early Robin Hood ballads in my Walks in Robin Hood’s Wakefield, available in local bookshops, visitor centres and some farm shops. Also available online, post free in the UK, from Willow Island Editions, price £2.99.
The walk passes the site of St Swithen’s chantry chapel. Walk it while you can because there are plans for a relief road which it is proposed will go through the Old Park, later the site of Parkhill Colliery, linking with the roundabout near Wakefield Hospice at Stanley Hall.
A perfect September morning to walk around Langsett Reservoir; through the conifer plantations, across the river Little Don and up onto the moor.
Not such a restful day for the red grouse and the brown trout though. The gamekeepers and beaters were getting in place (you might spot them moving through the trees on one of the shots of the river) to wave flags while walking across the moor whooping and hollering, accompanied by their dogs, driving the grouse towards the guns.
We hurried across the moor before they started and missed out on our coffee stop at the ruined farm known as North America, pausing instead by a lichen-covered rock overlooking the stream on the far side of the moor.
A student in full-length waders emerged from the stream. He explained that he was from the University of Hull, setting up a project to monitor the movements of brown trout by tagging them and installing a couple of electronic sensors, one where the stream runs into the lake, the other further upstream.
YouTube
Unfortunately my recordings of natural sounds – running water, bird calls and the wind in the heather – were interrupted by the sound of the plastic lens cap, which is attached to the camera by a loop, rattling in the breeze so I’ve added a music track.
My thanks to Silent Partner for making Days are Long available for use on my YouTube video.
If you’ve got a fast connection, Langsett looks good in HD.
Filmed with my FujiFilm FinePix S6800. The shots that I didn’t use my little ‘Spider’ tripod for needed image stabilisation in iMovie.
‘Here come five pandas!’ quips one birdwatcher, and he’s right, the belted Galloway cattle that form part of the little herd here have same pattern and the panda’s barrel-like rotundness. The herd move from island to island across the lagoon, like a scene from a wildlife documentary.
I’m surprised how deep the channel between the two nearest island is; the cattle launch themselves splashily from the edge and swim across.
The purple loosestrife is now at its best at the RSPB Old Moor reserve.
Two photographers in search of dragonflies apologise for trawling across my field of view, requesting that I don’t include them in the picture.
A shame, they would have added some scale. The loosestrife is shoulder high.
Jointed Rush
I think of rushes as being like the hard rush and soft rush; spiky and cylindrical, like a clump of green porcupine quills, but this is a rush too; jointed rush, Juncus articulatus, gets its name because the hollow stem is divided by internal ‘joints’.
It has clusters of star-shaped brown flowers which develop into egg-shaped fruits.
Yellow Rattle
This dry seedhead was growing on a grassy path edge. It reminds me of bluebell but we’re not in woodland – or old hedgerows – here and when I check it out in the book I’m able to confirm that it’s yellow rattle, Rhinanthus minor, which is semi-parasitic on the roots of grasses.
It is a member of the figwort family, Scrophulariaceae.
Each rounded capsule has a short beak at its tip. As it rattles in a breeze it distributes its winged seeds.
Bands of Blue and Green
I felt that I was getting a bit fussy as I painted the loosestrife so I went for a simpler approach with this nearby pond. With the quickest of pencil outlines I went straight on to the rapidly changing sky and its matching reflection, followed by bands of the lightest greens in each area to indicate distant trees, meadow, reedbed and reedbed reflections, plus the nearest willows.
With every bit of paper assigned a tone I could them add mid-tones of foliage and finally the darkest patches, adding a few of the brown branches of the willows.
The path to the northern end of the RSPB Old Moor reserve is closed at the moment to minimise disturbance to the resident bitterns so your best view of the reedbeds is from the Bittern Hide.
Grazing bullocks help keep the grassy margins of the lagoons open. This afternoon they’ve congregated to chew the cud on the banking in the corner by a field gate which is sufficiently exposed to discourage flies.
But the breeze and the occasional showers have made it difficult to draw plants in any detail today.
The great willowherb was growing by a bridge over a drainage ditch while the tufted vetch was climbing amongst the dried grass to a height of three feet with the aid of tendrils at the end of its leaves.
9.47 a.m.; A skein of forty Canada geese approach, honking as they go, from the north-west. The lead bird, followed by the rest of the chevron, has to make a considerable effort to climb to clear the power lines above me.
Grey willow, Salix cinerea, grows in damp acid soils, often, has here near ponds. It has a low spreading habit. A typical grey willow leaf tapers gradually from near the tip towards the base. The goat willow which you can find in similar habitats typically has a more rounded leaf.
‘A reed shaken by the wind’ is my subject at Old Moor today. I’ve labelled it as the common reed, Phragmites communis, but Wikipedia points out that communis is considered an ‘illegitimate name’ and that I should now be calling it Phragmites australis.
It resists the wind not just by its flexibility and its hollow stem construction but because the leaves, growing from sheathes that clasp the stem can rotate as they’re blown around.
While my habitual pen and brown ink might be appropriate for the reed, but I felt that would be too strident for the white water-lily, Nymphaea alba. Dragonflies zoomed around over the pond but the only insects visiting the water-lily as I drew it were a few flies.
Water mint, Mentha aquatica, is now in flower, growing along the edges of the drainage ditches.
Water plantain, Alisma plantago-aquatica, was growing next to it, emerging from the water. Ruskin saw the elegant arrangement of veins in its leaves as an example of the kind of ‘divine proportion’ that inspired Gothic architecture.
When Convent Thoughts, a sharp-focus study of a contemplative nun standing by a lily pond by the Pre-Raphaelite painter Charles Allston Collins’, came in for criticism at the 1851 Royal Academy summer show, Ruskin wrote in a letter to The Times;
“I happen to have a special acquaintance with the water plant Alisma Plantago . . and . . I never saw it so thoroughly or so well drawn. For as a mere botanical study of the Water Lily and Alisma, as well as of the common lily and several other garden flowers, this picture would be invaluable to me, and I heartily wish it were mine.”
Ruskin’s endorsement helped redress the criticism but, although habitat may be right for it, Alisma plantago, the water plantain, doesn’t appear in the painting.