The View from the Boathouse

Newmillerdam
Drawn with my new Lamy nexx with the EF nib, in brown De Atramentis ink, watercolour added later, as Barbara rang me to say that she and her brother had had to abandon their usual circuit of the lake.
swallow

The best place for me to draw at Newmillerdam on this rainy morning is the Boathouse Cafe, sitting looking out of the 200-year old gothic mullioned window with a mug of latte.

geese

Swallows swoop and glide low over the glowering grey surface of the lake. Thirty pink-footed geese – probably two or three families combined – progress sedately across the placid waters, making surprisingly little noise, considering how excitable geese can be.

coot family

There’s a family of coots with three youngsters, now almost adult size but in charcoal-and-white penguin-style livery, instead of the jet-black of the adults

On the coots’ nest by the outlet of the lake, an adult is sitting tight. This is a popular little nesting platform, now with it’s own mini-garden of herbage, and I think several families of coots must have been raised here over the last few months.

duck

In the shallow film of water cascading over the top course of masonry of the outlet, mallards are dabbling. The lake has its backwaters, opaque and eau-de-nile today, but here there’s always a flow, so always the chance of some invertebrate or seed being washed down.

Two ducklings are swimming nearby. I’ve seen smaller ducklings stuck below the horse-shoe cataract of the outlet, unable to make the leap back up again, but these two seem just about old enough to escape the dangers.

duckling

Yellow Flag

flag iris

11.15 a.m., 70℉, 21℃, storm cloud looking threatening to the west, but we escape the worst of it: The triple flower-heads of Yellow Flag Iris look complicated, but they work perfectly when a bumble bee lands on them. I assume that it would take one of the larger bees to trigger the mechanism and enter the flower, but a smaller bumble bee manages just as easily.

The coots’ nest near the war memorial has been neatly built up since last week and there are at least three chicks.

birds

Back home, I draw some of the visitors to the bird feeders. In additions to the greenfinch, blackbird, starling, blue tit, robin, wood pigeon and house sparrow that I’ve sketched here, we had a male great spotted woodpecker coming to the feeders and a grey squirrel with a very undernourished tail.

Goslings

coot

Newmillerdam Lake, War Memorial, Monday, 24 May, 2021, 10.50 a.m., 63℉, 7℃, 80% cloud: A coot swims to the shore and immediately sees off two snoozing mallard drakes. It preens and pods about a bit then goes back to the lake.

gosling

Two pairs of pink-footed goose come ashore, each with a single gosling.

mallard drake

Two weeks ago I drew the coot on the nest by the outlet sitting on eggs, last week there were about eight chicks and this week the nest is empty, with no sign of any addled eggs left behind. Nearer the war memorial there’s a coot still sitting on its nest, no sign of chicks peeping out as we passed.

wildfowl

Coot on Eggs

coot sketches

Lake outlet, Newmillerdam, 10.15 a.m.: The sitting coot gets increasingly alarmed as the drake mallard gets nearer, dabbling around the nest. The coot’s repeated, scalding notes get more frantic until its mate swims over briefly to check things out, but the mallard soon moves on.

Back to the business of incubating, the coot keeps changing position and I get a glimpse of 8-10 greenish brownish eggs.

Its mate returns and presents the sitting bird with a spindly pencil-length twig sprouting fresh green leaves. This is accepted by the bird on the nest (I’m not saying ‘the female’ because I can’t tell the difference between the two birds) and incorporated into the car tyre-sized platform.

But is it Art?

pink-footed goose

Have you ever come across the idea that natural history illustration “isn’t art”? I remember you trained in design and illustration rather than fine art – have you ever had to defend your work against this charge?

My friend, writer Richard Smyth, in an e-mail today

Interesting question. It’s not anything that anyone has ever challenged me on but, like most creatives, I wouldn’t want to use ‘artist’ as a job description. I’d always describe myself as an illustrator/writer. Although I’ve had exhibitions of paintings, probably 99% of my work is illustration and intended to be seen on a page or screen with text. My sketchbooks are part field notebook.

It’s a relief to be off the hook as far as art is concerned. When I draw a flower, bird or snail, I love the idea that the creature has the right just to be itself. I can’t avoid being an observer and therefore having an implied presence in a drawing but I don’t want to burden the poor creature with how I was feeling that day, or with my views on Life, The Universe and Everything.

I feel that when Picasso draws a dove, a monkey, a horse or a bull, the critics have to scramble around to tell us what that symbolised at that stage in his career, whereas if I, as I did this morning, draw a pink-footed goose, I’d like the actions, appearance and personality of that particular goose on that particular day, to be the main subject: not to mention the energy and mystery implicit in said goose simply being a goose.

I know this is impossible, as I’m not a camera, but that would be my aim.

The Boathouse

Boathouse

To my mind the prettiest village is Newmillerdam, four miles from Wakefield. The scenery is in the village, not outside . . .

In summer people are allowed to walk round the lake, and admire the beautiful trees and ferns and flowers. In winter, when everything is covered with snow, and skaters are gliding along the lake, which is about a mile in length, it is a picture worth painting.”

Florence E. R. Clark, letter to the Leeds Mercury, 10 August 1907
British Newspaper Archive

Newmillerdam was ‘the ice skaters’ mecca in the Wakefield district’, according to the Yorkshire Evening Post, in January 1946, but they warned that although the surface was strong, it was ‘far from smooth’.

Spare a thought for the Chevet Estate gamekeepers, George Stephenson and William Mellor, who in October 1870 spotted a familiar trio of poachers – Henry Smith, Alfred Grace and William Crowther – in the Boathouse Plantation, sending a ferret down a rabbit hole. While Smith ran away, Crowther picked up a stone to strike the keepers with. They admitted poaching but said that they’d go to Sir Lionel Pilkington and ask to be let off. At Wakefield Court House, they were fined £2 each plus costs or two months imprisonment.

£2 in 1870 would be equivalent to £220 today.

Watercolour Border

I’ve redrawn this border from my Dalesman nature diary featuring the walk around the lake at Newmillerdam Country Park, near Wakefield. In the first version, I thought that the pen and ink was competing too much with the text. To soften it I’ve gone for:

  • soft B pencil instead of black ink
  • textured watercolour paper instead of smooth cartridge
  • loose brushwork, all with a no. 10 sable round, instead of trying to define what textures are
page layout

Floating the Ducks

page layout

As I’m writing about our circuit around Newmillerdam for one of my Dalesman nature diaries, I thought that I’d represent our walk as a decorative border. The text fits neatly into the frame but it’s better to drop in the ducks, swan and coot to float above the background and text, then, in a program like Adobe InDesign, you can set it so the text wraps around them.

It makes a change to my usual nature diary format and I’d like to try it again with another walk, along the seashore, for example.

Grebe Display

grebes

A pair of great-crested grebes were displaying at Newmillerdam this morning. Their face-to-face head-shaking display was interrupted by a third grebe which was soon chased off by the male. The male has more prominent cheek-ruffs and ear-tufts than the female.

A second bout of head-shaking was soon interrupted by the intruder and then all three birds dived out of sight for what seemed like a minute. Later we saw a single grebe diving near the war memorial, so perhaps this was the intruder who had decided to give the pair a break.

Alderfly

alderfly
Drawn from a photograph taken by the Middle Lake, Nostell Priory, April 2018

If Laurence Llewelyn-Bowen was asked to design an aquatic insect, this is what he might come up with. The smoke-tinted wings of the alderfly are folded like a roof and supported by a tracery of veins, in the style of a Tiffany lamp. Despite these stylish wings they don’t venture far from the water’s edge.

The alderfly larva is a predator, using powerful pincer-like jaws to to prey on aquatic insects such as caddis and mayfly larvae.