Category: Habitats

The Other Side of the Fence

IT SEEMED rather drastic when, a few years ago, spiked fences went up around the old colliery railway embankment that crosses the valley floor between the canal and the river at Addingford. It blocked off an unofficial walk that I had enjoyed since the tracks were taken up in the late 1960s and, alarmingly, a number of Silver Birches were chainsawed and left lying where they fell, but from the official public footpath, which runs along the foot of the embankent, I can now see this from the birds’ point of view.

The fence, I realise, isn’t designed to keep humans out; well it does keep them out but whoever put up the fence has gone to a great deal of trouble to ensure that the four-legged friends of humans can’t get in there to enjoy snuffling around in the undergrowth. Bad news for dogs but good news for ground-nesting birds.

Even the felling of a dozen birch trees isn’t necessarily a disaster for wildlife; it has opened up sunny spaces on the banking which should encourage the growth of wild flowers, which in turn should attract butterflies. Ants should also be active on this sunny slope which provide food for a bird that I’ve seen for years near the old railway; the Green Woodpecker.

Leaving the birch trunks where they fell also makes good sense; dead wood is so often cleared away from public spaces and forestery plantations, removing a potential habitat for all sorts of wildlife.

I noticed that several of of the birch trunks, sawn off at chest-height, which is not the approved way to coppice them, have been adopted as bird feeding stations by having planks nailed to them. The resident Robins seemed happy with this arrangement.

The fenced-off embankement wouldn’t walk away with the gold medal for a wildlife garden at Chelsea but as far as habitat goes it’s shaping up to be an improvement for birds, butterflies, wild flowers and fungi.

The Barn Owls of Low Laithes

This Barn Owl was found lying by the side of the M1 near junction 40 earlier this week. A member of the Wakefield Naturalist’s spotted it and brought it to the meeting on Tuesday. Sadly, this if a first; at the meetings of the Wakefield Naturalists’ Society that I’ve attended over the last 40 years, I don’t ever remember anyone bringing in a dead bird but this was apparently a regular feature of the society’s meeting in the Victorian period in the bad old days when one of the axioms of keeping biological records was ‘what’s hit is history, what’s missed is mystery’. Even some of the founding fathers of conservation like Audubon used the gun to collect huge numbers of birds, and not just strictly for reference purposes when illustrating his Birds of America, he apparently enjoyed the sporting aspect of shooting wild birds.

There’s a record of an Otter which was shot on the Calder at Stanley on 3 February, 1869. Rather worryingly there’s a note in the Wakefield Naturalists’ Society Annual Report for 1883 (illustrated here with an engraving by Thomas Bewick, or one of his followers):

 Otter – Lutra vulgaris. Several have been obtained.

The Wakefield Naturalists’ Society was founded in 1851, ten years before the Yorkshire Naturalists’ Union, which celebrates its 150th anniversary with a conference on The Ever-changing Flora and Fauna of Yorkshire at Garforth on 19 March this year. Obviously there had to be a network of naturalists’ societies before a county-wide Union could be formed.

Coming back to the unfortunate Barn Owl; it’s hunting habits, flying low over open, scrubby grassland, in the half-light of evening are sooner or later going to put it on a collision course with motorway traffic. Low Laithes golf course provided a hunting territory for Barn Owls as their numbers began to recover locally in the 1980s. They’re continuing to spread around Anglers Country Park today.

Appropriately the place name Laithes comes from the Viking word for barn. My Walks around Ossett follow circular routes around the town from Mitchell Laithes in the south-east to Low Laithes in the north-west.

When I was checking out the Low Laithes walk for the booklet, I came across a familiar-looking image of a Barn Owl. Flags and signs at Low Laithes golf course are emblazoned with the owl logo I drew for them back in the late 80s or early 90s. It’s even been carved in bas-relief in sandstone by the entrance gates; the first time I remember anything of mine being carved in stone.

End of terrace on the junction of New Street and Prospect Road, Ossett, drawn during a coffee break at Cafe Vie.

Chairs

I have been drawing recently but you wouldn’t know it from my sketchbook; these are all I have to show for the last week or two. I’ve been drawing the maps for Walks Around Ossett in the odd hours I’ve had between family matters and parcelling up my books. Parcelling up books and shipping them out to customers never seems like real work – it’s therapeutic but hardly taxing – but it is, after all, the way I make my living, so I shouldn’t grumble!

I think that I can see a patch of calm, clear water ahead but at the moment I really feel as if I’m swimming against a backwash and getting nowhere and that is reflected in this handful of sketches:

  • a couple of people at the Wakefield Naturalists’ meeting on Tuesday
  • a newspaper drawn when I waited to have my hair cut last week
  • two chair backs

The chairs are entirely typical of my unsettled life at present; I started drawing one chair then got moved on after I’d drawn two lines then – at my next port of call – I’d no sooner started drawing a second chair when someone came along and moved it!

Rhubarb Rootstock

Finally, this afternoon, after a morning painting scenery and an afternoon at a farm shop event, I got the best part of an hour to sketch. As it was a Rhubarb Festival event the most appealing subject to hand was a basket of forced rhubarb and an example of the rootstock from which the shoots are grown, at this time of year, in total darkness to ensure an early crop, at a time of year when there is a break in the supply of soft fruits.

The Cat & Clothes Line

Barbara shouted up to me ‘Just take a look at that cat on the lawn!’

It’s been a wild day, wild but mild; this morning our neighbour’s three-year old boy got blown over in a gust on the way to school and the handful of stallholders who turned up at Ossett Market were sent home because of the danger of goods and even stalls being blown around. I felt particularly sorry for the fishmonger with all his fresh fish, having to pack up his van. We’ve had a lot of rain too and the Calder is running beige-brown and flowing up over the bridge piers but not quite at flood level yet.

But some are enjoying the call of the wild; the frayed end of the broken washing line (broken by blue tits pecking at it!) was snaking and jerking around on the lawn near the pond, exactly in the way that you’d tempt a kitten to chase a piece of string, but on a larger and livelier scale.

Too much of a temptation for this black and white cat which was taking it’s usual shortcut back from the meadow via our back garden path. You can see (below) that at times it turned its back on it but then thought ‘Well, just one more go . . .’

It was so happy rolling on its back, pouncing and sitting with its ‘prey’ wrapped around its shoulder. Occasionally it did pause and look around as if thinking ‘This is silly, I hope no one is watching me.’ But it still couldn’t resist another mad tussle with the playful frayed end of the rope beckoning.

I’d love to have had time to make quick sketches but the last ten days have been taken up with preparations for Barbara’s mum’s funeral on Monday. I’m not going to really settle down until after there’s been that short ceremony of closure.

Over the past weeks and months I’ve slipped further and further behind with my latest booklet, the deadline for which is looming up in the next two to three weeks, but haven’t been able to make any real progress on it.

Hills

Thanks to our relaxed but relentless attention over the past few days to essential tasks, we’re hoping to get back out in the countryside next week, not to the wilder uplands of the Pennines that I’ve fondly imagined here, but at least we should manage to get out into the more homely farmland around Ossett to check out walks for my latest booklet. This is getting increasingly urgent as I’ve promised to have it ready to launch at the Rhubarb Festival in Wakefield at the end of February.

This pagoda reminds me of the ventilation towers on whisky distilleries, which I drew, years ago,  for Steve Cribb’s book Whisky on the Rocks but I drew this from the Bakehouse Cafe in Ossett; this is the largest of three pagodas on the roof of a Victorian building which I believe was once the town’s Conservative Club but which is now a wine bar.

I like to have fresh herbs in the kitchen, which are especially welcome at this time of the year when there’s a very limited supply from the garden. By the time this Marjoram outgrows its the ceramic pot it was supplied in, spring will be here and we can plant it out in the herb bed.

I’ve enjoyed having one or two comments to my postings,  many thanks for those, but I’m having trouble with spam comments at the moment so I’ll probably have to turn off the comments (not sure how I do that at present!), to allow myself more time for the drawing and writing the diary itself. What a nuisance!

Scrubland

The Runtlings, Ossett; The winter hedgerows are busy with birds: Greenfinch, Great Tit, Long-tailed Tit and – probing the leaf-litter beneath trees – a few Redwings. A Kestrel hovers over the rough, grassy mounds on waste-ground around Dewsbury Sewage Works.

In my childhood, rough grassland dotted with thorns was a familiar habitat around old collieries, factories and railway sidings. Much of this ‘brown land’ has now been reclaimed for housing and office parks, and today, when more thought goes into landscape design, areas that would once have been left as derelict have been transformed into community parks with fishing ponds, copses and little meadow areas but, because of my childhood memories of roaming around post-industrial landscapes, I feel a touch of nostalgia for these pockets of unkempt scrubland, the hunting ground of the Kestrel.

Sycamores

The Hospice makes the most of its leafy surroundings with plenty of windows and several small conservatories, a contrast with the tall, often inaccessible windows in the wards of the old buildings of Pinderfields Hospital just across the road.

We’re here visiting my mother-in-law Betty. They’ve done all they can for her medically in the hospital and the aim of the Hospice is now to make her comfortable rather than to bombard her with all resources of modern medicine in order to come up with a cure for her condition.

I see it as the difference between hard-nosed Health, with a capital ‘H’ – with all it’s targets for waiting lists, meeting budgets and successful outcomes – and well being, a softer concept which is more difficult to measure but is obvious when you come across it.

Leafy views and fresh flowers in vases, hair-dressing and aromatherapy sessions, have no place in the already stretched budgets of our National Health Service but they make such a difference to the way you feel, such a difference to the atmosphere of the place. The Health Service view might be to diagnose the problem and work towards a cure, seeing the patient to some extent as a problem to be solved. With the Hospice, it seems more as if the main aim is to treat you as a human being.

Having said that, we’ve got no complaints about the treatment Betty received in her months on the acute wards but the Hospice feels like the right place for her to be now.

Kat Kong

On our walk along the towpath yesterday afternoon, I tried photographing the Canal House cat – well one of the Canal House cats, there are several – as it sat on a shed roof and it’s ended up looking giant-sized compared with the old barge-horse stables, like Kitten Kong in The Goodies, which rampaged around London and demolished the Post Office Tower. Barbara and I saw Jack Black in Gulliver’s Travels in 3D last week so perhaps that influenced my viewpoint.

Flowstone

I’ve never taken so many photographs as I have since I got my little Olympus Tough a year ago; it’s almost always with me. I’ve drawn this deposit of flowstone in my Wild West Yorkshire diary before but yesterday I took the opportunity to photograph it on the camera’s macro setting. It’s such a small camera that all I need to do is lean over, holding it at arm’s length, to get near the outflow, which comes out of the canal bridge on a steep banking. In close-up it looks like deposits that I’ve seen in limestone caves. I assume that water is dissolving lime in mortar between the stones of the bridge piers.

Hoar Frost

Yesterday afternoon the shadows were white – white with frost. The towpath is something of a sun trap, even when the sun is so low on a winter’s day, but the ridge of trees opposite casts a long shadow so in places the path is muddy but just inches away the ground is frozen solid and the vegetation rimed with hoar frost where it has remained in shadow all day.

Towpath Birds

Each bird has it’s distinctive way of getting across the canal;

The Moorhen has the most amphibious method, combining land, air and water for the short journey. As it sees us approach, it pauses on the towpath, stalks a few tentative steps to the bank, launches itself into the air with limited effect then staggers along the water surface for a few paces – with the out of control momentum of someone jumping onto the platform before the train has stopped – before settling to swim the last yard or so to the seclusion of the bankside vegetation.

The Wren zooms along, wings a-whir, from the undergrowth on the towpath side to the hedge on the far bank.

A small group of Long-tailed Tits take a roller-coaster flightpath from the tops branches at one side to those on the other. Repeated wing-beats interspersed with short rests result in their bouncing flight.

A pair of Mallards swim across with a surreptitious air. The drake might be trying to avoid the attention of rival males. Later we see a duck closely pursued by two drakes flying up river.

Moonshadow

A winter’s afternoon: ‘It was as cold and crisp as an ice cream with . . . um . . a crispy coating. The Moon rose like a pizza splodged with mozzarella . . .’

Okay, I’ll have to face it, after a harrowing day, a short walk over Horbury Bridge to the post office isn’t going to give me the material I need for my ongoing nature diary.

For once there are no birds on either the canal or the river . . . but what’s that bicycle doing down there on the strandline?

There was an early feminist proverb: ‘A woman without a man is like a fish without a bicycle.’ Perhaps this one has been abandoned by a large Sea Trout (see http://wildyorkshire.blog/2011/01/salmon-or-sea-trout/ ) trying to make its way upstream.

A flock of a dozen or more Jackdaws flies over as the Sun sets and the fleecy clouds over the wood are tinted coral red like flamingos.

More lights in the wood this evening; bright blue starbursts threading  through the trees. A police search?

No, it’s a group of lads (or possibly fish, I can’t actually see them in the darkness) are cycling around the quarry area.

The rear lights are equally clear: ‘Blue as they approach, red as they recede,’ – like the spectra of stars moving around our galaxy – as Alan Garner described motorway traffic in his novel Red Shift.

Great writer Garner; he’d never have come up with ‘The Moon rose like a pizza.’