These three fragments of pottery which we found while digging the lower veg bed must date from well before our house was built in the late 1930s. Perhaps they were mixed in with a wagonload of night-soil (contents of a privy) that was dumped on the field in Victorian times.
Cross section of edge of a blue and white platter?
The blue and white design was the first to catch my eye. It was only when I took a macro photograph of the crazed white potshard that I spotted that it too has spots of blue glaze on it. A cross section reveals that both shards are made of the same kind of clay and are the same thickness. Both are very slightly curved so I think these are both pieces of a semi-rectangular, tray-like platter.
The earthenware has an almost imperceptible curve on it too. Perhaps it was part of a large jar or bottle.
A view of the cross-section appears to show that it was made of two distinct layers of clay but in close-up you can see that the outer, darker layer fades towards the lighter inner layer. Is this an differential effect due to the way it was fired in the kiln?
It appears to have a light grey glaze on its outer surface. Perhaps it was slip-coated.
A sparrowhawk swoops down across my mum’s leafy back garden and perches in a tall fir, its head hidden amongst the branches as I draw it. In a neighbouring garden the tall lime trees have yet to start springing into leaf.
Heading back from a book delivery, leaving motorway and ring-roads behind us we once again use the Peak District as the perfect escape route from everyday routine. We’ve called at the Riverlife Cafe at Bamford many times before but today we’re in luck and we spot new bird for our Riverlife Cafe list. A dipper flits downstream to perch on a fallen bough at the edge of the river. It flies a short way back upstream to a partially submerged bough then launches itself into the fast-flowing water. I don’t see it again until it pops up near the fallen bough, five or six metres downstream.
As we wait for our cinnamon toast and lattes, I draw siskin and coal tit.
At this time of year everything seems possible in the garden. There’s still time to plant whatever we want to grow. Perhaps if I spent as much time gardening as I do getting myself inspired by reading about it and watching Gardener’s World, I’d get a bit further.
Veg beds as they were in 2009 and 2012, which, as we try to keep to a three year rotation, is pretty much what we’re aiming for this year.
I’ve enjoyed two recent books which offer different approaches to which varieties of vegetables to grow and how to grow them. Kew on a Plate takes the view that for taste we might try going back to the heritage fruit and vegetables that predate the standardised, high-yield varieties required by the supermarkets. There’s been a tendency to go for varieties with a long shelf life, which are tough enough to survive transportation, but that doesn’t always go hand in hand with improved taste. But things are changing and most supermarkets are now making efforts to offer a range of locally grown produce.
The book tells the story of the project to reestablish the Royal kitchen garden at Kew. One problem that the gardeners had was with the heritage soft fruits which attracted the attention of grey squirrels, foxes and probably even a few human visitors who found them just too tempting.
Raymond Blanc devised the recipes, often inspired by his memories of the kitchen garden of his childhood in a village in Franche-Comté, eastern France.
In Grow for Flavour, James Wong takes a rather different view. For instance he reminds us that it’s not always true that heritage varieties are the tastiest.
He looks at simple ways to boost flavour, for instance by cutting down on watering. Overwatering results in bigger fruits and vegetables but often at the cost of diluting the flavour.
Trials have demonstrated that it’s possible to get improved results by deliberately putting a plant under a modest amount of stress, by tricking it, for instance, into thinking that it should start producing more fruit or into protecting itself from attack by pests, sometimes producing bitter-tasting compounds which result in a more complex flavour.
Grow for Flavour seeds are available from Sutton’s who also produce a Stacks of Flavour Crate Collection with all you need to grow salad leaves in three weeks, or if you’re more patient, a Pizzabox Crate in which you can grow the entire topping for a pizza in 8 to 10 weeks – blight resistant tomato, basil and oregano (pepperoni not included). You can even have your crate personalised with a message.
No dawn chorus this morning or if there is we’re not going to hear above the whistling, rattling wind but at 4.30 we hear the recycling bin, which we’ve put out on the pavement, blow over. I don’t want any paperwork I might have put in there blowing down the road so I pull on some jeans and grab my jacket and wedge it back under the lamp-post. But it blows over again 15 minute later so I have to trot out again and bring back to the shelter of the porch until breakfast time.
Smeath House, Horbury, my home for twenty years, right through my school and art college days, went on the market today. Looking at Tim Baker’s photographs in the brochure, I can see that the ambience of the place had an effect on the way my work developed. Aged nine, I filled an exercise book with sketches and nature notes including a map of the birds I saw around the shrubberies and lawns.
I can see why I’ve always been fascinated by the Victorian period, surrounded as I was by so many period features. In the 1960s there were still people around, my grandparents for instance, who grew up in the last days of Victorian England. Our era seemed rather colourless and mundane compared with the world of Dickens and Thomas Hardy.
Grandma and Grandad Bell visiting us at Smeath. They met at the celebrations for Queen Victoria’s Diamond Jubilee.
The house was built by the Baines family who were worsted spinners with mills in the valley below. There’s a box-shaped bay window on the west-facing corner of Smeath House which my brother imagines Richard Baines standing at early each morning to check that his foreman had stoked up the fire for the steam engine that drove the machinery.
We met Enid Baines, a daughter of the family, in the late 1950s or early 1960s when she revisited Smeath House. Her mum was then aged 100 but didn’t come with her. I would love to have seen any family photographs showing Smeath House in its Victorian heyday.
There are carved heads on keystones above the entrance and the windows of this Venetian palace style branch of the Wakefield and Barnsley Union Bank (now occupied by Barclays) built in Ossett in 1870. The Santa Claus lookalike above the door seems to be a portrait, perhaps of the first manager, but this woman over the window has classical proportions and probably represents a mythological figure.
The man in a winged helmet over another window is probably Mercury but it would be nice to think that he was Osla the Viking, who, according to one interpretation of the town’s name, settled at ‘Osla’s seat’ or ‘Osla’s ridge camp’ a century and a half before the Battle of Hastings.
The lime trees in the gardens of Victorian villas in Horbury are characteristically tall and columnar in shape. When they need to be replaced the tree officer for the local council requests varieties which have a similar shape; Tilia cordata ‘Rancho’ or Tilia cordata ‘Green Spire’.
Ornamental heathers are now bringing some early spring colour into gardens.
These lichens, yellow Xanthoria parietina and pale Parmelia saxatalis, were growing on a poplar at Alverthorpe Meadows which we walked around with friends Roger and Sue recently.
In a nearby tree was a mystery bird. It was the size of a song thrush but had the streaky spots of a mistle thrush. On a dull day looking up at it silhouetted amongst the bare branches I couldn’t get much further with an ID but luckily Roger had brought his bridge camera with a powerful telephoto and when we viewed the bird on screen when we got back we could see clearly that it was a redwing. It’s unusual to see just the one redwing on its own, so I think that threw us.
The pied plumage of the magpie in blends well with the bare branches.
But the trees won’t be bare for much longer. It’s good to see the blossom (not sure what species this is) appearing. But whatever time of year there’s always something to see, even if it’s just the bracket fungus on a willow or the magpies busy repairing their nests.
Blushing bracket fungus Daedaleopsis confragosa on willow
We met one of the Wakefield countryside rangers who told us she was planning the annual toad-count. She realises that it’s important to choose the right night for it – mild and damp – or you won’t get a good impression of the numbers.
As an 9 or 10 year old I pinned a map of Africa on my bedroom wall, surrounded by a collection of the 3D models of African animal heads that they printed on the back of Corn Flake packets. I hoped that some day I’d be able to fly out to Tanganyika to visit my godparents, Barbara and Jack Wilkinson, though sadly that never happened. I’ve still got the five inch tall ebony warrior that they sent me. He still sports his feathery plume, hide shield and Masai regalia but he lost his spear long ago.
Jack taught biology at the agricultural college at Arusha, close to the Kenyan border. It’s a beautiful setting with Mount Meru and Kilimanjaro looming in the background. Returning to Britain when Tanzania won its independence, they settled in Leek, Staffordshire, where Jack continued to teach biology. He died of cancer about thirty years ago.
Barbara was doing fine when we visited her last summer before my mum’s fall but she too had a fall at new year. She died on the morning of my mum’s funeral. Like my mum she was in her 97th year.
We made our way, via the Peak District, to her funeral today. I’ll miss our occasional visits to Leek to meet up with her and go out for a lunch, which for me was always Staffordshire oatcakes (a kind of pancake), at the White Hart Tearooms.