The anglers don’t agree with me: “It’s terrible weather for fishing!”
But Skelton Lake is a great place for a muddy stroll on a dull October morning; at the motorway services, a family are getting their children to change into wellies.
We’re here to take photographs of autumn colour, alder cones, the flowers in the wild flower beds by the services, which itself has a green roof. Rather than put this morning’s photographs in a slide-show style gallery, I’m putting them into an e-pub publication. I’ve only got as far as the cover so far, but I’m learning as I go along.
There’s still some mid-autumn colour in our flower but it’s not quite as punchy as my photographs suggest: today I’ve had the Art Filter on my Olympus E-M10 II set to Pop Art. All taken with the macro lens. I’m especially pleased with the detail on fly; as it was quite a cool day, the fly allowed me to push the lens towards it without buzzing off.
‘Oddball’: Bucyrus Erie BE 1150 Walking Dragline Excavator
A perfect morning for an autumn walk around St Aidan’s RSPB reserve. I set the Art Filter my Olympus E-M10 II to Pin Hole. All of these were taken with the Zuiko 60mm macro lens. It wasn’t until I crouched down and focussed on the buttercup that I noticed the hoverfly. There are also a couple of green aphids at the top of the stem.
Buttonweed, Cotula coronopifolia, is a native of temperate South Africa, introduced to Britain.
On a rainy mid-autumn morning I set the Art Filter on my Olympus E-M10 II to Key Line, to give a solid-colour pop art look to my photographs. I like the reflections on the wet roads but Blackburn’s Florists and Darling Reads’ bookshop provide some welcome bursts of colour on the High Street, as do the Handyman Supplies and The Green Berry on Queen Street. The phone box has been converted to an art gallery but currently, due to restrictions, there’s no show in there. Social distancing is impossible in a phone box.
On our last visit to the Dales, I walked around Bilberry Wood in Langstrothdale, using my Olympus Tough TG-4 to take short movie shots of every plant and fungus that I found. So how am I going to put those 42 random shots together to make a coherent two-minute film?
The Freeform Project Panel in Adobe Premier Pro is proving useful: I can drag and drop thumbnails of the clips around the screen, so I’m arranging them in groups, such as habitats, flowers and mosses. Once I’ve got them in a suitable order they can go straight on to the Editing window and I can add titles and a commentary.
I’ve already scrolled through each clip and selected the best few seconds of each one, by adding an ‘In’ and an ‘Out’ point to each clip, so there shouldn’t be any redundant or out-of-focus footage in my first rough cut of the movie.
Wether Fell, seen from the causey stone path behind the Wensleydale Creamery. Gayle Beck at the foot of the slope in the foreground. A Roman road runs along the top of the fell.
I’m reading David Joy’s 2019 book Discover Your Woods, Trees in the Dales so this afternoon I had a walk around Bilberry Wood here as Nethergill Farm. There are pines, larches and firs but the only broadleaved species that I notice is rowan.
Birch, Goat Gap Cafe, Newby, 4/9/20
Rushes and sphagnum moss grow in the damper areas, with heather and polytrichum mosses on drier hummocks.
At the more exposed western corner of the wood, a swathe of pines has been flattened, the fallen trees revealing that they were shallow rooted.
The only bird that I notice is a wren, flitting about amongst the ground vegetation and it appears that a wren spotted my iPhone which I’d set to take a time-lapse sequence, flashing on the screen for a single frame.
Bumblebee on Devil’s-Bit Scabious
There are ferns, bracken and a few brambles but the ground layer consists predominantly of various kinds of mosses. Tormentil straggles around, dotting the ground with its four-petalled yellow flowers.
Squeeze stile on the causey stone path, between Gayle and Hawes church.
There are a few fungi and, as the name of the wood suggests, plenty of bilberry.
It was raining yesterday afternoon, so I sheltered in the greenhouse to draw, positioning myself to avoid most of the drips.
Our beef and plum tomatoes are slow to ripen but the last three months of the meteorological summer have been well below average for hours of sunshine, so that’s not surprising. Rather than grow them in buckets of potting compost as we normally do, we’ve got them growing directly in the soil of the raised bed in the greenhouse, which I refreshed by swopping bucketfuls of soil from our veg beds and adding plenty of our garden compost.
It’s like a jungle in there. The plants are much lusher than they would have been in pots, but we need to strip off some of the leaves now to allow the light and air in to ripen the fruits.
