Category: Habitats

Dozing Drakes

drakes

There was plenty of action on the duck pond in Thornes Park this morning but these two mallard/farmyard drakes were a more appealing subject, dozing in the sun amongst the ferny cow parsley by a woodland path.

sparrow and wood pigeon feather
Male house sparrow, wood pigeon feather.
three snail shells
A ramshorn snail shell (a pond snail) and what I think are two brown- or possibly white-lipped snails.

We’ve been in a high pressure area for a while now, which means sunny days but cold nights. So far our tomato plants in the greenhouse had survived unscathed but an extra heavy frost last night has shrivelled most of them. There’s still time to plant replacements.

Barbara’s birthday today and last year, still under the first lockdown, the highlight of the day was a click-and-collect visit to a supermarket, the furthest we had been since our previous click-and-collect. This year we can entertain a limited number of guests in our garden.

Garden snail shell

Apple Blossom

blossom

As I draw, bees, including two different species of bumble bees, and a small hoverfly are continually busy on the blossoms of our single cordon Golden Spire cooking apple. The single-stemmed seven-foot tall tree can’t possibly as many apples as there are blossoms but we can thin the little apples out to two or three per cluster and, if we don’t, it will shed a few anyway.

Green Park

honesty

Green Park, South Ossett, 10.45 am, 10℃, 50℉, sunny

A jingling orrent of song from a dunnock in an adjacent garden. Three blow flies gather around a tiny naked chick that has been taken from its nest. A male blackbird perches on a tangle of honeysuckle stems cascading from a larch lap fence.

A robin perches on a branch, watching intently, then spots something and swoops down to the ground to pick it up.

Apart from a few quick sketches in the co-op car park, I’m out of practice for drawing on location, so I decided that I had to be kind to myself this morning and not to worry if, for instance, I get the flowers of the honesty out of proportion with the rest of the plant.

Potato Heads

potato heads

We’ve been chitting our Maris Peer second earlies on the back bedroom windowsill but we took the plunge yesterday and planted them at about a spade’s depth but as an extra precaution earthed the rows up, so that by the time the first sprouts show above ground, there’s a good chance that we’ll have had the last of the frost.

Horse Box

horse box

Even George Clarke would struggle to restore this battered old horse box as an Amazing Space.

I drew it with a dip pen with a Clan Glengarry Pen nib, which has a rounded end, so you can draw it across the paper in any direction. It’s De Atramentis Archive Ink, which dries a lot quicker than regular Indian. I used a Chinese brush for the solid areas, which I dragged across the cartridge paper to give a suitably grungy tone.

Sowing Sweet Peas

sowing sweet pea

Toilet roll tubes are biodegradable so, when these sweet peas are ready, I can put them straight in the ground without disturbing the long tap root. I’ve used soil from the greenhouse, which I’d refreshed with plenty of garden compost in the autumn. I’ll probably get a little weed seedlings springing up but I’ll keep pulling those out and the sweet peas shouldn’t have any difficulty competing with them.

Shed

inside the shed

There isn’t room to walk into our shed without moving the stack of plastic trugs that stand in the doorway. On the left, hanging on the wall or leaning against it, are spades, forks and rakes, some of which belonged to my father and some to my father-in-law, Bill Ellis. I’m particularly glad to have a long-handled cultivator – a four-pronged cross between a fork and a rake – because I think that might have come from my grandad, Robert Bell, who had an allotment just across the road from his cottage in Sutton-cum-Lound near Retford.

The large black pond net, which I use to scoop up duckweed, would probably be safer stored in the garage as it’s had several holes nibbled in it by the mice that occasionally adopt the shed as their winter quarters.

Maris Peer

chitted potatoes

We left it too late to buy our Maris Peer second early potatoes last year, so we took no chances this year and got these on the back bedroom windowsill chitting two weeks ago.

Chinese brush chitting potatoes
Telephone Pen box

I found the Telephone Pen nib that I used scratchy and blotty, but that’s fine as I wanted an inky effect. Controlling my usual urge to add cross-hatching, I used a Chinese writing set to add the ink wash. The brush is made of goat’s tail hair.

It’s been a bad day for the local goats: they’re serving goat curry at the takeaway at the end of the road. It smelt delicious, but we haven’t been brave enough to try it yet.

The Farmer and his Pig

farmer and pig

These two could have auditioned for the latest series of All Creatures Great and Small but they’re appearing in one of the folksy fables in Yes it is. I like the pig – just need him to tilt his head on one side as he listens to the tale – but for the farmer I need his expression to be flummoxed rather than irate.

ball and kite

Although Yes it is has a retro children’s story setting, it deals with themes that are all too contemporary, like the loneliness and isolation – in this case the loneliness of this green ball. The fact that the author has specified the colour makes me tempted to go for a spot colour, perhaps backed up with blocks of neutral grey, to hint at the style of children’s book illustration in the 1950s and early 60s; I’m thinking of Dr Suess and Gene Zion’s Harry the Dirty Dog, illustrated by Margaret Bloy Graham.

ball and window

Margaret Bloy Graham uses a textured line which reminds me of conte crayon with a soft watercolour or gouache wash. With this in mind, I tried bamboo pen, to try and deliberately simplify the line (left) and dip pen (above) but inevitably, as I use it every day, I’m more relaxed drawing with a fountain pen, as in the farmer and his pig drawing, which was drawn in De Atramentis Document Ink with my Lamy Vista with an EF nib. That gives me more of the energy that I’m after, but without getting the particular vintage graphic look that I had in mind.