Richard Bell's nature sketchbook since 1998
Black-headed gull, wood pigeon and a small flock of starlings fly over Queen’s Drive, Ossett, as we have lunch at the fish and chip restaurant.
With less than a week to go before the start of meteorological spring, I’ve just started a new A6 landscape sketchbook, having just finished an even smaller pocket sketchbook, best suited to pen only. It’s good to be working in colour again.
Our first visit to The Redbrick Mill in Batley since before the pandemic. On a grey windswept morning it was good to see so much colour, artfully balanced by dozens of restfully grey sofas.
Some of the flowers already showing in the garden this weekend. As Storm Eunice has just gone through and Storm Franklin is about to arrive, these were from photographs taken yesterday morning.
With the periwinkle and hellebore, I found that I started in the top left of the drawing intending to keep things fairly small but as I added detail the scale changed so when I started on the lungwort I sketched the outlines roughly in pencil, allowing enough space to add detail.
I think this speeded up the whole process because I was just able to get on with the pen, knowing that I wouldn’t have to start fiddling to fit it all in.
I didn’t pencil in the crocus and the snowdrop. They consist mainly of isolated verticals, so they can be drawn individually. The branching pattern of the first three plants that I’d drawn meant that the relationship of one part to another needed a bit more care. I look for negative shapes between the leaves and when starting a new flower or leaf I look for the angle to points on the plant that I’ve already drawn.
Even without the trail cam, I can tell that the foxes are back. I found these two tennis balls cached at the edge of my wild flower bed down by the compost bins this morning.
When I travelled around the country drawing and writing my Richard Bell’s Britain natural history sketchbook, I found that pages including manmade objects in a natural landscape – such as an abandoned forestry lorry on a track through a pine plantation – often worked best.
The Persil factory had made an impression on me as I passed through Warrington on the train.
It appeared as a thumbnail sketch on one of the maps in Britain and when my editor Robert MacDonald suggested a sequel, focussing on industrial Britain, I returned to draw it.
I did more drawings closer to home, one series documenting the last coal barges to operate between British Oak, near Crigglestone, and Thornhill Power Station.
The Persil Factory made it onto the cover of the dummy of the proposed book, but the project never got off the ground, however I did sell the original pen and watercolour at one of my one-man shows a few years later. I was quite honoured that my French teacher from Grammar School days, Miss Deacon bought it.
This mock-up of the cover is a hand-coloured photocopy, as this was long before the days when I would have a scanner in my studio.
A micro-hike around the arboretum and conifer plantations at Newmillerdam this morning. I got a surprise when I saw a tiny invertebrate trundling by as I focussed on algae on a tree trunk. I couldn’t see it at all with the naked eye but it no doubt ran for cover from the glaring light of the eight LEDs of my mobile microscope.
We’re going for Maris Peer second earlies again this year but also trying some ‘ultra early’ Maris Bards. You have to buy them at this time of year as the popular varieties soon get picked over but we won’t be planting them until March or April, depending on the weather, so until then we’ll be chitting them: letting their shoots develop in a cool, light place (the back bedroom window sill).
Caught on my Browning ProXD trail cam last night at 11.30 pm, this fox slinks into view on the path by the veg beds, pauses briefly to take a look at the camera and at something at the opposite side of the garden, then it trots off towards the crab apple.
It’s not too early in the year to start some botanical drawings and I’ve learnt something even from drawing florist’s tulips: not all those ‘petals’ are actually petals. Tulips normally have three petals and, surrounding them, three sepals. Sepals are leaflike and enclose the flower.
From the trail cam footage, it looks as if we’ve got a pair of wrens roosting. Last year when there was snow on the ground we estimated somewhere between 7 and 11 wrens roosting, all in the nestbox on the left. The nestboxes don’t connect on the inside.
As they settled down there was a lot of flitting between all three holes and the pair seemed particularly interested in the middle hole but they eventually settled on the hole on the left to roost.
The last we see of the wrens on the trail cam is at 7.33 am when one of the wrens appears in the left hand hole and appears to be preparing to leave.
The blue tit arrives an hour later and makes a careful inspection of the first two nest holes, but doesn’t go in.