
Seedheads from the garden: Opium Poppy, Eastern Mediterranean; Sicilian Honey Lily, Mediterranean, Turkey and Black Sea; Chives, Temperate Europe, Asia and North America and Perennial Cornflower from the subalpine meadows and open woods of Europe.
Richard Bell's nature sketchbook since 1998

Seedheads from the garden: Opium Poppy, Eastern Mediterranean; Sicilian Honey Lily, Mediterranean, Turkey and Black Sea; Chives, Temperate Europe, Asia and North America and Perennial Cornflower from the subalpine meadows and open woods of Europe.

These sketches from the hospital and the one of the wood were drawn with one of my regular fountain pens, the TWSBI Eco T.

But I’ve gone back to a fibre tip for these wood pigeons and sparrows in the back garden.

These were drawn with a Mitsubishi uni pin 0.3 fine line, which has water and fade proof pigment ink.


Cat’s-ear, Hypochaeris radicata, flowering and going to seed on the front lawn, which I left untrimmed during ‘No Mow May’ but which is now due for strimming.

Tuesday’s rain has brought our back lawn back to life but, before I cut it, I thought I’d take a closer look at some of the grasses and flowers.

I find a quiet bench by St James’ Hospital’s historic workhouse chapel and settle down to draw the cherry tree but get distracted as two town pigeons bustle past me inspecting the turf.

A crow chases a scrawny-tailed squirrel across pedestrian crossing, up a couple of steps and behind a low wall towards birches.
On the artfully boulder-strewn roundabout a blackbird gathers beak-fulls of worms. After a long dry spell, yesterday’s persistent rain must have brought them to the surface again.

The grand Victorian architecture around the hospital attracts me but I prefer to draw something organic. There was a breeze blowing around the cherry tree leaves so, returning after a break, I draw its trunk and the sandstone block next to it.

One of the crows finds an acorn-sized brown object, which immediately interests a second crow which follows it around until the item is either eaten or discarded.
Cat’s ear, self-heal, white clover and daisy grow on the lawn, although the much larger ox-eye daisy, or marguerite, that I drew was in a flower border, alongside berginia.

We have a brief shower in the afternoon, so I head for the church. The multi-coloured round-topped arch looks more byzantine than romanesque to me. There’s another similar arch above it with a balcony overlooking the chancel. As this was a workhouse chapel, I did wonder if anyone with an infectious disease would be put up there but it’s probably more likely that it was originally an organ loft.

The American signal crayfish has established itself in our local stream, which might be bad news for any of our native white-clawed crayfish that have hung on there. The good news is that otters like to eat them, so hope that they return to to our stream.

Remains of an old coal staith, a loading bay for barges, on the west side of Balk Lane bridge over the Calder and Hebble Navigation It served the former Hartley Bank Colliery, which closed in the late 1960s.

The curved parapet of the bridge was originally capped by gently curved coping stones to prevent the tow-ropes of horse-drawn barges getting snagged. At this bridge you could have turned around the barge – and filled it up at the coal staith – without disconnecting the tow-rope.
Further upstream to the west approaching Horbury Bridge the canal passes a cutting so on this stretch towed barges heading upstream and downstream must have had some way of passing each other.

Whelks gather together for a mass spawning, so each of these egg cases was added by a different individual. Each case can contain 1,000 eggs but the first few to hatch will feed on the remaining eggs.

I photographed this egg mass on the beach at Druridge Bay and used a handy feature of Procreate, a reference image panel, when I drew it using Procreate’s ‘Technical Pen’.


From my 1964-65 negatives, this is one of the two coal staithes (loading bays) at Hartley Bank Colliery.
The original (left) was in such a poor state that I’ve coloured it to make it more readable.

The same scene today is more green and rural, so I’ve superimposed my original 50 mm 127 frame on a wide angle iPhone shot of the same view today, taken from the bridge at the bottom of the Balk.

Apologies to ‘Ghosts of Horbury’ on our Horbury and Sitlington History Group Facebook page. I now realise how difficult it is to match up the perspective!


75℉ 27℃, front garden: The tall alliums are attracting small to medium-sized bumblebees.