Greek Basil

GREEK BASIL, also known as Bush BasilOcimum minimum, has smaller leaves than the more familiar kitchen herb Sweet Basil, Ocimum basilicum. We’re looking after a little Grecian urn of Bush Basil for a neighbour, which has started to flower (left).

Ocimum is from the Greek okimom meaning ‘aromatic herb’. Basils are members of the Labiate family; relatives of mint, thyme, woundwort and dead-nettle.

Writing about Sweet Basil Culpeper says;

‘This is the herb which all authors are together by the ears about, and rail at one another, like lawyers. Galen and Dioscorides hold it not fitting to be taken inwardly, and Chrysippus rails at it with downright Billingsgate rhetoric : Pliny and the Arabian Physicians defend it.’

From this, I guess that Culpeper had some first-hand experience of lawyers and of Billingsgate fishmongers. Basil is such an integral part of the healthy Mediterranean cuisine that today it seems inconceivable that it was ever regarded with such suspicion:

‘Mizaldus affirms, that being laid to rot in horse-dung, it will breed venomous beasts. Hilarius, a French physician, affirms upon his own knowledge, that an acquaintance of his, by common smelling of it, had a scorpion bred in his brain. . .

‘I dare write no more of it.’

Equine Delinquents

EARLIER THIS week at 6.30 in the morning we heard galloping hooves going down the lane and thought someone had got up early for a ride. At breakfast-time we saw that it was the three ponies from the field behind us that had escaped. They were escorted back up the lane with a police video van bringing up the rear.

The owners soon identified the weak point in the fence; a small gate to a service area. They sat on guard there drinking cups of coffee until repairs could be made. Later I could see from the hoof prints that the ponies got at least as far as the main road, making their way along the pavement and into the ends of driveways as they went.

Next door’s Sumac is now in flower and attracting hoverflies and bees. It’s a tree that doesn’t seem quite in step with the seasons.

Frog Trap

This morning I was upset to be unable to save a frog. It had become trapped in a drain at the edge of the road in front of Barbara’s mum’s house (which is currently up for sale). I found a pair of rubber gloves and a small bucket. Not ideal for the job, but what completely stumped me was that, without a crowbar to hand, I couldn’t use the lever point to flip open the grating. By then the frog had disappeared into the opaque black water in the sump.

Inky Feet

After drawing my slippers yesterday I thought I should try drawing my feet but I think I prefer drawing hands. The proportions are more familiar.


 

Mossy Logs

26C 4.45 p.m.

THIS PILE of moss-covered Buddleia logs and darker crab apple branches looks rather autumnal and I expect that a month from today we really will be seeing summer fading away fast. During the 3 or 4 hours that I’ve been drawing, a male Gatekeeper butterfly has been patrolling this north-facing side of the hedge. I’m surrounded by House Sparrows; it sounds as if there are dozens of them continuously calling and chattering to each other.

After a week when we’ve been doing a lot of work on the house and the garden, I felt the need to settle into a proper drawing. What could be more inviting to draw than a pile of mossy logs? – They don’t move about and, as it is an overcast afternoon, the light is steady. What could be easier to draw?

It proves to be an absorbing subject (I won’t say a ‘difficult subject’ because whenever I get into a drawing everything seems difficult to some extent!) –  because of all those interlocking shapes and criss-crossing stems. Drawing something like this, looking into its details, is like getting lost in the jungle; you find yourself repeatedly losing your way.

I might be drawing ‘just’ a pile of logs, but it doesn’t feel like that. There are elements of landscape, botany too of course, but I also I find myself half-thinking of the shape of a crocodile’s head, or of fishlike shapes as I draw.

Adding watercolour to my pen and ink drawing isn’t as simple as ‘colouring in’. To get a sense of depth I need to establish a tone for every detail. It’s only when almost every scrap of white paper has disappeared that the tonal arrangement of the log pile becomes apparent in the drawing.

I started adding a wash of neutral tint to most of the darker areas but this has resulted in a colour key which is noticeably cooler when I compare it with the log pile itself. I’ve added wash of yellow ochre with a touch of scarlet lake to try and correct this but I should have started with a brownish, rather than a greyish, tonal wash.

It feels good to have the time – a whole afternoon – to get involved in drawing again.

Heron at the Pond

7.15 a.m.; AS I OPENED the blind on the window in the studio I was puzzled by a shape like a Grecian urn reflected in the pond. It was only after I’d seen the reflection that I realised that there was a juvenile Grey Heron standing behind the pond. It flew off towards the wood. As far as I remember, this is the first time in over 25 years that we have seen a Heron by the pond, although we’ve had them in the garden before.

It’s a reminder to me that I need to continue adding marginal, emergent and floating water plants to the pond to give the frogs and newts some cover.

Yesterday morning and again this morning we heard the high-pitched ‘mewing’ of a bird of prey. When I heard it yesterday, all that I could see in the air were a couple of crows. Today we saw a Buzzard soaring over the wood and I wonder if it has been perching somewhere down at this end of the valley, causing commotion amongst the local crows.

I’ve been working down by the compost bins. I opened the lid of one of the bins to add more compost and there, sitting at the top of the pile was a small Toad. It’s rare for me to do much work on a compost heap without coming across one.

Moriarty in Colour

With all the clearing up I had to do in the garden there’s not much time to immerse myself in the world of Sherlock Holmes today but I did have time to add a spot of colour to Moriarty. There’s a black and white engraving by Paget that I’d also like to draw from. It has the caption ‘He turned his rounded back on me’. In it Moriarty looks like a cross between a black beetle and a Marabou Stork. A colourful character even in black and white.

Thrush’s Anvil


2.30 p.m., 22°C

FLIES, INCLUDING one bluebottle and three glossily metallic greenbottles, are attracted to the slimy stain on this fragment of sandstone in the bottom corner of the garden. The Song Thrush has been using it as an anvil, leaving fragments of the shells of at least three Brown-lipped Snails and one Garden Snail. I think that the plain ochre yellow snail in the middle is a colour variation of the Brown-lipped Snail.

You might think that the colour would provide suitable camouflage in this corner of the garden but it evidently wasn’t enough for it to escape the attentions of the Song Thrush.

Leylandi Stump

Soon after I’d started drawing this stump, a Bank Vole appeared, pausing under the stump before disappearing beneath it. Later I had a glimpse of its white front paws (do voles have ‘paws’?) beneath the adjoining log pile. Bank Voles have chestnut fur and a longer tail than that of the greyer Field Vole, which is also known as the Short-tailed Vole.

I’ve stacked the stump and sawn-up branches here as a habitat pile, so I’m pleased to see the vole using it.

But I have removed another habitat that it had been using; voles (or perhaps Wood Mice) had excavated a small network of tunnels beneath a clump of the Flag Iris that we removed from the pond. That has now gone on the compost heap.

Flying Ants

There’s more than usual ant activity on the patio by the kitchen window this afternoon. It’s a still, warm settled day and it’s been chosen as the time for ant colonies in the area to release their winged queens and smaller winged males on a nuptial flight. Barbara said that on her walk home from work at 5 p.m. there were lots of them about, some of them landing on her as she walked down Quarry Hill.

Little Black Shrew

WHEN I RETURNED to work at the end of the garden this afternoon, I disturbed a small creature – smaller than a vole – that scurried around in the undergrowth beneath the hedge before disappearing into next door’s garden in a place where they have a large, and currently rather overgrown, pond.

It was blackish rather than brownish so, looking in the book, it is more like a Water Shrew than a Common Shrew, which is the species that I’d expect to see in our garden. I didn’t get a view of its head and I can’t be sure that I’ve drawn its tail in the correct proportions but I did get a good view of the blackish sausage-shaped body.

We’re near to Coxley Beck here and in at least three consecutive back gardens there are ponds, supporting reasonable numbers of frogs and newts which would provide suitable prey for a Water Shrew. Water Shrews are often found away from wetlands.

Iris Roots

I’ve been splitting the clumps of Yellow Flag Iris that we removed from the pond, whittling down hulking blocks of root, rhizome and moss into manageable chunks. At first I tried hacking at them but I couldn’t make much impression on the springy mass of vegetation so I used two garden forks, stuck into the root-mass back-to-back, to lever them apart.

I’m know going to cut them up into fist-sized pieces before I put them on the compost heap.

Perhaps the mystery shrew had been checking out the debris. Blackbirds were pecking about amongst it later.

Pondweed

AFTER  CLEARING the pond last week and leaving the water to clear we’re now adding ten weighted bunches of oxygenating Curled Pondweed, Potamogeton crispus. I’m thinking carefully before I choose the floating and emergent plants that we’re going to add next as I don’t want to introduce anything which will completely take over the pond as the Yellow Flag Iris did.

The evening after we’d cleared the pond and cut down some of the surrounding vegetation, we watched a Hedgehog snuffling around the pond edge. It waddled over to the garden shed to search amongst the grasses before disappearing under the hawthorn hedge into next door’s garden.

Snails are a regular part of a hedgehog’s diet but the empty and broken shells that we find on concrete paths in our garden are the result of another snail-eater which we’ve been seeing quite often recently; the Song Thrush. A week or two ago it came up to the patio with two youngsters. It may have nested in the ivy in the far corner beyond the greenhouse or in one of our next door neighbour’s dense evergreen shrubs.

Sadly another young Greenfinch collided with the patio windows on Sunday afternoon. We heard the bang. Sometimes the bird is dazed but it survives but this one was unlucky and apparently broke its neck on impact. The windows were open at the time but unfortunately it flew into the glass instead of flying into the house.

Meadow Buttercup

THIS Meadow Buttercup, Ranunculus acris, has grown to about a foot tall with flowers three-quarters of inch across in the week or two since we last mowed the lawn. Ranunculus, the Latin name for the buttercup, comes from the Latin Rana, for frog, as this genus of plants grows in damp places.

In preparation for planting our tomatoes, I’ve been spring-cleaning the greenhouse. Below the staging, behind the plastic bags of compost and grit, as I swept up the winter’s debris, I disturbed the greenhouse’s resident Common Frog, Rana temporaria, which hopped off to find a damp crevice behind the water butt.

Nearby, in crevices in the concrete footings of the greenhouse, a couple of Smooth Newts, Triturus vulgaris, hunted invertebrates (the larger had some kind of invertebrate prey in its mouth – a small spider?) in a macro-habitat of moss plants that resembled a miniaturised version of the Giant Club Moss forests that its giant amphibian ancestors had swum and slithered through right here, 300 million years ago. I say ‘right here’ but at that time our part of the Earth’s crust lay near the equator. True flowering plants, such as buttercups, had yet to evolve.

Canary Island Ivy

MY BROTHER Bill gave me a large Canary Island Ivy as a house plant about 25 years ago. In a few years it had outgrown its corner in my studio and I planted it out by the larch-lap fence behind the greenhouse. It had survived for twenty winters, providing a nest site for Blackbirds and Song Thrushes, but last winter proved too much for it.

I’m not sure now whether the larch-lap fence is supporting the twisting stems of the ivy or whether the ivy is holding up the fence. The main stem is the thickness of a man’s arm. The spreading vines twist around like an untidy version of Celtic knotwork. Although it’s evident that they won’t sprout again, I’m not in a hurry to cut back the plant back as it’s now such an attractive subject to draw; more so than when it was just a wall of foliage.

Besides, as I started to draw and moved an old post that had been leaning by the fence, a Blackbird flew out in alarm. I’m aware that a pair has been nesting in the mass of dead ivy stems and foliage that juts out above the corner of the fence.

Canary Island Ivy, Hedera canariensis, is a native of the Azores and Canary Islands and is less hardy than our native Ivy, Hedera helix. The popular house plant variety that I planted here on the fence and on our garden shed – where it also died back this winter – was Gloire de Marengo which has large variagated leaves, with green centres and creamy white margins. Our native ivy is still looking fine although a late frost a couple of weeks ago killed some of the young sappy spring shoots. They looked as if they had been individually scorched.

Raised Bed

THIS FLAGGY piece of sandstone on the edge of the raised bed was probably shattered by frost during the winter. The fragments have created a miniature landscape, surrounded by a lush forest of buckler-leaved sorrel, a bitter-tasting herb which likes this well-drained sunny spot.

The wolf spider is at home here too. Two females alternate between sunning themselves on the mini-cliff below and retreating into shady crevices to cool off. I say females because they’re both carrying egg cocoons and, as far as I know, it’s the female who provides the parental care. The cocoon, of dimpled spider’s silk, is over twice the size of the spider’s thorax. I notice one touching its cocoon with its back legs and I’m guessing that she was testing the temperature or perhaps the humidity of the bundle of eggs that she is incubating.

A group of House Sparrows are enjoying a dust-bath in the fine tilth of one of the veg beds – right where we sowed the perpetual spinach!

By the way, these drawings were made with dip pen and Daler-Rowney Calli ink. Although this is described on the label as ‘non-clogging, pigmented, waterproof calligraphy ink’ it does take – in places anyway – rather a long time to dry so that it ran into the watercolour wash. I didn’t have this problem when using my ArtPen with Noodler’s ink to draw the Aquilegia but I was keen to use the ‘inkiness’ of dip pen for my drawing of the shattered sandstone.