December Garden Sketches

ivy

The Shortest Day

With the prospect of days getting longer, I feel the urge to start making a few natural history notes again.

bird sketches

Recent highlights have included sparrowhawks on their rounds again. So far we haven’t spotted one making a kill on one of its swooping surprise visit to our bird feeders.

It’s usually a smaller, greyish brown male visiting, which pauses for a few minutes break in the hedge or crab apple, then continues towards the woodland edge where its progress is marked by groups of wood pigeons flying up and away from the treetops.

bird sketches

One afternoon as I unloaded the car at the front of the house, a sparrowhawk sped past just one foot above the pavement, climbing swiftly to clear a tall larch fence and heading between the houses to the back gardens beyond.

Christmas Day

bird sketches

An immaculate-looking cock pheasant is pecking around near the bird feeders alongside three females. They’re not alone. There are another three females down by the pond, four checking out the hedge by the shed and more of them foraging over the veg beds, some of them pecking at all that’s left of our cavolo nero. It’s probably the calm before the storm for these pheasants as Boxing Day is a traditional day for a shoot.

Christmas Day sketches: holly, bay, Viola tricolor and a poorly chaffinch.

My father used to meet up with his shooting friends at Terrington, in the Howardian Hills, North Yorkshire, not far from Castle Howard. He’d bring back a few pheasants – two would be a brace of pheasants – which would hang from the shelves in our storeroom, smelling increasingly gamey until my mum plucked them.

Boxing Day Shoot, c.1962, Fred Green’s cottage. Fred Green, who I think is the figure in the centre, was the gamekeeper. The man in the beret, front row, right, is Eric Chalkley, who lived on Stanley Road, Wakefield and who, I believe, worked for the National Coal Board.

Boxing Day Walk

We join a motley procession. Two pied ponies with young riders are walking on, guided by an older couple, the man kitted out in yellow high viz jacket. Following ten paces behind them are four hikers in animated conversation then, another ten paces behind, a man with a dog.

We emerge from a footpath to tag along at the end. There’s no way that we can stride out to overtake them on this narrow country lane, so we adopt the measured clip, clop pace of the party, a relaxed pace that I could imagine a party of medieval pilgrims adopting.

Shepherd, Wakefield Mystery Plays

Chaucer’s pilgrims upped their pace when they saw the towers of Canterbury Cathedral up ahead We still call this pace between walking on and a gallop a canter.

Periwinkle growing in the hawthorn hedge.

It was spring-like enough on Boxing Day for a song thrush to be singing its varied thrice-repeated snatches of song. A robin sang its wistful trickle of a song in the hedgerow.

No spring flowers as such yet but a few periwinkle flowers are already showing on straggling stems in the hedge near some old cottages on Coxley Lane.

Roe Deer and Hoar Frost

pen and wash woodland sketch

No mud this morning, the ground is frozen solid and the leaf litter and debris on the paths crunch like gravel as we walk up through the woodland of Emroyd Common. Hoar frost crystals have formed in a few patches in sheltered spots alongside a hedgerow and there are ferny patterns on car windscreens.

roe deer and buzzard sketches

Two roe deer trot along at the edge of a pasture along the top edge of the wood.

For several days as we passed the houses at the top end of our lane, I’ve been scanning around to see if there was a buzzard or red kite circling. As we were beginning to suspect, it is actually a starling giving what to me seems like a passable impersonation of a buzzard mewing.

As we walk back through Emroyd we disturb a buzzard, which flies off down the slope through the oak woodland.

Bird Sketches

birds sketches

Struggling to draw garden birds flitting around the feeders, I realise why I like to get out drawing ducks, geese and swans resting and preening at the water’s edge.

bird sketches

As these smaller birds move so quickly, my aim is to just watch one of them until it flits away then attempt to draw the whole pose in one quick drawing.

A goldfinch at the feeder can be there for a minute but a blue tit can be in and out in less than a second. Sparrows usually settle for longer, which is helpful as each one has slightly different plumage, the males particularly: the face and ‘bib’ markings vary a lot.

Drawing whatever bird comes along for an hour or so is quite a session but if I could keep doing that I think it would improve my ability to observe.

Drawing from a photograph or a stuffed bird would be a good way to take in the smaller details but to get an impression of the life and individual character of a bird I need to stick with these flitting about garden birds.

Culpeper’s Rosemary

Rosemary

Rosemary officinalis

The Sun claims dominion over it . . .
the dried leaves shred small, and smoked as tobacco, helps those that have any cough* . . .”

Culpeper’s Herbal, Nicholas Culpeper, 1616 – 1654

*Please don’t try this at home!

This morning I bought an attractive 1983 Culpeper’s Colour Herbal from a charity bookstall but I’m sticking with my old version as it includes the full text, including the advice to smoke rosemary like tobacco if you have a cough!

Willow Island Logo

logo sketch

As I walk up Coxley Valley on a misty morning, I’m surrounded autumn leaves so, thinking about a new logo for Willow Island Editions, I decide that leaves might have more graphic impact than the tree-on-an-island logo that I currently use.

I pick up four crack willow leaves from alongside where the beck splits, creating the willow island that I used as a name for my self-publishing imprint.

A windswept version might have a lively look but the logo also needs a solid hint of authority as I want readers to feel that they can trust the instructions in my walks booklets.

“In nature you’re surrounded simple but stunning copyright-free design”

tree canop
Willow Island Logo: Willow Island Logo

As I sat with a latte and flapjack by the The Little Acorn, the coffee cabin at the top end of the wood, I felt that their pun of a logo shows that simpler can be better.

A woodcut-style ink drawing of the willow-leaf ‘W’ would be more punchy than using the soft autumn colours of the leaves themselves. It would also hint at my hand-drawn approach.

path amongst larches

The reason that I’m rethinking the look of Willow Island Editions is because I’m transferring my 27-year old website, www.willowisland.co.uk, from regular HTML to WordPress.

woodland path

I find that a quiet walk in the woods in the perfect way to clear my mind a bit and focus on design. In nature you’re surrounded simple but stunning copyright-free design.

Ikea Hedge

Sloe and hawthorn and a Vildpersilja cushion at Ikea, Birstall Retail Park this morning.

The car park is adjacent to one of the busiest stretches of the M62, which may be the reason for the lush lichen growth on the twigs. The yellow lichen Xanthoria polycarpa can tolerate high levels of nitrogen while the grey-green lichen, Hypogymnia physodes, tolerates acidic conditions.

Widescreen Watercolours

I’m starting a 12 x 6 inch format Pink Pig sketchbook, 150 gsm textured Ameleie paper (their own make). I’ve started with a couple of half-hour watercolour sketches, trying to get away from my usual approach of drawing in detail first, then colouring in.

View from my window, overlooking the lower end of Coxley Valley.

I quickly drew outlines in pencil for my first sketch (top) but started straight off in watercolour with the second.

Studio window

Yesterday I’d made a start: I’ve drawn this view (below) from the garden centre at Shelley several times over the years but I draw it as if I’m recording the shapes of fields and woodland for a sketch map. Yesterday, fortified with latte and an elderflower and blueberry flapjack, I dived straight in with the Pentel Aquash water brush.

View from the Shelley Garden Centre yesterday.

Link

Pink Pig 12 x 6 sketchbook

Cutting Back

gardening gloves

Time for the autumn cut-back in the garden, starting at the top end trimming back bay and oregano, hawthorn hedge and the long grass around the pond.

It’s tough on my thumb joints but also on the Fiskar’s hedge shears that I’m using. They have a gear mechanism but – especially when I’m cutting thicker stems – it springs out of gear, with the result that one of the blades flaps about uselessly.

It doesn’t taken long to loosen the bolts amd put it back togetheer but I’m evidently not there yet with judging how much I should tighten the three bolts: too much and the shears are too stiff to use, too slack and they pop out of gear again.

shears

The long-handled shears, without any gearing, are proving most reliable.

Black Kale

black kale

For me black Tuscany kale, Cavolo Nero, is about as drawing-friendly as I could wish for. Every line has a built-in wobble to match my default rather shaky pen. It’s got clear structure so I don’t have any problems simplifying a complex mass of foliage.

I think of the colour of black kale as being tinted with purple but I find that a cool green with just a spot of crimson is a reasonable match, with regular yellowish green where the light shines through it. The stems are cream or ivory: a very pale coolish yellow with a hint of green.

Raised Bed no.3

Raised bed no. 3: carrot, kale, lettuce and foxgloves (in the top right corner), outnumbered by spurge (petty spurge, I think). But we’ll soon weed that out . . .

A month ago in raised bed no. 3, we put in lettuce, carrots and black kale, plants from the garden centre.

Some of the lettuces are starting to bolt but the carrots haven’t done much. Carrots aren’t always successful when replanted because of the risk of damage to those delicate tap roots.

pigeon

The Cavolo Nero was beginning to outgrow the mesh tunnel cloche we’d covered it with to protect it from egg-laying cabbage whites and our ever-hungry wood pigeons.

In my opinion, our pitifully small carrots tasted more wholesome than the shop-bought variety. The freshly-picked leaves of Cavolo Nero were excellent: ‘rich, mellow and autumnal’ would be my attempt to describe the flavour.