
Now hitting the news stands, my latest article for the March Dalesman, featuring botanical illustrations by John Edward Sowerby for Thomas Gissing’s Ferns of Wakefield (1862).
Richard Bell's nature sketchbook since 1998
Now hitting the news stands, my latest article for the March Dalesman, featuring botanical illustrations by John Edward Sowerby for Thomas Gissing’s Ferns of Wakefield (1862).
Back to work on my Thomas Gissing ‘Ferns of Wakefield’ article for a forthcoming ‘Dalesman’.
The ferns, horsetail and clubmoss on the right-hand page are by botanical illustrator John Edward Sowerby (1825-1870). With exception of the clubmosses and the rare parsley fern, all the illustrations in the book were drawn from specimens that Gissing had collected within 12 miles of Wakefield.
George Street, Wakefield: Wall-rue and Maidenhair Spleenwort on a brick wall which probably dates back to the days of the cattle market, and a mossy pool on the roots of an old flowering cherry. The ‘well kept secret’ herbs and spices are served at Kentucky Fried Chicken, Westgate Retail Park.
Back down a rather overgrown bark chip path to my ‘Rough Patch’ in our back garden. The birds have finished nesting and it’s time to cut back.
This is my first attempt at composing a backing track in Garageband and also my first experiment with a dji Osmo gimbal mount for my iPhone.
Happy birthday to Sue (a few days ago) who, as a member of our local wild flower group, follows in the footsteps of Thomas Gissing, pharmacist of Westgate, Wakefield, father of novelist George.
The fronds of the male fern by the pond are beginning to dry and curl at the ends, the back of the fronds covered with red-brown spore-producing sori.
Garlic mustard and bracken in the clearing at the far end of the main car park at Newmillerdam. On our return journey via Seckar and Woolley Edge we saw lots of garlic mustard on the verges alongside bluebells and dandelions, growing beneath roadside oaks.
Unfurling at the back of our pond, one of our commonest ferns, Male Fern, Dryopteris filix-mas. Most of the year it’s just a shuttlecock, so not that interesting to draw, but I like it when the croziers are opening into fronds.
Mahonia, otherwise known as Oregon Grape; croziers of unfurling ferns with matching wrought ironwork; cross-bedding in magnesian limestone and dryad’s saddle fungus at Brodsworth this morning.
2.15 p.m., 29°F, -3°C: I’ve switched to fibre tip pen this afternoon; it tends to speed up my drawing as moves about so smoothly in any direction. That is just as well because the temperature has dropped below freezing so I can’t get too involved with the intricacies of the fronds of the male fern growing at the corner of the raised bed behind the pond.
A dunnock delivers its thin trilling song from a perch in the hedge. A female blackbird gives a scolding alarm call from the crab. There’s a rattly call from a mistle thrush. The redwing has been back, feeding on the squishy brown crab apples.
There’s a monotonous song from a wood pigeon. It’s a five note phrase, repeated two or three times, which The Handbook of British Birds gives as “cōō-cōōō-cōō, cōō-cōō “.
Making a note to remember the rhythm, I write ‘I don’t like plumbing’, but more memorable mnemonics that have been suggested are ‘my toe bleeds, Betty’, ‘take two cows, Taffy’, or ‘a proud Wood-pig-eon’.