

Two mute swans are upending by the reeds as they make their way to their nest site, a mound of reeds.

Mid-lagoon, two male and one female tufted ducks are diving.
Richard Bell's nature sketchbook since 1998


Two mute swans are upending by the reeds as they make their way to their nest site, a mound of reeds.

Mid-lagoon, two male and one female tufted ducks are diving.




She explains that there is no documentary evidence to suggest that anyone was paid specifically for the role at the Tower of London in medieval times; it appears to be a story told by the Victorians to visitors to the Tower but perhaps they had some inkling of a genuine tradition.
There are plenty of legends; ravens were sacred to Brân the Blessed of Celtic legend whose head was said to have been buried on Tower Hill, long before William the Conquerer built his bastion there. There’s a nice story that the Astronomer Royal, John Flamsteed, begged Charles II to employ someone to control the ravens at the Tower that were leaving their droppings on his telescope.

Perhaps ravens were valued for the work they did in scavenging around castles.

I draw a gull in flight which has a black band at the end of its tail but when I look up again every gull has a pure white tail. I’m start to think that I must have been mistaken but I must have seen a juvenile which – so my field guide tells me – does have a black band at the end of its tail. The colour of the feet and of the bill also vary between adults and juveniles.


I wind down the window to get a better view of the moorhens which are poddling around the muddy margins of the puddle, picking up scraps.
‘the twisted gorse on the cliff edge, twigs, like snakes, lying on the path, the bare rock, worn and showing though the path, heath hits, gorse burnt and blackened, the high overhanging hedges by the steep roads, which pinch the setting sun, mantling clouds, and the thunder, the deep green valleys and the rounded hills – and the whole structure simple and complex.’
Graham Sutherland,
Notes by the Artist, Tate Gallery, March 1953
On a walk alongside the hedge banks near the Pembrokeshire coast, Graham Sutherland came across a gap in the hedge that particularly appealed to him.
‘I may have noticed a certain juxtaposition of forms at the side of a road, but on passing the same place next time, I might look for them in vain. It was only at the original moment of seeing that they had significance for me.’
‘If at first I attempted to make pictures here on the spot,’ he recalled, ‘I soon gave this up . . . I found that I could express what I felt only by paraphrasing what I saw.’


Link: Paintings and Drawings by Graham Sutherland, Tate Gallery. In his statement, I wonder what Sutherland meant by ‘heath hits’. Perhaps a typo. In the context, I assumed that ‘steep rods’ should have read ‘steep roads’.


Two male and one female blackbird patrol the lawn. The female comes lower in the pecking order and is seen off by one of the males when she darts forward to pick up a morsel.
A second gallery of pages which didn’t make it into my daily posts, taken from my Dove Grey A5 landscape Pink Pig sketchbook.
Nostell Priory Lake: A pair of mallards makes careful progress over an expanse of ice between two areas of open water. After a minute or so the female decides that it will be quicker to fly.




I use the photograph of the sage as reference for my sketchbook page for today. I’m reading a couple of books on botanical art so I decide to try drawing in 4H and then HB pencil before adding the watercolour, lightest shades first, which in this case is the pale yellow of the stipples on the leaves.



4.30 p.m.: Two weeks or so after the shortest day, the light already seems to be lingering longer in the afternoons. It helps that today has been a lot brighter than the wet, overcast days that we’ve had so much of recently.
The purple loosestrife seed heads were drawn with a dip pen, using Winsor & Newton peat brown ink.