Another of my homemade cards that you just can’t buy in the shops . . . probably because the market for road tanker designers celebrating their 50th birthdays is pretty limited.
Tankformers
Category: Art
Return to Silkwood Farm
The Silkwood Farm, Junction 40, Ossett: Pigeons and a magpie fly over a square of grassy waste ground between the vehicle testing centre and the snack van. Over the past year as we’ve driven past, I’ve looked forward to being back here again with Barbara’s brother John, after a morning’s walk around Newmillerdam. It feels good to be able to do something normal again and with the tables set out with social distancing in mind there’s a relaxed, airy ambience.
Moorhen
As a change from drawing at Newmillerdam this morning, I took my camera – an Olympus E-M10 II with a 60mm 1:2.8 macro lens, which proved versatile as with the flick of a switch I could change from the close-ups of meadowsweet, red campion and marsh bedstraw to the coots, moorhen and mallard on the lake and I even managed a quick shot of a carrion crow perching the back of a rustic bench.
People in Parkas
You wouldn’t guess that it was midsummer from the way people are dressed in waterproofs, parkas and high vis jackets this afternoon on the windswept precinct behind the town hall in Ossett.
Figures drawn as I waited in the hairdressers. Watercolour added later from memory, but for most of the people I could remember that as the colour seemed as if it was a part of the character, as much as the way they walked.
Trace and Paint
Two useful pieces of advice from Agathe Haevermans’ Drawing and Painting the Seashore:
- If you’re drawing a bivalve shell life size, start by drawing the outline around the shell
- Position yourself so that the light is coming from the top left, throwing a shadow to the right and below the shell
- The shape of the shadow helps explain the shape of the shell – whether it’s convex or concave
This mussel shell is encrusted with keel worm tubes. This is the left shell valve. The beak of the shell (top) is the anterior or front end from which the mussel’s foot emerges the its siphon emerges from the posterior end, at the bottom of my drawing.
Mussel and Barnacles
We did a bit of beachcombing along the strandline at Bridlington yesterday, between award-winning North Beach Fish & Chips and a champion roast latte at the local Costa.
Most of the mussel shells were small single valves, broken off at the wider end, but a few remained complete and still connected, including this one, partly encrusted by barnacles.
It’s a good time of year to go back to Agathe Haevermans Drawing and Painting The Seashore. It’s rare for me not to start a drawing in pen and ink, but, going back to Havermans’ examples, which are so evocative of summer strolls along the strandline, I thought that I’d try out her techniques.
The Triffids at Kew
My homemade card for Simon is my tribute to Gary Larson’s cartoon ‘The Holsteins visit the Grand Canyon’. Larson later wished he’d done a whole series and sent the family off to different locations, ‘such as Three Mile Island’.
I was tempted to replicate his gag of one of the Holstein calves ‘doing the old hoof-behind-the-head trick to its sibling’ but Larson concluded that this was just too subtle in the original and that most people (myself included) read it as one of the calves wearing a ribbon. Even knowing the artist’s intention, I still see it as one of the calves wearing a bow!
It’s 5 or 6 years since we last got to walk around Kew Gardens with our nephew Simon, so I hope we can join him again there before too long.
The Day of the Triffids
Boxing Clever
At this rate I’m going to spend more time working on my scale model than on the actual exhibit in Horbury’s Redbox Gallery, but it’s better to sort things out at this stage, rather than hope for the best when it comes to installing it.
I’ve thought about using recycled materials only, but there’s a slight risk that, although the box is watertight, if we had a spell of really wet weather, it might get humid in there, which would warp the corrugated cardboard that I had in mind. Graham, from the Civic Society who maintain the box, suggests thin marine ply, but that’s going to be difficult to cut out when I draw my cast of characters and scenery.
So, as illustrated in my scale model above, I think that the most practical solution would be white foam board, which is very light, dimensionally stable and much easier to cut. Half a dozen A1 boards would be as much as I’d need.
Making and Exhibition of Myself
Or there’s the conceptual approach.
‘Will you just stand in it and (try to) look interesting?’ asked my sister on Facebook.
Brilliant idea, here’s me practicing my ‘interesting’ look.
Should work like a charm.
Out of the Box
My first one-man show for over 25 years . . . and I’ve got to fill the entire gallery! The good news is that it’s the Redbox Gallery on Queen Street, Horbury: the box that appears on the cover of my local history booklet Around Old Horbury.
I’ve seen documentaries about how the Royal Academy prepares for a big show and it involves making a cardboard model of the gallery space, so here goes . . .
Flag Iris
Ducks and geese are beginning to gather again on the lake at Newmillerdam with a small flotilla of Canadas hanging around the war memorial. Three drake mallards surround a duck as she swims along with her ducklings following behind. One of the drakes mounts duck, grabbing her by the head and pushing her underwater. The ducklings form a tight circle and the duck manages to head for the cover of overhanging branches and extricate herself from the drake. The ducklings soon follow her.