
The new Netfish drama Squid Game proves a hit with the Cuttlefish family.
Richard Bell's nature sketchbook since 1998

The new Netfish drama Squid Game proves a hit with the Cuttlefish family.










In 1967, aged 16, I’d just finished my O-levels and was looking forward to starting a foundation course at Batley School of Art. I used homemade scraperboard (wax crayon covered with india ink, which I then scratched into. You could buy a special nib) for the historical characters, which were inspired by a day trip to York but I soon turned to a dip pen with the finest nib I could find.
At the V&A and at Oxford, I was on the look out for illustrations to Dante’s Inferno, which I’d decided to illustrate as a comic strip. Looking back, it’s a shame I didn’t try illustrating it with the scraperboard technique. It would have been more expressive but more difficult to control.

Our purple iris in the pond is top heavy, as we haven’t transplanted it from the small pond plant basket it came in.
We cut down an old plastic plant pot and drilled extra holes on its sides. We put a few pebbles in it for ballast before adding ordinary garden soil and planting the iris.
We used an off cut from an old tea towel, spread around the iris to hold the soil in place and added a few more pebbles to hold that in place.

I’m drawing our sparrow nestbox for a forthcoming article in The Dalesman and, rather than draw it from life or trace it from a photograph, I’m trying freehand perspective. I didn’t draw an horizon line or plot vanishing points, I just drew as near to the way they appear in a photograph.
Having used ruler and set square for the pencil, I’ll use my usual freehand fountain pen for the drawing itself, so hopefully it will looked relaxed but plausible.

A marine theme for today’s homemade birthday card. Tempted to do the inshore stations next . . .

I like the printed look that you get using flat colours so I’ve been going through a tutorial on digital colouring. It should work well in my printed publications.
You scan your pen and ink drawing in black and white drawing at 600 dpi, using the ‘text’ setting. This is to avoid the slightly fuzzy ‘anti-aliased’ edges you’d get using the regular 300 dpi colour or grayscale settings. In Adobe Photoshop you can then go to the Channels palette (above) and press that first button at the bottom of the palette ‘Load Channel as Selection’.

Invert the selection and, on a new layer and fill with the foreground colour. For a comic strip you’d fill with pure black but here I’ve filled with brown.
Lock this line art layer you’ve created add the flat colours on separate layers, with shading, as on the wall in my top illustration, on another layer.

I tried the ‘Load Channel as Selection’ with my finished colour version then, after inverting it as before, filled it with black, producing this grayscale version.

To give the gatepost a black and white treatment, I marked the shapes of the shadows – the spot blacks as they’re called in comics – with an ‘x’, then filled in with a Pentel Brush Pen. Drawn using a Lamy nexx with a bold nib.

Another busy week for birthdays.


Looking at Hilary’s cafe from the garden you can guess which was the original cottage and in what order the adjacent cottage, lean-to extensions and extensions of extensions were added.

After my practice at cross-hatching using a dip pen on a tilted drawing board, I looked around for an object to draw and went for this Lowe Alpine haversack.

The wind has just changed from mild, from the mid-Atlantic, to cold from the north-east, so I sat with a latte to warm me up as I started this drawing at the Boathouse Cafe at Newmillerdam this morning. I used my Lamy nexx fountain pen but I think, now I’ve scanned them both in ‘text’ mode, pure black and white, that it would be hard to spot the difference between this and the dip pen in the haversack drawing.
The black areas were brushed in later from a photograph I’d taken on my phone, outlined with a Rotring Tikky Graphic pigmented ink pen and filled with a number 10 Prolene series 101 synthetic brush using the Rohrer’s india ink which I used with the dip pen.