My latest Ode to a Duck screen test and the great-crested grebe is struggling with his motivation in scene 2.
Using Adobe Character Animator and Photoshop, I’ve used a sketchbook drawing as the basis for my ‘puppet’. So, just the beak-sync to add . . . all 14 mouth movements.
We’ve started shooting, and the duck’s looking a bit worried about that.
I’ve dived in to the mysteries of Adobe Character Animator and I like the way the simple ‘puppets’ that you create in the program can be so expressive. Other aspects such as how to stop the character floating about are a mystery – although the duck might be quite relieved to hear that.
T'was the last week of summer
And, down by the lake,
We hear the sad quack
Of a hungry old drake.
The grebes and the tufted ducks
Dabble and dive
But our poor drake is struggling
Just to survive.
The foraging moorhen Has plenty of luck, But that doesn't extend To the desolate duck.
In the woods, the grey squirrels Eat beech-nuts galore, But our poor drake is starving Down here on the shore.
I know what you’re thinking: ‘I’ll give him some bread!’ – But just one mouldy bread crust Can leave a duck dead.
This ode to a duck
Might not be the best,
But what were you expecting? -
I'm not Colin West!
Cartoon ducks drawn at Newmillerdam this morning. We didn’t see any drake mallards in breeding plumage, so my guess is that they’re all in eclipse plumage, and we’ll see their true colours appear in the autumn.
James, appearing on my most recent homemade birthday card, is the plucky test pilot for my latest experiment in animation. Like the fox, this was adapted from an existing pen and watercolour comic, using Clip Studio Paint on the iMac and on my iPad Pro. It’s a whole lot easier to cut out the component parts using an Apple Pencil for the Selection Pen and Eraser.
My thanks to Tielmanc for his step-by-step tutorial Animate Your Existing Characters | Keyframes Tutorial, which popped up in a Clip Studio Paint e-mail yesterday. He makes the point that you don’t need to redraw a character to animate it, just carefully break up your drawing into component parts and fill in the missing areas.
His example was a farmer dog, so I’ve gone for this cartoon I drew of the fox that visits our garden.
Now that I’m not completely foxed about the principles involved, I can go on to something more ambitious.
Link
Animate Your Existing Characters | Keyframes Tutorial
Much as we like our homemade bread it doesn’t keep long at this time of year so while the wood pigeon tucked into that (see the greatest hits from of the 103 selfies it took of itself on my new trail cam in my next post), we enjoyed the roast Mediterranean veg sandwich at the Cafe Capri.
While we’re in Horbury, we check out my Addingford display in the Redbox Gallery in the old telephone box on Queen Street. I’m pleased that the foamboard artwork isn’t buckling too much under the summer sun and that I can see the Addingford Steps artwork and map so well on the back wall, then I realise that the reason that I can see them is because the two stork cut-outs, suspended on fishing line, have fallen down behind Joby’s riverbank.
I’ll reinstate them, but I’ll draw the birds again at half the size, so they don’t blot out the display at they did previously.