The view from the waiting room is of a blank pebble-dashed wall, so I get another chance to practice drawing chairs. The blue chair was drawn using my usual method, lifting my hand from the paper frequently to check proportion and having a couple of goes at a line where necessary. The red chairs were drawn (almost) without lifting my pen from the paper. The disadvantage of this method is that for most of the time most of the drawing is covered, but I do like the wayward wobbly line that this results in.
Category: Drawing
Pelargonium
After a year, our zonal pelargonium is beginning to look a bit leggy.
Drawn in Procreate on the iPad using the Tinderbox virtual pen from the Inking section. Having got through all three of my PenTips 2 soft Apple Pencil tips, I’m now back to a plain Apple Pencil tip but the canvas texture of the PenTips Magnetic Matte Screenprotector is working well for me, an improvement on drawing on the iPad’s glass screen.
Stitched Up
I struggled to identify this flower, photographed with my iPhone as we walked around Nottinghamshire Wildlife Trust’s Idle Valley reserve a couple of weeks ago. I think what’s happened is that greater stitchwort flowers are growing up amongst the foliage of some kind of cranesbill.
It was drawn in Procreate on the iPad but if I’d been drawing from the actual plant in my sketchbook I might have realised that they’d got mixed up.
Unless you can suggest the identity of a plant with stitchwort-type flowers and cranesbill-style leaves?
Horbury, 1964
I took this photograph of Horbury St Peter’s Church in 1964. That’s Ingham’s upholstery workshop and hardware store on the left. The advertisement was for Royal hardboard. I’ve colourised this photograph and the yellow and blue are as I remember them (but possibly not as they actually were).
I was using an Ilford Sprite 127mm camera and developing my own film at the time. This proved to be such a disaster that it’s only now, sixty years later, that, using my scanner and Adobe Photoshop, I can salvage images from the scratched, uneven home-developing disaster.
Dipping into the envelope of negatives is like opening a time capsule. Some of the locations I’m having difficulty recognising.
Not this one though which is Horbury Town Hall, which still looks very much like this today.
Trip to Leeds
Sycamores, bus passengers, limestone pavement and a glacial overflow channel at Newtondale, all drawn on a trip to Leeds (but two were from photographic murals in hospital waiting rooms, a change from drawing chairs for me).
Newtondale
Limestone pavement
Bus folk
Click Beetle
Testing out my new field guide, Britain’s Insects by Paul D. Brock. I got a good look at the click beetle, which was flying slowly past me, wing cases outspread. I caught it in the palm of my hand and after a few seconds lying on its back it performed its click, springing up from my hand and landing, right side up this time on the ground.
For the small hoverfly I’m going to have to refer to the companion field guide to Britain’s Hoverflies.
Abbeydale Road
We’ve been trying to meet up with Kathleen, my now 93 year-old cousin, since before the pandemic but at last we got to see her today at Bragazzi’s, on Abbeydale Road, a part of Sheffield where my mum grew up. Her local cinema, the 1,560-seater Abbeydale ‘Picture Palace’, built in 1920, is currently being restored.
Deadnettle
Ground ivy, growing at on the grassy verge of a path near the river.
A Lighter Touch
I’ve been reading a list of ‘Five Essential Tips for Beginners’ in digital art and number one is: ‘Use a light touch when drawing on your tablet of device. This will help prevent unwanted pressure marks and smudging’.
That’s good advice. Having got through two PenTips 2 soft tips for my Apple Pencil in just a couple of weeks, I’m pleased that I’ve done better with the last remaining one.
I’m hoping that the lighter touch that I’m learning to use will transfer to my regular drawing with a pen on paper.
Another problem that I had with my way of drawing was that I was inadvertently changing the colour of my brush by resting a finger on the screen and invoking the eye-dropper tool. I’ve changed that in preferences so I can access the eye-dropper with a different shortcut.
Sketching by the Pond
I’m working on my July issue of my Wild Yorkshire nature diary for The Dalesman using Adobe InDesign and Photoshop to fit everything in.
Being pressed for space I’ve tried to fit the swarming bees into the margin and, to add to the drama, instead of my usual smiling mugshot, I’ve tried a cartoon of Barbara and I on bee alert, blocking holes with steel wool and masking tape. This might not make it into the final cut, but I like to experiment.