Category: Drawing

Bamforth & Co

Bamforth'sBamforth signIn Holmfirth restoration work has started on the former premises of Bamforth & Co in Station Road. For a number of years as we drive I’ve been thinking that I really ought to stop and take a photograph of the sign because I remember it from the early 1960s when, for a while, we used to drive this way on Sundays to visit my grandfather in a nursing home in Cheadle Hulme, Cheshire.

As we drove past today the sign had finally been removed so these are images from Google Maps street view. In my memory, the sign was a vertical one that you saw on the corner of the building as you approached down the hill:

BAMFORTH & CO. LTD., ILLUSTRATORS AND PUBLISHERS

Even aged nine I wanted to be an illustrator, so I assumed that this was the kind of office/factory in which an illustrator would work. I’d be intrigued to know more about the building’s history. Bamforth’s started in 1870 as a portrait photographers, so that could be a Victorian photographer’s studio running along the second story of the building.

Bamforth’s later specialised in producing magic lantern slides and later saucy seaside postcards. Between 1898 and 1915 they produced black and white silent films, so perhaps this was used as a studio. 

Link: Bamforth & Co, Wikipedia

Records of Bamforth and Company are kept at the Tolson Memorial Museum in Huddersfield.

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Categorized as Drawing

Mini Adventures

Trespass Mini Belt Bag, 1L.
Trespass Mini Belt Bag, 1L.

There’s just enough room in my new one litre bag for an A6 pocket-sized sketchbook, bijou watercolour box, pack of crayons, Safari pen, water-brush, Olympus Muji Tough camera and microfibre buff (‘a bandana with attitude’) plus an attached key fob compass/thermometer. As it says on the label:

‘So pack up . . . and get out there on your next big adventure.’

Or in this case mini adventure as this is the bag that I’ll grab when we’re setting out on our errands and appointments, for instance this morning when we had a few things to do in Ossett and I spotted the brown sporangia of a hartstongue fern growing in a crevice in an old stone wall on New Street.

hartstongue sporangia

Usually those furry caterpillar sporangia would be arranged in a feather pattern on the back of the frond but here the frond has shrivelled and curled inwards along the midrib, exposing the spores to any passing breeze, so no doubt thousands of them will find their way into suitable crevices.

May Sketches

robin

Cuckoo flower growing on my friend Roger's wild flower lawn.
Cuckoo flower growing on my friend Roger’s wild flower lawn.

It’s only a month ago that there was snow on the hills but since then the spring has burst into action. We’ve made efforts to get the garden up to speed and to plant all the veg beds so I haven’t had as much time as I would have liked to draw but here are the few pages of sketches from my A6 pocket book.

Mullioned Window

mullioned window1 p.m.: I sketch this mullioned window at Blacker Hall Farm shop during a break in wintry showers. The mullion is the upright between the windows; the horizontal stone above is a dripstone.

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Categorized as Drawing

My Homework and Other Animals

Mrs Durrell's dandy dinmont, Indian ink and dip pen, 1967 (when I was aged 16).
Mrs Durrell’s Dandy Dinmont, Indian ink and dip pen, drawn in 1967 (when I was 16).

yaniscorpionThe Sunday evening ITV series The Durrells prompted me to take another look at a comic strip of My Family and Other Animals that I drew in my school days. I was so lucky to have Gerald Durrell’s account of a naturalist’s childhood in Corfu as the set book for my O-level English Literature exam.

Continue reading My Homework and Other Animals

Bilberry and Heather

heather and bilberrylichen covered rock11.20 a.m, mid-height stratus, cool breeze: I’m reminded of the piece of childhood writing that I re-read the other day (Blue Remembered Hills):

‘I found a dry bog plant and a stone with water trickling down the middle and green on the stone around it’

That was when I was aged nine and here I am, over half a century later, still fascinated by the plants and rocks of millstone grit moorland. No wonder I feel as if I’ve come back down to earth every time that we get out here.

I add colour using watercolour pencils but, once again, I’ve forgotten to bring my water-brush so I dab it with a finger moistened in a puddle on the moorland track.

club moss fossilGiant Club Moss Fossil

I draw the club moss fossil in the comfort of the Bank View Cafe at the end of the walk. I’ve spotted a few impressions of Carboniferous plants in the millstone grit blocks that make up some stretches of the path at Langsett and someone has brought together a small selection of plant fossils on the windowsill in the cafe. Shouldn’t every cafe should have a collection of local fossils, rocks and minerals?

White Rose Centre

hand handI’ve drawn my hands a couple of times waiting by the changing rooms in one of the stores in the White Rose shopping centre, Leeds, but just as I start sketching the shoppers – by trying to take a mental snapshot as they walk away – Barbara gets fitted up and we head off to find a likely place for lunch.

shoppers

Farmyard Goose

farmyard gooseAt the car park at Cannon Hall a gaggle of about a dozen farmyard geese, mainly white, graze on the grass verge until a couple of walkers arrive with a bag of breadcrumbs.

The domestic goose is descended from the greylag but stands more upright than its wild relative because it has been selectively bred to be three times as heavy and to accumulate fat around its rear end. One of the geese had a dewlap and a similar flap hanging between its legs. This is a feature of the Toulouse, an old French breed.

In the American Pilgrim goose, males are always white and females grey.

daffodils‘Denied the opportunity to forage [geese] are uneconomic,’ writes John Woodward in The Field Guide, ‘for they have large appetites . . . the income derived from geese rarely justifies the use of valuable pasture.’

A toddler with a large bag of breadcrumbs is next in line to feed them.

Jumbo Grip Pencil

Oak at the corner of the car park, Cannon Hall (pen and watercolour).
Oak at the corner of the car park, Cannon Hall (pen and watercolour).

My drawing is a composite as these geese never keep still. I started with the head and worked down. When the birds set off in a different direction I kept adding to the sketch, transposing the shapes as if I was mirror-writing. Sometimes I’d be drawing one of the white geese, sometimes the one with the dewlap but the greyish-brown geese did have the white rear end, as I’ve drawn it here.

I drew the goose with a Faber-Castell Jumbo Grip pencil (below). With its triangular cross section and its rubberised ‘SoftGRIP’ stipples, this is one pencil that you’re not going drop even if you’re working in gloves. The matching pencil sharpener is easier to use on location than a craft knife. There’s a pencil-thin slot in my art bag that it fits neatly into so it’s not going to lose it’s point by getting jammed in with my pens and watercolours.

jumbo grip pencil

I’ve used various clutch pencils, otherwise known as propelling pencils, but they don’t have the bite of  a real pencil. The Jumbo Grip is rated B for hardness and is described as ‘ideal for learning to write’. But I like it for drawing too.

Link: Jumbo Grip Pencil

Polypody Fern

polypody sketchpolypodyThis polypody fern is growing as an epiphyte on a crooked old hawthorn on by the nature trail at the National Coal Mining Museum, Caphouse Colliery. Epiphyte is simply a plant that grows on another plant: the fern isn’t parasitic on the hawthorn. This reminds me of the mysterious Wistman’s Wood on Dartmoor where old stunted oaks grow up amongst massive tumbled slabs of granite and every surface, rock and tree, is covered with moss, lichen and fern. This is on a much smaller scale of course but it has the advantage for me that its just a couple of miles up the road.

As I shelter under an umbrella, I realise that to draw all the pinnate indentations on each leaf is going to take me a lot longer than the time that I’ve allowed, so I outline all the fronds and decide to come back another day to complete the drawing and add some colour.

Link: National Museum for Coal Mining for England, Caphouse Colliery.

Snow on the Hills

snow on the moors

mum

Mum heading for the hills in the 1940s.
Mum heading for the hills in the 1940s.

From molehills to mountains: the moors on the tops of the Pennines are still covered with snow. We returned to Charlotte’s Ice Cream parlour at Whitely this morning, a regular coffee stop in the days when we had my mum in tow. It was often the one day of the week that she got out and, despite her deteriorating eyesight, she always appreciated the panorama . . . and of course the coffee and the scone.

I must take after her. Oh dear!

Lamy Nibs in Close-up

lamy pen marksAt one time I always carried some kind of of fibre tip pen with me, such as a Pilot Drawing Pen, but these days it’s just my three Lamy fountain pens – an AL-Star, a Safari and a Vista – with fine, extra fine and broad nibs. Fibre tips offer a degree of precision and convenience, until they start to dry up, but I find that a fountain pen feels more natural.

Vista

ef nib
Extra fine nib

noodlersmoorhenFor natural history drawing, I usually go for my Lamy Vista with an extra fine nib which I keep filled with Noodler’s brown ink. Noodler’s becomes waterproof on contact with the cellulose in paper so I can add a watercolour wash. This gives a similar effect to a dip pen and Indian ink plus watercolour but a fountain pen is easier to work with as there’s no bottle of ink to either hold on to or to risk knocking over.

Lamy Vista
Lamy Vista

lamy nibsThe Vista is a transparent version of the Safari so it’s even easier to check that the filler in the pen has enough ink in it when I set off to draw. At the moment this pen is filled with a mixture of Noodler’s black and El Lawrence brown (a kind of khaki, desert brown, named in honour of Lawrence of Arabia), because I had two half empty bottles and it’s easier to fill the pen from a full bottle. The black/brown mix reminds me of Pelikan Special Brown indian ink which I used for many years.

AL-Star

fine nibI keep the AL-Star, the aluminium version of the Safari, filled with black Noodler’s ink. This pen is fitted with a fine nib.

Lamy Al-Star fountain pen

Safari

Lamy Safari with Z24 converter and broad nib, filled with Noodler's Black ink.
Lamy Safari with Z24 converter and broad nib, filled with Noodler’s Black ink.

For bolder drawing I’ve got a bright yellow Safari (difficult to lose) with a broad nib. This is the freest flowing of the three pens and the larger, rounded tip, as seen in my photograph taken with a microscope, enables it to glide across the paper.

Lamy Safari broad nib.
Lamy Safari broad nib.

Ink Links

Lamy fountain pens

Noodler’s ink