Jon Snow

Jon Snow

This week’s final one-hour live portrait-drawing session on Sky Arts’ Portrait Artist of the Week was Channel 4 news presenter Jon Snow, painted in oils by Catherine MacDiarmid. As the camera kept cutting to her explaining the progress of the painting, she made it onto the top right hand corner of my page, above Portrait Artist presenter Joan Bakewell.

Jon explained the cunning plan behind his brightly-coloured tie: when he’s interviewing people they’re attracted to the tie, which distracts them from scrutinising his face too closely. It didn’t work on Catherine though, as she added a suggestion of the tie only towards the end of her 4-hour session with him. She explained that she invariably starts a portrait with the ‘golden triangle’ of eyebrows and nose. Once she’s established that she introduces the rest of the face but she’s content not to define the edges, she lets them move freely until she’s happy with them. The mouth, which she finds one of the most difficult features, is usually the last to go in.

Jon’s preference for colour was to extend to his shirt – he thought that he should wear blue – but Catherine requested white as she’s keen on reflected light, even adding a subtle dash of reflected colour of the tie below his chin.

Watercolour Border

I’ve redrawn this border from my Dalesman nature diary featuring the walk around the lake at Newmillerdam Country Park, near Wakefield. In the first version, I thought that the pen and ink was competing too much with the text. To soften it I’ve gone for:

  • soft B pencil instead of black ink
  • textured watercolour paper instead of smooth cartridge
  • loose brushwork, all with a no. 10 sable round, instead of trying to define what textures are
page layout

Russell Tovey

Russell Tovey

Thanks to Sky Arts, I got a chance to draw actor and one of this year’s Turner Prize judges, Russell Tovey, today in a one-hour session of Portrait Artist of the Week. I won’t be standing by the phone next week to find out if I’ve won the coveted title as I’ve already seen some of the competition, however some artists had an advantage as they took the chance to start 3 hours earlier as the live programme was preceded by a podcast session. One hour drawing from a screen was enough for me.

At first I thought that perhaps I’d do better if he just sat still instead of chatting to the artist painting his portrait but really that was the point of the session. I could have drawn from a photograph otherwise. The way his expression changed and the way the light changed made the session feel similar to drawing someone in real life.

Nature Poems

books and jug
Original 13cm x 13cm

It’s been a while since I drew anything just for the fun of it, so simply drawing the pile of books on the coffee table in pen appealed to me. That didn’t seem quite enough, so I added the small jug from the sideboard and brought a pen and pencil into the picture.

The book is Jane McMorland Hunter’s A Nature Poem for Every Day of the Year, which we’ve kept up to since our friend Jill bought me if for my birthday in April. This morning’s poem though had a touch of the supernatural about it: The Sphinx by Oscar Wilde.

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Fresco for iPhone

man in hat

My first drawing using Adobe Fresco for iPhone, drawn with a Wacom Bamboo stylus.

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Feather-moss

oak, oak apple, feather-moss

The oaks at Skelton Lake have long-stalked acorns so, as the stalk botanically is the peduncle, these are common oaks, also known as pedunculate oak.

The old oak apple is a gall caused by the gall wasp Biorhiza pallida. The larvae develop inside the corky gall, so the holes are probably where the winged adult gall wasps have emerged during the summer but they might also be where parasitic gall wasps that feed on the Biorhiza larvae have emerged. There are also inquilines, insects that use the gall for the development of their larvae without preying on the original occupants.

When the Biorhiza wasps emerge in the summer, the females lay their eggs on the roots of the oak and an all-female generation of wingless gall wasps will emerge in winter about 18 months later. These females emerge climb up to lay their eggs in the leaf buds of the oak and it’s the leaf buds which develop into oak apples.

Rough-stalked feather-moss, Brachythecium rutabulum, is a common moss on wood and rocks. It also grows in grassland and can be considered a weed in lawns. I’ve been raking and scarifying our back lawn in preparation for the winter and this looks like the moss that I was raking up. I filled a large trug with moss and dead grass.

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Jab, flutter and squawk

The geese look haughtily at us and decide to move on but, as I crouch down to attempt to photograph them, the hens rush towards us, so enthusiastically that I narrowly avoid one of them pecking at the lens of my iPhone.

But they soon realise that we haven’t brought any corn with us and return to their continuing soap opera of sorting out the pecking order of the flock with a jab, flutter and squawk.

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Castro Rabbit

Castro Rabbit

At the request of my sister, a character from the poem in yesterday’s post. As you might remember, Castro Rabbit appears in the final verse and, as far as I can understand it, he operates in ‘the meadow deep in the world squirrels’, so he’s got to be a bit of a tough cookie, surrounded by all those bright-eyed and bushy-tailed rodents.

I’m convinced that he has some connection with a scam involving ‘rattlebox-free shoes’, which gets a cryptic mention in verse 3.

Verse 1 sounds like the kind of hard-baked pulp-fiction dialogue he’d use, with more than a hint of a threat in it:

“Yeah, I know, but that is on the list,
down there in the bulkhead . . .
and it’s not that ‘cauliflower’.”

Castro Rabbit, ‘Do you say . . .’, verse 1.

But I think the line that he’s delivering here is: “Roger I’ll flax.”

A ‘flax’ must be the Squirrel Meadow equivalent of a fax, and as we’re veering towards Toon characters, Roger must be Roger Rabbit.

I’m looking forward to learning more about de Zee Cow, the one known for uttering the occasional grouse in verse 3.

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Hogget Hole

“Last week I was in Ilkley,” the waller tells me, “and had some lovely sandstone, but I’m making the best of this.”

The irregular fragments of limestone in the Greenfield Valley, Upper Wharfedale, don’t stack up as neat layers but there’s plenty of material available. Another waller is repairing a section and he simply digs up a piece he needs from the turf alongside the wall.

The hogget hole allows sheep to pass through. This one can be blocked by the slab lying beside the wall on the roadside verge. A hogget is a young sheep.

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Chicken Coop

It’s been another exciting day down at the chicken coop.

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