Small white butterflies fluttering around a patch of lavender. Small whites have two spots on each forewing but in males, as in my sketch, the second spot can be indistinct.
Small White
Category: Drawing
Plain Portraits
After my woodcut experiment in Adobe Illustrator, l’ve gone for more of a lithographic effect for these portraits, simplifying the tones in my original pen and wash drawings into ragged-edged blocks. You don’t get the texture of the original watercolour wash but it’s implied in those irregular edges.
This is Liz White in character as Fiona Grayson in Chris Lang’s ITV crime drama Unforgotten, drawn from a photograph in the Radio Times in March.
George Stephenson
It can be disappointing if you’ve painted a subtle watercolour and the nuances are lost on the printed page. A reduced tonal range might make for a more successful printed image. I’ll have to try it.
George Stephenson was all set to have a walk-on part in my current Addingford show at the Redbox Gallery, Horbury, but he was upstaged by Stan Barstow’s Joby, so perhaps I can use him in a print publication, looking suitably robust in the Image Trace treatment that I’ve given him in Illustrator.
Hepworth
I’m considering printing the series I drew of Wakefield Women in History and the graphic feel would work well as I’m trying to keep the subject brisk and lively, rather than making it archival and authoritative, like an illustrated Dictionary of National Biography.
Dame Mary Bolles
Another Wakefield Woman in History, Dame Mary Bolles, the formidable Stuart-era lady of Heath Old Hall, also lends herself to this treatment. It’s easy for me to go for too much detail in a historical costume but what I want in this series is to sum up remarkable lives in broad brushstrokes.
Woodcut
These are my sketches from the weekend given the Image Trace treatment in the desktop version of Adobe Illustrator as I was after a lino-cut or woodcut effect. It gives my pen and watercolour natural form a graphic chunkiness.
So how about the grapevine I drew yesterday? Would lend itself to the sort of woodcut-inspired design that you see on a wine label? No, it doesn’t have the graphic presence of the bluebell stem, I’d need to draw it again with the context of the design in mind and make it a bit bolder.
This wood pigeon feather works better as it’s a simpler form. I could imagine using it for a logo.
Pond Dipping
Newmillerdam lake, 10.15 a.m., 62℉, 16℃, 90% alto-cumulus: Looking in the net after a sweep beneath the nettles and alder, I appeared to have caught nothing but debris and a single pond skater but when I transferred my catch to the old washing-up bowl that I’d brought with me, I saw a tiny black water beetle swimming around and an equally small water mite, trundling around like a character from a speeded-up silent film.
Most intriguing was an irregular fleck of plant debris crawling determinedly towards the edges of the bowl: a caddis larva in its protective case, just over a centimetre long. With this cumbersome camouflage, to change direction it had to do a three-point turn.
Skaters
There’s a slight anticlockwise current swirling around the bowl, and I’ve noticed that the skater has decided on a favourite spot and is making little hops to stay in position. Looking closely, this little pond skater is accompanied by four even smaller companions. All of them favour this side of the bowl.
The largest skater pauses to groom its longest limb, brushing it with its shorter back leg. Its two short front legs resemble antennae and it keeps them in contact with the water surface to detect the vibrations of potential prey items, such as a small insect trapped on the surface film. It also keeps tabs on its companions, zipping forward to chase a smaller rival away, the pond skater equivalent of the dodgems.
On the opposite side of the bowl I notice a little group of water fleas, each smaller than a printed full stop. They bob up and down individually but seem to favour keeping together in a in an irregular cluster.
The Nature of Lawns
My sketchbook spread of found objects picked up on a lawn has an autumnal feel. We’re not quite there but on a dull August day there’s a feeling that the end of summer is looming.
Fine rain this morning picked out orb webs with glistening droplets.
I started this page at a family get-together yesterday afternoon in West Melton, near Rotherham, in a garden with several lime trees, planted in Victorian times. There were hundreds, probably thousands, of the limes’ helicopter seeds strewn over the lawn but so far not many leaves. This green heart-shaped leaf may have been torn off the tree in recent high winds but, because of the prominent damage, I wonder if the tree deliberately jettisoned it in an attempt to rid itself of whatever herbivore was starting to nibble holes in it.
The robust bluebell stem with upward-facing seedpods is probably Spanish bluebell, which was often planted in gardens but which has naturalised and in some places threatens to oust our native species.
Basic Walk
It’s our British summer and people are wrapped up against the wind and the rain in Ossett. I used a man in blue from my sketches as the walking character in my Clip Studio Paint animation, drawn on my iPad Pro.
It’s a very basic animation and I can see plenty of bits that I need to improve on but it’s a way to get familiar with the process so that I can go on to something a bit more expressive.
Sweet Peas
As the lockdown eased at the beginning of February, I couldn’t resist buying a packet of Spencer Mixed sweet pea seeds to sow indoors on my desk in the studio. I set them off in toilet roll tubes but as I was using garden soil from the greenhouse they had a bit of competition from seedlings of chickweed and sowthistle growing up amongst them.
The sweet peas were drawn with an Apple Pencil on my iPad in Clip Studio Paint, using the ‘Wet Blotting Ink’ brush for adding the colour. The brothers above (one morphing in a Pokemon character) were drawn in the iPhone version of Fresco, using a Bamboo stylus, as, so far, you can’t used the Apple Pencil on an iPhone screen.
The house across the road is another iPhone Fresco drawing, this time using Fresco’s appropriately named ‘Grungy Inker’ pen. I wonder if a matt-surfaced screen protector would make drawing with a stylus on an iPhone more controllable.
Comics made ridiculously simple
The title of this self-explanatory experiment is a tribute to Miles Kington’s Nature Made Ridculously Simple, which might be due for a reprint.
Arum Berries
The ripening berries of the cuckoo pint look like bunches of party balloons. These were growing in a small group by the roadside but in the wood, where it grew with tropical luxuriance in the spring, we don’t see any berries.
For English school children, it’s just the beginning of the long summer vacation but there’s an end-of-summer feeling as we negotiate an overgrown footpath between the seedheads of shoulder-high false oat grass, stooping to avoid overhanging stems of bramble.
This meadow brown, enjoying the honey-scented flowers of creeping thistle alongside the footpath, looks a bit the worse for wear. One theory is that the eye-spots save the butterfly from serious injury because a bird would peck at them but it looks as if whatever attacked this butterfly went for the hindwings.
The Water Margin
I’m reading James A. Michener’s The Hokusai Sketchbooks, so this morning at Newmillerdam, as a change from pen and watercolour, I’ve gone for Chinese brush and Noodler’s Black Ink.
Lying in the lakeside mud beside me, was a freshwater mussel shell, so I used that as a suitably oriental-looking palette to mix my grey ink wash. I dipped my cup in the water and, as I started to paint, realised that I’d caught two small water creatures – water beetles perhaps – which I released unharmed at the end of my session.
I wonder if the granular quality of the wash is a characteristic of Noodler’s, or whether it was debris in the water.
In England, our school holidays have now started and the lakeside path was a bit busier than usual however, in this willowy backwater, I had this corner of floating world to myself. Just me and a few passing mallards and a coot that came ashore within a few feet of me, apparently oblivious of me until I moved.
It’s there in the bottom right-hand corner of my drawing.