For a lean rescue dog, Pepper the Lurcher seemed remarkably calm but her owner tells me that he’s noticed that if he gets out any kind of pole, like a garden rake, she’ll go straight back in the house, so she might have had a troubled history. She reacted to bangs from the kitchen in the Coffee Stop at the Junction where I was drawing her and looked at me with soulful eyes when I tackled a slice of cheesecake. Needless to say she didn’t get any (but the dog-friendly cafe provides a healthy option canine treat).
Drawing indoors and in a rainswept car park: this morning’s rain meant that we didn’t get off to Newmillerdam. I was looking down on the cars at the same angle as I was looking down on the piles of books and CDs on the shelf under my brother-in-law’s coffee table, so they look like a couple of models.
The Main Street end of Church Street, Haworth, from a photograph I took in 2013, that’s the church on the right and, according to Google, we’re looking at the back of what is now Haworth Wholefoods.
Himesh Patel plays Jeevan Chaudhary in the TV mini-series Station Eleven, adapted from Emily St John Mandel’s novel about a band of travelling players in a post-pandemic Great Lakes landscape.
Once again this is drawn in Clip Studio Paint on the iPad, using a standard drawing figure for the pose but this time instead of relying on my memory and imagination I took the details of the character and costume from a photograph in last week’s Radio Times.
When I travelled around the country drawing and writing my Richard Bell’s Britain natural history sketchbook, I found that pages including manmade objects in a natural landscape – such as an abandoned forestry lorry on a track through a pine plantation – often worked best.
The Persil factory had made an impression on me as I passed through Warrington on the train.
It appeared as a thumbnail sketch on one of the maps in Britain and when my editor Robert MacDonald suggested a sequel, focussing on industrial Britain, I returned to draw it.
I did more drawings closer to home, one series documenting the last coal barges to operate between British Oak, near Crigglestone, and Thornhill Power Station.
The Persil Factory made it onto the cover of the dummy of the proposed book, but the project never got off the ground, however I did sell the original pen and watercolour at one of my one-man shows a few years later. I was quite honoured that my French teacher from Grammar School days, Miss Deacon bought it.
This mock-up of the cover is a hand-coloured photocopy, as this was long before the days when I would have a scanner in my studio.
More figures and these first three are ready-made poses that you can use on the virtual 3D drawing figures in Clip Studio Paint. They were chosen at random and happened to line up like this on my row in this order entirely by chance, but looking at them, I find it impossible not to imagine that there’s some story going on.
The man on the right is actually one of a pair, he’s seizing someone by the shoulders and the other figure, not shown here, is being pulled back.
The man on the right is loosely based on a bad guy in a movie we saw recently. For the figure on the left I decided that I’ve drawn enough jackets and that it was time to draw someone wearing a jumper, so I thought that I might as well add rolled down wellies and make him into a fisherman.
By now I was running out of ideas for costumes, so these two are based on a couple of the students from my art foundation, way back in the late 1960s.
I’m practising using the 3D drawing figure in Clip Studio Paint – a kind of virtual lay figure – keeping to the standard body shape but developing the character through its actions and costume. I’m going for a limited range of tones because it’s the form of the character that I’m interested in, but I look forward to adding colour, which I can do later on another layer, over the tonal layer but beneath the line drawing.
