Richard Bell's nature sketchbook since 1998
This weed – thale cress? – is the sole survivor from a late sowing of basil in a pot on the kitchen windowsill. When the weather starts to get cooler our basil seedlings give up the will to live.
I’ve been giving my right hand a bit of a break for more than six months now but it still hurts as I write – at the base of my right thumb – so I’m going to have to learn to live with it and get back to regular drawing.
I’ve returned to drawing on the iPad after a break of several months.
I rescued this grasshopper from the bird bath in mid-September.
If you’re standing in the queue for the Science Museum on Exhibition Road you might spot this inscription above the large and imposing archway opposite:
SCIENCE AND ART DEPARTMENT
SCHOOLS ** MUSEUM
A.D. 1852
The date is misleading because the building – now the Henry Cole Wing of the Victoria and Albert Museum – was constructed between 1899 and 1909.
I was seven years old when I first joined the queue at the Science Museum (I can be sure of the date because I remember a poster for Kirk Douglas’s film ‘The Vikings’ – released in August 1958 – on hoardings around the Natural History Museum gardens).
At that time there was an arts and crafts-style mosaic in the frame to the right of the archway. Several muses reclined elegantly beneath an inscription indicating that this was then the ‘Royal College of Art’.
In this photograph, probably taken around 1901, my great aunt, Eliza Elland Bell, by now Eliza Mitchell, is in her mid-thirties.
Born at Blaco Hill Farm Cottages in 1867, by the time she was 13 Eliza had started work as a domestic servant for the Johnsons at a Elm House Farm, Lound.
Ten years later and still working as a domestic servant she’d moved to Miss Hurt’s in Sutton-cum-Lound, and it was there that she met her future husband, the butler, William Henry Mitchell.
I’m colouring these images in Affinity Photo and Adobe Photoshop. Would a light sky blue be a likely colour for her outfit? I asked my friend Hilary Stubbs, my go-to costume expert:
‘I think that this colour is perfectly possible,’ she tells me, ‘though pale green or lilac would work too. Not pink as it would be considered a”young” colour I do like this colour though and it looks right.
‘The overall look of the garment should look like a dress though in reality it was probably have been a two piece to help with fit and laundering.The skirt often hook and eyed on the waist to prevent gapping.’
This wedding photograph (see link below) was taken just a year or two earlier in 1899 to me has a more Victorian look to it. The 1901 (if that’s when it was taken) with its layers and small jacket looks more Edwardian.
Swiss chard at Harlow Carr, drawn with my non-dominant left hand.
A guest illustrator in my nature diary in the July ‘Dalesman’: Jenny Hawksley, who joined us for a lightning tour of the North Yorks Moors and coast last summer drew the garland of wild flowers.
Experimenting with Procreate and loosely based on Coquet Island lighthouse but minus the puffins, sandwich and roseate terns this is my take on the first project in the ‘Beginner’s Guide to Digital Painting in Procreate’. My thanks to freelance director and artist Izzy Burton for her step-by-step tutorial.
‘Versatile, bee-friendly, drop-dead gorgeous,’ foxgloves are the cover star of this month’s RHS ‘Garden’ magazine.
They self seed around the garden and we’ve got more than usual this year as we haven’t cleared them from the veg beds, which we’re revamping this year.
Ice Age glaciers and longshore drift have contributed a variety of pebbles to the beach at the northern, landward, end of the spit at Spurn which stretches almost three miles out across the mouth of the Humber Estuary.
Despite previous attempts to protect the spit, high tides now wash over it in places.
Marram grass, Ammophila arenia, stabalises the shifting sands of the dunes.
I was surprised to see a single patch of bluebells, Hyacinthoides non-scripta, growing amongst the marram to the west of the track not far from the area known at The Warren.
Washed up on the beach, a velvet swimming crab, Necora puber, with blue markings on its pincers, legs and shell.
Hornwrack, Flustra foliacea, not a seaweed but a colonial animal. Individual ‘sea moss’ filter-feeding animals called zooids lived in tiny cells that you can see as the stippled surface texture of the fronds.
Still a bit too early to put these in as we’re still having the occasional overnight frost.