
We accompanied Barbara’s brother John in a wheelchair on a circuit of the Hospice grounds this morning.

Richard Bell's nature sketchbook since 1998
We accompanied Barbara’s brother John in a wheelchair on a circuit of the Hospice grounds this morning.
The light was fading when we arrived at the hospice so this evening it was still life rather than landscape in my pocket sketchbook.
Another exercise in not lifting the pen from the paper as I draw. Colour and negative colour added in Photoshop.
The fast food at the Falafel Street Kitchen was a tad too fast for me and this was as far as I was able to get in sketching the customers.
Luckily the pace at the Nats’ AGM was a little more sedate. Even so, these days we get through the business side of the evening in a little over fifteen minutes.
Rather than go for regular architectural drawings I’ve used the exercise of drawing without lifting the pen from the paper for this facade of Harewood’s Grand Lodge for next month’s John Carr anniversary show in Horbury’s Redbox Gallery.
The split complementary colour scheme comes from my experiments with Procreate.
I’m going to experiment with 3D versions, building up the facade in card.
Like a scene from Peter Rabbit, a woman walks up the garden path to Hilary’s cafe with a large bunch of fresh carrots, holding them by the lush ferny foliage of the carrot tops.
She’s soon back down the shed, returning again with three Petanque boule-size beetroots, again with fresh-looking foliage.
“I only came here for a cup of coffee!” she explains.
Some possibilities for using the library logo in a letterhead. Hopefully the secretary won’t be misquoting Cicero’s Latin as in the placeholder text of my mocked-up example.
As a complete change from the graphic symmetry of the library logo on our day off in Harrogate today I’ve gone for a freeform drawing exercise, suggested by Ian Burke of the Staithes Gallery on a recent episode of Robson Green’s Weekend Escapes.
In contrast to all the planning that went into constructing the library facade for the logo, the aim here is to keep your pen on the paper and just keep drawing.
I know what you’re thinking, even for a freeform drawing isn’t that too wobbly? But I was drawing through the windows of the Palm Court Cafe above Farrar’s so I was looking through the rippled glass leaded lights of the cafe’s windows.
The Crown Hotel, Harrogate
Palm Court Cafe, Harrogate
There are two vital skills that you need if you’re going to design a logo based on an architectural facade: organisation and analytical thinking. Despite my shortcomings in those departments, I have managed what I think will be a usable logo for the friends of the local library.
After struggling with Procreate I’ve constructed this, layer by layer, in the program that I’m most familiar with, Adobe Photoshop, with a bit of help from Adobe Illustrator for those carved panels and, my favourite detail, the curly ironwork on the newly restored weather vane.
The next step on my Procreate animal illustration course is to take one of my thumbnail sketches and try it with three different lighting set-ups. I’ve gone for the light coming from the left, the right and from below (as if the goose had been caught in the beam from car headlights).
The one I like best is the light from above left and slightly behind, with a glint of reflected light from the bottom right.
Then it’s on to a rough drawing, not too detailed, but indicating the different areas of plumage.