Make Yourself into a Character

Cartoons
Richard drawing

Barbara says the one drinking tea looks most like me, but I guess that’s the default position that she sees me in. My favourite is the first where I’m drawing. I like the out-of-control pen work! Gives him some life.

This is the latest in my Mattias Adolfsson The Art of Sketching: Transform Your Doodles into Art course. The idea is to simplify the character as far as possible. It doesn’t have to be a portrait as such. The next stage is to feature the character in a cartoon and I think that will be helpful because when I work out what I want him to do, that should give me a few clues about how to develop the character. If he just has to look blank and slightly worried, I’m there already!

Richard drawing
Published
Categorized as cartoon

Emojis

emojis

Mattias Adolfsson describes his alter ego cartoon character, as ‘always clueless’ and in this emojis exercise from his Art of Sketching course, that was the expression that appealed to me. The idea is to evoke an expression with the minimum of marks, so, apart from ‘anger’, top right, I’ve dispensed with eyebrows.

Could I evoke a familiar face using the same minimal format? My favourite amongst them is Boris. Probably one of the few times the words ‘Boris’ and ‘favourite’ have appeared in the same sentence recently!

Table Talk

Sofia's table

Another lockdown birthday, this time for Sofia, aged 12, who created a table character for a booklet of What am I? puzzles.

Just been talking to a neighbour who’s a teacher. Getting schools running again is proving an even more difficult than closing them.

Saucy Stand-Ups

Saucy stand-ups

Some saucy stand-ups on the open mike night but I’m afraid the Cruets weren’t impressed. They gave the acts a peppery reception: inclined to take things with a pinch of salt was one comment. Even the mustard wasn’t keen and the non-brewed condiment was positively vinegary.

slipper bath

On my Art of Sketching course, Mattias Adolfsson encourages by saying that no idea is too silly to make a drawing. I think that I’ve managed to go a long way to proving him wrong.

Published
Categorized as cartoon

Film Formats

film formats

Yes, I know 35 mm and Polaroid are enjoying a bit of a revival but Instamatic and 120 roll film for Box Brownies are more nostalgia and nouvelle vague.

That’s supposed to be a pack of Polaroid film on the right, but he does look rather like a mobile phone.

Once again, this is more cartooning for my Mattias Adolfsson The Art of Sketching course.

Penguin Colony

Penguin books

I’m missing our local Penguin colony on the High Street; lined up along their ledges with that evocative smell: fresh paperback. Bright plumage with distinctive orange stripes; a crisp riffle as you browse your way through and, on their backs, to make them even more attractive, each has a unique patch of blurb. I’m concerned because, these days, we don’t see many Puffins. York once had a thriving colony of them, nestling on stacks near the Jorvik Centre.

Pelican books

I can tell that the lockdown has gone on for too long because a few weeks ago I started reading – for the first time – a textbook from my college days Man and the Vertebrates: 1 by A. S. Romer. It was written pre-DNA studies, so really it’s out of date, but it’s interesting to go through a story that I’m familiar with through David Attenborough’s Life on Earth and other books and documentaries, but written from a different point of view. I don’t think that I’ll be going on to Volume 2, which is about human anatomy and evolution. We’ve come a long way since the book was reprinted in 1963 and even further since the original edition in 1933.

The cartoon is my weekend’s homework for my Mattias Adolfsson illustration course.

Animating Waterton . . . and The Nondescript

Character sketches

I’m planning an animation with a Charles Waterton character who will be a Wallace & Gromit-style Plasticine figure in a miniature stage set based on Waterton’s study at Walton Hall. Waterton enthusiastically describes his conservation efforts which are all on a rather grand scale. This is where my second character, Waterton’s sidekick ‘The Nondescript’ comes in: he comes up with simpler, smaller and-here’s-one-you-can-make-at home projects, which we can all tackle.

My version of Waterton’s famous creation is more down-to-earth than the Squire himself. He might be from the Deepest Jungles of South America but he’s no Paddington Bear. He’s part Spirit of the Forest and part trusty retainer, like John Ogden, Waterton’s gamekeeper, but he probably also has a hint of easy going rock star charisma about him (perhaps like Francis Rossi from Status Quo?). He’s developing into an interesting character.

I like the partners-in-crime camaraderie of the pair in my first sketch. I can imagine the duo getting into all sorts of scrapes as they create ‘The World’s First Nature Reserve’ at Walton Park.

storyboard

I’ve already tackled the story of the nature reserve in one of my pocket-sized local guides, Waterton’s Park, and in Part III: The Defence of Nature in John Whitaker’s Charles Waterton, A Comic Book Adventure. When I drew the comic strip, I thought of it in terms of a storyboard for a live-action film, so this time it’s less period drama and hopefully more like Aardman’s The Pirates! In an Adventure with Scientists, which featured Charles Darwin. That was a lot of fun, right down to the end credits. I must also try and take a look at Chris Butler’s The Missing Link, which featured a Nondescript character coming in from the wilds.

The Wing-Nut Family

wing-nuts

Mrs Wing-Nut came from a long line of Whitworth thread coach bolts. Sadly today she’s been cross-threaded. Nothing that a squirt of WD40 shouldn’t be able to remedy.

Enrolling on Mattias Adolfsson’s Sketching course can seriously undermine your grip on reality . . .

Pen v. Pen

pen versus pen

Now, I like fountain pens and I like technical pens, but which is best?

Just starting my homework for this week on Mattias Adolfsson’s online course, The Art of Sketching: Transform Your Doodles into Art.