
I choose a couple to draw that seem to be settled but soon another piglet nuzzles in to sleep beside them, then another squeezes in between them.
The piglet’s concave snout fits comfortably into the concave contours of its sleeping partner.

Richard Bell's nature sketchbook since 1998

I choose a couple to draw that seem to be settled but soon another piglet nuzzles in to sleep beside them, then another squeezes in between them.
The piglet’s concave snout fits comfortably into the concave contours of its sleeping partner.

Petra is a working cocker spaniel (although she doesn’t actually work), from Berkshire but I drew her recently in the Lake District, where she was taking a break with friends, as her owners were moving house. She’s a dog who doesn’t like being on her own but she’ll happily set off in the company of other people.
We were at Sykes Farm Tearooms, Buttermere, where the resident border collie was keeping watchful eye on comings and goings, sitting on the grassy knoll opposite the farm gate, checking out a passing 4×4 with gimlet gaze.

In the interests of balance, I should explain that other spaniels are available, including my brother’s English springer, Frank.
This stone lion, reclining on the lawn, always takes me by surprise as we walk past a large evergreen oak and it springs into view. Surprisingly, a real lion was once kept here in the Menagerie at Nostell Priory, just yards from the Doncaster to Wakefield turnpike road, behind a high stone wall in an old quarry. There’s a story that it once escaped and roamed around the area.


Against a clear blue sky, the winter sun picks out slashes of creamy white on the top branches of a tall sycamore, which I suspect are the result of grey squirrels stripping the bark. There’s no sign of damage on the adjacent oak but its bark, loaded with tannins, is probably not as nutritious as that of the sycamore.

In the topmost branches of another sycamore, a squirrel leans out to pick off buds from slender twigs which it eats, one after the other: a healthy snack.


In the summer and early autumn, hornets nested in an old ash trunk in the parkland near the Pleasure Grounds. By mid-autumn the trunk had rotted through at the base and come adrift from its roots but it was prevented from falling towards the path by the surrounding stout stems, which had sprung up around it: a natural equivalent of coppice shoots.

Now it has fallen back in the other direction and it lies on the ground. I can’t see the cavity that contained the hornets’ nest – it’s probably hidden on the underside – but all the timber is riddled with tunnels, some of them stuffed with frass, which has set hard like fine-textured chipboard.

The fine cold morning has brought in fieldfares, twenty-five of them. We’ve been expecting them to turn up here on the grassy slopes of the Obelisk Park.
Also back this morning, on a small, partly iced over pool in the corner of a grassy field just beyond the park boundary, are fifty wigeon, which often graze on the short turf here.


It settles for a while, looking out over the lake. We rarely get such a good view of a kestrel and I make a mental note of its yellow beak, tipped in black; the tear-drop shaped dark patch beneath its eye; and the russet tan plumage of its back, speckled with dark brown.



One of the two cygnets of the mute swan family on the Middle Lake has now lost the last of its grey feathers. It’s now almost an adult, except for its bill which gives it away as a 
The other cygnet still has a some grey on its back, as do the four cygnets of the swan family on the Lower Lake. They seem to be spending more time away from the adults, this morning at the far end of the side arm of the lake.

It’s our great nephew Henry Roman’s christening today and I’ve been collared by Oliver, aged eight, and Ted, aged six. Oliver asks me to draw a snake – I’m going to need a bit more practice with that – and Ted requests a husky, which again I struggle to draw from memory; I definitely wouldn’t trust that character to pull my sleigh.
Oliver, who has been reading my Deep in the Wood, which he claims is his favourite book, asks me which was my favourite out of all the books that I’ve written. The Britain sketchbook, I guess.
“Did you write all the books in the world?” asks Ted.
“There are a few that I didn’t write.” I explain.

“What’s it’s name?” I ask him, having been slightly more successful than I was with my drawing of the husky.
“Spotty.”

My aim is to give the impression that my sketches were drawn from life. I don’t think that I’d ever be able to achieve the same feeling of spontaneity by working from a photograph, but I’ll try to suggest character and movement rather than getting too involved in details such as the texture of the fur.
I’m drawing direct from a photograph on the screen, rather than starting with a tracing, which would be a sure way of getting the proportions right. My inevitable second attempts at lines give a similar effect to when I’m drawing a living animal and it moves slightly, adding a degree of animation. That’s the theory, anyway.

An ecologist recently told me that the last red he’d seen near Wakefield had been running down the road at Newmillerdam; I think that this would have been in the late 1970s or possibly early 1980s.










6.30 p.m.; The shrew is still around, busily investigating the turf by the edge of the lawn.
8.30 p.m.; A hedgehog snuffles about beneath the bird feeders.
Sad to report, the following day, following non-stop rain, the bedraggled shrew had expired and was lying on the lawn. Its body measured 5.2 cm, its tail about 4 cm.

Also getting their first taste of springtime freedom are the donkeys, which are trotting out briskly but not as boisterously as the llamas.


I must go back and take a closer look at the ‘drake’. I’ve drawn him from memory and made him look like a miniature Canada goose, but I suspect that he might have been a variety of duck. He might even have had a black mask and a white neck, rather than vice versa, like a barnacle goose, as I’ve shown him.