Richard Bell's nature sketchbook since 1998
The last time we caught the fox on the trail cam was at 10.30, two nights ago, in the back garden.
Last night it didn’t show but wood pigeon, magpie and Boris, a neighbour’s cat, triggered it between six and eight this morning.
Apparently all the action was in our front garden. This morning a cluster of wood pigeon breast feathers and a pile of fox scats were all the evidence left by whatever drama took place under the rowan tree between dusk and dawn.
My latest Ode to a Duck screen test and the great-crested grebe is struggling with his motivation in scene 2.
Using Adobe Character Animator and Photoshop, I’ve used a sketchbook drawing as the basis for my ‘puppet’. So, just the beak-sync to add . . . all 14 mouth movements.
On Friday at St Aidan’s we saw spoonbill, ruff, heron and bittern. A birdwatcher suggested that the adult spoonbills from the small colony at Fairburn Ings fly over to St Aidan’s to take a break from the juveniles.
As the ruff had a black bill, it was probably a female. We’re now into the autumn migration, so hopefully we’ll see a few more waders at the shallower ponds.
Growing by watersides, reed canary-grass, Phalaris arundinacea, looks like a diminutive version of the common reed, Phragmites, and has been dubbed canal grass. At this time of year, some of the seedheads are flushed with purple, so it deserves its nickname of designer Phragmites.
Growing alongside the Phalaris, gipsywort, Lycopus europaeus, which has been in herbal medicine and to produce a black dye.
There are dozens of dragonflies about and a few butterflies, including this common blue, taking a brief rest on the path.
We’ve started shooting, and the duck’s looking a bit worried about that.
I’ve dived in to the mysteries of Adobe Character Animator and I like the way the simple ‘puppets’ that you create in the program can be so expressive. Other aspects such as how to stop the character floating about are a mystery – although the duck might be quite relieved to hear that.
Lip-sync and bill-sync are working well though.
T'was the last week of summer And, down by the lake, We hear the sad quack Of a hungry old drake.
The grebes and the tufted ducks Dabble and dive But our poor drake is struggling Just to survive.
The foraging moorhen
Has plenty of luck,
But that doesn't extend
To the desolate duck.
In the woods, the grey squirrels
Eat beech-nuts galore,
But our poor drake is starving
Down here on the shore.
I know what you’re thinking:
‘I’ll give him some bread!’ –
But just one mouldy bread crust
Can leave a duck dead.
This ode to a duck Might not be the best, But what were you expecting? - I'm not Colin West!
Cartoon ducks drawn at Newmillerdam this morning. We didn’t see any drake mallards in breeding plumage, so my guess is that they’re all in eclipse plumage, and we’ll see their true colours appear in the autumn.
As we walk down the Balk from Netherton on a still, grey Sunday morning, the only sound coming across the Calder Valley is the peel of bells from the spire of Horbury’s Georgian Church of St Peter’s. The bells were recast a year ago and we can hear the difference in harmony. Not that I thought they were out of tune before but there was a bit of a clanking abruptness when they were ringing; the arpeggios are smoother now.
On the bank of the stream at the lower end of The Balk, ivy stems climb the trunk of this ash tree as luxuriantly as a strangler fig in a rain forest.
Branched bur-reed, Sparganium erectum, grows by the canal bank, alongside The Strands, in the valley at Horbury Bridge. After engineering work to repair locks and drains damaged by flooding in February last year, the Canal & River Trust did some dredging along this stretch of the Calder and Hebble Navigation. Floating vegetation and marginals have soon colonised this quiet stretch but now most Covid restrictions have been lifted, we’re seeing more narrowboats, which help keep it clear.
A little further along, where trees grow alongside the canal, Mycena fungi grow on the stump of a sawn-off alder growing from the bank.
James, appearing on my most recent homemade birthday card, is the plucky test pilot for my latest experiment in animation. Like the fox, this was adapted from an existing pen and watercolour comic, using Clip Studio Paint on the iMac and on my iPad Pro. It’s a whole lot easier to cut out the component parts using an Apple Pencil for the Selection Pen and Eraser.
My thanks to Tielmanc for his step-by-step tutorial Animate Your Existing Characters | Keyframes Tutorial, which popped up in a Clip Studio Paint e-mail yesterday. He makes the point that you don’t need to redraw a character to animate it, just carefully break up your drawing into component parts and fill in the missing areas.
His example was a farmer dog, so I’ve gone for this cartoon I drew of the fox that visits our garden.
Now that I’m not completely foxed about the principles involved, I can go on to something more ambitious.
Animate Your Existing Characters | Keyframes Tutorial
A small tortoiseshell rests on the seed head of wild carrot on a track between lagoons at RSPB St Aidan’s nature reserve. Our cultivated carrots are varieties of the same species, Daucus carota.
After flowering the stems of the umbel curve inwards as the seeds develop.
The seeds are armed with combs of hook-tipped bristles, ready to attach to any passing animal.
We’ve been leaving our new trail cam, the Browning Strike Force Pro XD, at the end of our garden, strapped to the compost bins.
Not much to report from last night apart from the usual dunnocks, house sparrows and a juvenile blackbrd.
Rain seems to be enough to put off foxes from wandering around our garden, but we caught one on camera yesterday at quarter past four in the morning.
What appears to be the same fox had wandered through a few hours earlier, at 11.30 p.m.