The Menagerie, Newmillerdam

woodland

Yesterday morning I followed a woodland path alongside Bushcliff Beck up beyond the top end of the lake at Newmillerdam but a tree had fallen and I diverted through the undergrowth, dodging between some old elder bushes.

Ordnance Survey 25 inch, surveyed 1891, published 1893. Reproduced with the permission of the National Library of Scotland, maps.nls.uk

I’d walked into an area of ruined buildings marked as The Menagerie on Victorian maps.

wall

I came across the remnants of this structure; perhaps these are the walls of two outbuildings built against the estate boundary wall. They’re not indicated on the 1891 map.

hatch

This hatch, which is a little over 2ft square, gives access from the outside. Beyond the vegetation is an arable field.

On inside edge of the slab at the base of the opening you can see the remnants of a layer of plaster or cement.

hatch from the outside

From the outside it appears that the opening originally had a stone lintel.

wall and opening

I couldn’t see any trace of where a frame for a door might have been fitted, but presumably there was originally some way of closing the gap. Perhaps the opening was used when mucking out the animals kept in the Menagerie enclosures.

ruins
Ruined building alongside the track that leads into the woods. This is the northern end of the largest building shown on the 1891 map.

I’d always thought that these ruins were the remains of an entrance lodge to the Chevet Estate but the map from 1893 shows what look like animal enclosures – kennels perhaps – alongside a small reservoir.

Birds and Bulldogs

Twenty years after the map was published, in 1913, a visitor wrote that Lady Kathleen Pilkington of Chevet Hall was ‘a fearless rider’ with the Badsworth Hunt and ‘a splendid rifle shot’.

She is fond of racing and is specially devoted to birds and her collection of foreign birds is one of best in England”

Charlton Jemmett-Browne, writing in ‘The French Bulldog’, USA, September 1913

Lady Kathleen’s favourite breed of dog was the French Bulldog. I’m guessing that she kept them closer to Chevet Hall but perhaps at that time she kept foxhounds or even some of her foreign birds at the Menagerie. The Menagerie was marked on an earlier Ordnance Survey map in 1841.

Last Train to Dewsbury

Chevet Branch Line

When did the last St Pancras* to Dewsbury train pass under this bridge?

It’s at the southern corner of Newmillerdam Country Park, as you follow the old railway out of the park, along the Chevet Branch Line nature reserve, heading south east towards Notton and Royston.

Find My Past, British Newspaper Archive

The first scheduled train on the line must have passed beneath it at about 6.30 a.m. on Thursday, 1 March, 1906.

Midland Railway, 1906
Find My Past, British Newspaper Archive

Despite the crowd and officials greeting the train at Dewsbury Station, I get the impression that the Midland Railway was keen to emphasise the goods side of things rather than passenger traffic, preparing to deal with ‘all descriptions of merchandise, live stock and mineral traffic’ at their new stations at Crigglestone and ‘Middlestown-for-Horbury’, further up the Calder Valley to the west of Newmillerdam.

According to the website Lost Railways of West Yorkshire, the line closed on Monday 18 December 1950.

*Oh! Mr Porter

I’d originally suggested that Euston would be the starting point of the line to Dewsbury via Newmillerdam so thank you to John Farline on the Wakefield Historical Appreciation Site on Facebook, who put me right:

The Midland Railway ran north from St. Pancras, not Euston. Your date for the line’s closure is likely to be the date when the passenger service was withdrawn. The line continued with goods services through to 1968 when Criggleston and Middlestown (goods only) stations were closed. I certainly remember seeing goods trains going onto and coming off the branch line in the 1950s.”

Robert Bell
My grandad Robert Bell who for just one week worked as a porter at Sheffield Midland Station.

I should have realised that the line must have started at St Pancras because that’s the route that goes via Sheffield Midland Station.

My grandad briefly worked as a porter, before going for a job with the then horse-drawn trams at the big tram company stables across the road. He’d worked with horses as a groom and he told me that, as a country lad, he found walking all day on the hard surfaces too demanding.

When we ran the Ossett Grammar School cross country in the 1960s (well, ran until out of sight of the school, then sauntered around exploring) I remember occasionally seeing coal trucks on the line from the bridge near Thornhill Hall farm.

Google Maps, Street view.

‘DEWSBURY’ is one of the stations with its name carved into one of the cornerstones of this entrance lodge at Euston Station, now The Euston Tap, a ‘dedicated cider bar with cask ales and draught beers, in a Victorian gatehouse with beer garden.’

Euston was the headquarters of the London and North Western Railway, so their route to Dewsbury would be via Birmingham, changing at Crewe for Dewsbury, a route celebrated in the Marie Lloyd music hall song Oh! Mr Porter:

Oh! Mr Porter, what shall I do?
I want to go to Birmingham
And they’ve taken me on to Crewe,
Take me back to London quickly as you can.
Oh Mr Porter, what a silly girl I am!”

George and Thomas Le Brunn, 1892

Link

Lost Railways of West Yorkshire, Royston to Dewsbury Savile Town Goods, 1906 – 1950, Midland Railway

Selwicks Bay

Selwicks Bay

Dipping back in my A-level field notebook and in those pre-digital days, I found that colour prints could be more useful than slides, as I could stick them in my notebook. Here I’ve indicated a fault in the wave-cut platform of Selwicks Bay, Flamborough Head.

Flints in Chalk

flints
Flints in chalk

Flints are exposed in the chalk of the wave-cut platform south of the fault. Flints like these may have formed when the silica-rich skeletons of sponges and other creatures formed a gel on the seafloor which was drawn down into burrows in the chalk ooze – hence the shape of the nodules.

Buttress of Contorted Chalk

RockWATCH group guided around the features of the bay by geologist Richard Myerscough.

We looked at a buttress of contorted chalk south of the fault. The chalk contorted by the fault has been re-cemented by calcite-rich fluids circulating through the rock and depositing veins of calcite.

Strengthened by this cement the chalk is harder than that surrounding it and it has withstood erosion and formed a buttress.

Contorted Chalk with Calcite Veins

calcite vein

This vein is exposed on the wave-cut platform in front of the buttress.

Tilted layers near at the fault plane
Fault breccia: chalk crushed by movement along the fault
Fault and crush zone, Selwicks Bay, Flamborough Head

Igneous Rocks

andesite

Volcanic andesite (with crystals of hornblende) from the Lake District, 430 million years ago.

rhyolite

Rhyolite is fine grained, associated with silica-rich volcanoes, common in Snowdonia and Borrowdale.

granite

Granite cooled more slowly and has a coarser texture.

granite

In this specimen you can see slate being melting into a granite matrix.

For these drawings I’ve dipped back into my A-level geology notebook.

Walled Garden

Our visit to the walled garden at Temple Newsam brought back memories of working on the Readers’ Digest Guide to Creative Gardening, published in 1984. Rue and goldenrod, two of the plants that I needed to draw, are still growing there and I might have drawn a stately-looking Thalictrum here too, but I didn’t spot that on our visit.

Hands

Hands drawn on the iPad with Adobe Fresco and Clip Studio Paint plus one in regular pen and ink and watercolour.

Ice Plant

ice plant
bumblebee

Yesterday, 4.30 pm: The Ice Plant, formerly know as Sedum spectabile (will I ever remember that it’s now Hylotelephium?), sits in the last patch of sunlight on an early autumn afternoon as the house casts its shadow further down the back lawn. Its candy pink flower heads are constantly being visited by small bees and occasional bumblebee.

bee

The small bees are gingery light brown with 5 or 66 dark horizontal stripes on the abdomen, so they look like our regular honey bees.

buzzard
sparrowhawk

A buzzard circles over the wood and meadow, against a sky latticed with vapour trails alongside diaphanous swirls of cirrus.

dunnock

I’m eyed warily by a bird in the hawthorn hedge. I get a brief impression of an eye stripe, so a dunnock, a wren or perhaps even an autumn migrant warbler dropping in.

long-tailed tit

The blue tit and a long-tailed tit seem to have decided that I’m harmless and they’re coming to the sunflower heart feeders just a few feet away from me.

A comfortable 20℃, 69℉, here in the shade with a hint of breeze to keep it fresh.

Screen Mirroring

rhododendron stems

Clip Studio Paint on the iPad: experimenting with adding colour.

screen mirroring
Screen mirroring in Photoshop: iMac Retina, iPad Pro, Apple Pencil and Sketchboard Pro.
rhododendron

I’m also trying screen mirroring so that if I’m working in, for example, Photoshop on my iMac, and I’ve got something intricate to do, like erasing background texture on a scan of a sketchbook page, I can switch over to working with the Apple Pencil on my iPad.

It would be possible to do a whole drawing this way but with Adobe Fresco, Clip Studio Paint and even a version of Photoshop on the iPad there’s no need to, I can draw directly.

I haven’t noticed any delay when I’m drawing using screen mirroring; the marks appear in real time.

Graphics Pad

For years I’ve used as Wacom Intuos 4 graphics pad for erasing or drawing in Photoshop on the iMac but with the latest Apple operating system, Monterey, Wacom no longer support that model. Working on the iPad should be more flexible, once I’ve learned the ins and outs of it, as I can see the iMac screen on the iPad. The graphics pad was blank, so I got used to drawing on the desktop and seeing the results appear on the iMac.

Trees are their Roots

beech

Beech at Newmillerdam, drawn this morning with the constant accompaniment of cooing wood pigeons and the occasional clatter of a beech nut dropping from the still-green canopy.