In June 1977 the Silver Jubilee Days on the Queen’s Official Birthday marked the 25th anniversary of the accession of Queen Elizabeth II on 6 February 1952. Architect and designer Margaret Casson organised a small exhibit ‘The Graven Image’ at the Victoria and Albert Museum and invited me to take part.
In the April of that year I headed to London and decided to give myself a bit of a challenge and I drew the interior of the Chapel of Henry VII in Westminster Abbey.
I found a corner stall and settled down for a long session drawing with dip pen and Pelikan ink (the original drawing is in Pelikan Special Brown).
I hadn’t realised the significance of the rather elaborate end-of-the-row stall that I’d set myself up in.
Guides would come in and point to the ceiling, and their group would look up, suitably impressed; then the tomb of Henry VII and Elizabeth of York (the couple who effectively brought the Middle Ages to a close by uniting the Houses of York and Lancaster) and finally, to bring things up to date, the guide would point to Prince Charles’ seat in the corner . . . the stall where I was sitting, scribbling away. I got some curious looks.
I’m struggling to remember the other items in the ‘Graven Image’ show which was in a corner of the entrance hall to the V&A but as I brought in my framed sketchbook spread, a stone carver staggered in with a large block with a beautifully carved inscription, a suitably graven image.