In Memory of William Baines

Baines
William Baines

My thanks to Keith Bosley (1937-2018) for letting me have a copy of his poem of a visit he made to Horbury over half a century ago.

In Memory of William Baines
(1899-1922)

Is this the church
we asked the caretaker
where there is a plaque
to William Baines?
It is, he said.

We had travelled north all day
to Yorkshire, to smell
and taste the soot
of Wakefield, to see
the pitheads, the slagheaps
the houses facing
two grey ways at once, to hear
people with grit on their tongues
giving a civil answer
a guarded edge:
we had come to find
what was left of a boy
in the village where he lived
fifty years ago -
this stern suburb, Horbury
hugging the hillside
above the city.

We had read old journals
proclaiming his debt
to Debussy and Skryabin
(the sea and the fire)
calling him a genius
and reporting his death
at the age of twenty-three:
we had met distant
relatives who told
of meagre schooling
of work with his father
playing in the picture
palace and the Primltive
Methodist chapel
and of consumption
and poverty that kept him
in the garden shed
till the hospital at York
could do nothing for him.

We had studied tattered
scores long out of print
from Paradise Gardens where
he walked at sunset
to Pool-Lights, whose last phrase
rises to silence
taking his bearings meanwhile
from his own Flamboro' Head
and sailing out
alone beyond the beacons
where no one was to follow.

This is William Baines
but the caretaker
unlocked the door and showed us
into gloom. Upstairs
he sald. We trod, fingered
grime and there it was
with laurels and flaming
torches carved in oak
an inscription
in the taste of the time
and at the bottom
a scroll in bronze
with a piano Prelude
engraved in full
chosen for its
brevity and because
they called it the
Amen Prelude.

He fetched us a triptych
of photographs
from the organ loft:
- a printed title page
with two corners
turned down and shaded
- a dark young man
with plain strong features
creased down the middle
- A page of manuscript
marked Labyrinth
a deep sea cave.

Call him up, call him back
from the lonely places:
here in his England
his Yorkshire where men
have died for a hard living
let this fiftieth autumn
flare in his honour, for here
is small treasure, here
is filigree of iron.

Keith Bosley
Plaque from the Primitive Methodist Chapel, now preserved in the Methodist Church, Horbury.
Blue plaque at Baines’ birthplace, Shepstye Road, Horbury

The Lone Wreck

The Lone Wreck

I am working for my Pianoforte recital at Horbury (Nr. Wakefield) which is on the 16th of this month — how I look forward to these occasions. Oh! music — what a delight you are to me — it is one thread between man — & spirit.

For “bread money” — I play as “relief pianist” at the Electric Theatre (Picture House) (York) — hours 4.30 to 7 o’clock.

It does not take up too much of my time — what a blessing! !”

William Baines, 1899-1922, in his diary for Wednesday, 2 January, 1918
Baines

Baines biographer Roger Carpenter thought that William Baines’ 16 January 1918 recital would have been only the second public recital that the 18-year old composer gave. I’ve met people who remembered William playing at the Primitive Methodists’ Ebenezer Hall, so probably that was the venue.

Goodnight to Flamboro'

Tomorrow lunchtime at a recital in Ripon Cathedral Robin Walker performs William’s Tides, two sea pieces for piano, The Lone Wreck and Goodnight to Flamboro’ in a program that also includes performances of William’s Five Songs.

birds in flight sketch

Fifty years ago, for my ‘major project’ at Leeds School of Art I was organising a Baines exhibition and a biographical leaflet. Looking back through my file today I like the inky roughs that I produced on layout paper. Unfortunately the finished publication was in two colours only, so I didn’t take those any further.

Flamborough cliffs
My drawing, from an old postcard, of the cliffs at Flamborough, for Roger Carpenter’s 1977 biography of Baines, Goodnight to Flamboro’.
The sea stack known as Adam, since eroded away, at Flamborough. Drawn from an old postcard for Goodnight to Flamboro’.

Garlic Mustard

Garlic mustard and bracken in the clearing at the far end of the main car park at Newmillerdam. On our return journey via Seckar and Woolley Edge we saw lots of garlic mustard on the verges alongside bluebells and dandelions, growing beneath roadside oaks.

Howgate Wonder

We’re almost at the end of the apple blossom and the embryo fruits are beginning to form. I’ll need to thin out the fruits to two per cluster and I think most growers would then recommend just keeping the best of those as they develop. If I leave five in each cluster the tree will shed several as they start to grow.

Male Fern

male fern

Unfurling at the back of our pond, one of our commonest ferns, Male Fern, Dryopteris filix-mas. Most of the year it’s just a shuttlecock, so not that interesting to draw, but I like it when the croziers are opening into fronds.

Summer Sketchbooks

sketchbooks

Delivered today, my summer sketchbooks, and I’ve gone for five A5 landscape Pink Pigs. I’ve been working in 8-inch square and A5 portrait sketchbooks but I for me a landscape format works better for natural history, as you’re always in a landscape of some sort. My A6 landscape travel sketchbook can seem a bit cramped and A4 landscape can seem a bit too much to fill in one session but A5 landscape is right there in the ‘Goldilocks Zone’. Not too intimidating to aim at one page of natural history a day.