Cuckoo flower grows at the edge of the pond and in our closely trimmed garden hedge there are a few small clusters of blossom.
Month: May 2022
In Memory of William Baines
My thanks to Keith Bosley (1937-2018) for letting me have a copy of his poem of a visit he made to Horbury over half a century ago.
In Memory of William Baines
(1899-1922)
Is this the church we asked the caretaker where there is a plaque to William Baines? It is, he said. We had travelled north all day to Yorkshire, to smell and taste the soot of Wakefield, to see the pitheads, the slagheaps the houses facing two grey ways at once, to hear people with grit on their tongues giving a civil answer a guarded edge: we had come to find what was left of a boy in the village where he lived fifty years ago - this stern suburb, Horbury hugging the hillside above the city. We had read old journals proclaiming his debt to Debussy and Skryabin (the sea and the fire) calling him a genius and reporting his death at the age of twenty-three: we had met distant relatives who told of meagre schooling of work with his father playing in the picture palace and the Primltive Methodist chapel and of consumption and poverty that kept him in the garden shed till the hospital at York could do nothing for him. We had studied tattered scores long out of print from Paradise Gardens where he walked at sunset to Pool-Lights, whose last phrase rises to silence taking his bearings meanwhile from his own Flamboro' Head and sailing out alone beyond the beacons where no one was to follow. This is William Baines but the caretaker unlocked the door and showed us into gloom. Upstairs he sald. We trod, fingered grime and there it was with laurels and flaming torches carved in oak an inscription in the taste of the time and at the bottom a scroll in bronze with a piano Prelude engraved in full chosen for its brevity and because they called it the Amen Prelude. He fetched us a triptych of photographs from the organ loft: - a printed title page with two corners turned down and shaded - a dark young man with plain strong features creased down the middle - A page of manuscript marked Labyrinth a deep sea cave. Call him up, call him back from the lonely places: here in his England his Yorkshire where men have died for a hard living let this fiftieth autumn flare in his honour, for here is small treasure, here is filigree of iron. Keith Bosley
The Lone Wreck
I am working for my Pianoforte recital at Horbury (Nr. Wakefield) which is on the 16th of this month — how I look forward to these occasions. Oh! music — what a delight you are to me — it is one thread between man — & spirit.
For “bread money” — I play as “relief pianist” at the Electric Theatre (Picture House) (York) — hours 4.30 to 7 o’clock.
It does not take up too much of my time — what a blessing! !”
William Baines, 1899-1922, in his diary for Wednesday, 2 January, 1918
Baines biographer Roger Carpenter thought that William Baines’ 16 January 1918 recital would have been only the second public recital that the 18-year old composer gave. I’ve met people who remembered William playing at the Primitive Methodists’ Ebenezer Hall, so probably that was the venue.
Tomorrow lunchtime at a recital in Ripon Cathedral Robin Walker performs William’s Tides, two sea pieces for piano, The Lone Wreck and Goodnight to Flamboro’ in a program that also includes performances of William’s Five Songs.
Fifty years ago, for my ‘major project’ at Leeds School of Art I was organising a Baines exhibition and a biographical leaflet. Looking back through my file today I like the inky roughs that I produced on layout paper. Unfortunately the finished publication was in two colours only, so I didn’t take those any further.
Buttercups
Meadow buttercup, creeping buttercup and pendulous sedge in our back garden (plus one stray nettle leaf).
Garlic Mustard
Garlic mustard and bracken in the clearing at the far end of the main car park at Newmillerdam. On our return journey via Seckar and Woolley Edge we saw lots of garlic mustard on the verges alongside bluebells and dandelions, growing beneath roadside oaks.
Howgate Wonder
We’re almost at the end of the apple blossom and the embryo fruits are beginning to form. I’ll need to thin out the fruits to two per cluster and I think most growers would then recommend just keeping the best of those as they develop. If I leave five in each cluster the tree will shed several as they start to grow.
Clip Studio Doodles
Doodling with the ‘Real G-Pen’, Lasso Fill tool and Pastel in Clip Studio Paint
Male Fern
Unfurling at the back of our pond, one of our commonest ferns, Male Fern, Dryopteris filix-mas. Most of the year it’s just a shuttlecock, so not that interesting to draw, but I like it when the croziers are opening into fronds.
Summer Sketchbooks
Delivered today, my summer sketchbooks, and I’ve gone for five A5 landscape Pink Pigs. I’ve been working in 8-inch square and A5 portrait sketchbooks but I for me a landscape format works better for natural history, as you’re always in a landscape of some sort. My A6 landscape travel sketchbook can seem a bit cramped and A4 landscape can seem a bit too much to fill in one session but A5 landscape is right there in the ‘Goldilocks Zone’. Not too intimidating to aim at one page of natural history a day.
Mascots
A card for a Terriers supporter. The Trinity Wildcat is known as ‘Daddy Cool’ and the Leeds Rhino is ‘Ronnie’. In real life our Yorkshire sporting mascots are much better behaved.