Month: November 2020

Jon Snow

Jon Snow

This week’s final one-hour live portrait-drawing session on Sky Arts’ Portrait Artist of the Week was Channel 4 news presenter Jon Snow, painted in oils by Catherine MacDiarmid. As the camera kept cutting to her explaining the progress of the painting, she made it onto the top right hand corner of my page, above Portrait Artist presenter Joan Bakewell.

Jon explained the cunning plan behind his brightly-coloured tie: when he’s interviewing people they’re attracted to the tie, which distracts them from scrutinising his face too closely. It didn’t work on Catherine though, as she added a suggestion of the tie only towards the end of her 4-hour session with him. She explained that she invariably starts a portrait with the ‘golden triangle’ of eyebrows and nose. Once she’s established that she introduces the rest of the face but she’s content not to define the edges, she lets them move freely until she’s happy with them. The mouth, which she finds one of the most difficult features, is usually the last to go in.

Jon’s preference for colour was to extend to his shirt – he thought that he should wear blue – but Catherine requested white as she’s keen on reflected light, even adding a subtle dash of reflected colour of the tie below his chin.

Wood Sculpture

carvings

These carved off-cuts of 3×3 inch timber are my attempts from my school days at abstract sculpture, responding to the grain in the wood. Despite my aims, I think that they’ve ended up looking like Kon-Tiki style totem pole figures, so they seem to have a back and a front side.

Drawing them over fifty years later, I’m also reminded of the blocks and joints of the old sandstone quarry on Storrs Hill, which I used to walk past, and sometimes climb on, on my way to and from Ossett Grammar School.

The larger one seems more successful to me. It’s some kind of softwood, perhaps pine, so I was able to gouge into it to bring out target patterns in the grain. The smaller one is beech which has a regular smooth grain, so the shapes that I carved don’t have the same unified look as the pine version.

Barbara and I both think that the smaller carving looks like a female figure. From one angle Barbara can imagine that she’s sitting on a throne, so perhaps they’re like the king and queen in a chess set.

Watercolour Border

I’ve redrawn this border from my Dalesman nature diary featuring the walk around the lake at Newmillerdam Country Park, near Wakefield. In the first version, I thought that the pen and ink was competing too much with the text. To soften it I’ve gone for:

  • soft B pencil instead of black ink
  • textured watercolour paper instead of smooth cartridge
  • loose brushwork, all with a no. 10 sable round, instead of trying to define what textures are
page layout

Robo-Parkie

park robot
Just what is it that makes today’s parks so different, so appealing?

After the success of the Yorkshire Sculpture Park’s giant robot chicken, it was inevitable that rival attraction Illingworth Park, Ossett, would go one better and be the first to install ‘Robo-Parkie’, the world’s first automated park keeper.

This is another of my Monday Morning in the Park photo assignments: everything in this collage was photographed on our walk around with Barbara’s brother John and put together using Photoshop on my iPad, finishing off with Photoshop on my desktop computer. Taking it all in one session, and from the same angle where possible, meant reasonably consistent light. You might be able to spot bits of wheelie bin, bits of the railings around the football pitch, lettering from the park gates and sections from the goal posts.

Russell Tovey

Russell Tovey

Thanks to Sky Arts, I got a chance to draw actor and one of this year’s Turner Prize judges, Russell Tovey, today in a one-hour session of Portrait Artist of the Week. I won’t be standing by the phone next week to find out if I’ve won the coveted title as I’ve already seen some of the competition, however some artists had an advantage as they took the chance to start 3 hours earlier as the live programme was preceded by a podcast session. One hour drawing from a screen was enough for me.

At first I thought that perhaps I’d do better if he just sat still instead of chatting to the artist painting his portrait but really that was the point of the session. I could have drawn from a photograph otherwise. The way his expression changed and the way the light changed made the session feel similar to drawing someone in real life.

Three Fruits

fruit

This was all the fruit that I could muster for my still life. Unlike the vegetables I’ve been drawing, this time I felt that I had to add colour.

The apple is a British-grown Royal Gala, originally a hybrid bred from Golden Delicious and Gala. According to Wikipedia, ‘it now accounts for about 20% of the total volume of the commercial production of eating apples in the UK.’

Robo-Clip

Robot
pen knives and pencil sharpeners
bulldog clip

When I’m busy, it’s great to be able to turn to some state-of-the-art technology for a bit of help. Unfortunately this robotic illustrator’s helper isn’t yet available in the shops; I’ve concocted it using Photoshop on my iPad using pen knives and pencil sharpeners from my plan chest drawer. I found that coloured card worked best for selecting the background and cutting it out to isolate the shapes. Masks proved useful again in fine tuning edges but I haven’t yet worked out how to retain the masked effect when I copy and paste an element multiple times, as I did with the ‘Waverley Clip’.

The lens blur on the background image was added in the desktop version of Photoshop as filters aren’t as yet available on the iPad version.

Masked Highland Cow

I’ve been using Photoshop for over twenty years but I’ve never got into using masks to select areas of an image, partly because I find it difficult to draw precise outlines with a mouse or a graphics pad. Now that there’s an iPad version of Photoshop I’m beginning to see the point of it. Masks are non-destructive, so your original image, in this case the highland cow, is still there if you decide you’ve erased too much of it.

The meadow is the river embankment at Skelton Lake, while to highland cow (or bull?) was grazing in a pasture at Middle Wood near Redmire Force on the River Ure in Wensleydale.

Celeriac

celariac

These celeriacs smell deliciously of celery but as they aren’t much bigger than golf balls, by the time we’ve trimmed them down there won’t be much left. We’d never grown them before but a neighbour had plenty of seedlings so we thought that we’d give it a try. We probably won’t grow them again.

Floating the Ducks

page layout

As I’m writing about our circuit around Newmillerdam for one of my Dalesman nature diaries, I thought that I’d represent our walk as a decorative border. The text fits neatly into the frame but it’s better to drop in the ducks, swan and coot to float above the background and text, then, in a program like Adobe InDesign, you can set it so the text wraps around them.

It makes a change to my usual nature diary format and I’d like to try it again with another walk, along the seashore, for example.