I’ve been working on this illustration as if it was a jigsaw, making a point of going around the edges of the Sandal Castle site, drawing the trees and hedges before turning my attention to the centre. This afternoon I’ve made a start on finishing off the centre by redrawing the ruins of the Great Hall. That’s working pretty much as I imagined it, although I think that it now needs a suggestion of a shadow, to look more three-dimensional.
Sandal Castle is rarely this lonely, so I also need to add those cars, dog walkers and visitors. And perhaps a table or two outside the cafe.
I’ve been adding shading and hatching to the aerial view of Sandal Castle to create a more three-dimensional effect. I had intended to fade out the hedgerows around the perimeter but as the earthworks are looking so solid, I think that might be too much of a contrast.
I’ll probably add a few figures for scale and a few cars in the car park. I’m drawing with an Apple Pencil on my iPad Pro, using the program Adobe Fresco.
10.30 a.m.: On North Ings, RSPB St Aidan’s, a greater black-backed gull is feeding on the carcass of a brown hare. Two crows and several magpies, dwarfed by the gull, have gathered around it, like vultures at a kill on the savannah, waiting their turn in the pecking order. As the gull tears at the carcass with its large bill, we glimpse the long back legs of the hare and the black and white markings on the tips of the hare’s long ears.
At the field centre, there’s speculation about who was responsible for the kill. One possibility is a peregrine. For a peregrine, St Aidan’s isn’t far from the nest site on the tower of Wakefield Cathedral.
Peregrine Pellets?
Sternum, about 6 inches long.
A few days ago, we were looking at the remains of what looked like a duck or goose, perhaps even a cygnet. Pellets left by the scattered feathers and bones could have been those of a peregrine.
A short distance, perhaps twenty yards, along the track we saw a sternum, the breastbone of a bird, which we thought looked large enough to be a goose or swan. We can’t be sure that it was part of the same kill.
Pellet about an inch and a quarter long.
There were fox droppings nearby, so the red fox was our number one suspect, but, as far as I know, foxes, unlike birds of prey, crows and herons, don’t produce pellets of indigestible material. In my photograph you can see that the two small feathers appear to have been flattened and nipped off at the quill, rather than plucked, which to me suggests fox.
It’s unlikely that the brown hare that we saw the gull feasting on had been killed by a fox, as it was on a part of the reserve that is surrounded by what is intended to be a fox- and badger-proof fence.
When we walked back past the kill nearly an hour later, the gull had moved and three magpies were picking over the remnants.
If I was working from life, I’d want to indicate every bramble bush in the moat and every hawthorn growing on the motte at Sandal Castle but, as I’m more interested in the structure of the earthworks, I need to simplify.
I’ll add shadows and highlights to build up a three-dimensional effect. For the stippling to represent the vegetation I’ve used a virtual brush with the appropriate name of ‘Seurat’ in the Adobe Fresco drawing app. I’ll use a dry brush following the contours to further emphasise the form.
Robert and Jane Bell at Vine Cottage, Sutton-cum-Lound in the 1950s. Colour added at colourise.sg. In real life the bricks and pantiles were terra cotta red, the paintwork green and creamy white.
My grandma, Jane Bagshaw, met my grandad Robert Bell at a celebration of Queen Victoria’s Diamond Jubilee, on Tuesday June 15th 1897 at 3 o’clock at Serlby Park, Nottinghamshire. He was then aged 19, working as second coachman to the Galways at Serlby. Jane, a domestic servant was 14.
After living in Sheffield, the couple retired to Vine Cottage, Sutton-cum-Lound, near Retford, Nottinghamshire in the 1950s.
As you might guess from the photograph of them, standing amongst the hollyhocks in front of the cottage, they were the kind of grandparents that you might encounter in a children’s story.
The ‘Grandma’s Cupboard’ prompt in my writer’s notebook.
Taking my cue from a prompt on the Start Writing Fiction course that I took this autumn, I’ve recalled some of the features of Vine Cottage, as I remember them from my childhood, from the late 1950s to the early 1960s, when they left the cottage and moved to a bungalow at the other end of the village.
Grandma’s Cupboard
The prompt on the fiction course was to write about ‘Grandma’s Cupboard’, so let’s start with the shelves in the narrow scullery at the back of the cottage.
Grandma lined the shelves with newspaper, cutting a decorative zig-zag on its trailing edge. My father saved copies of The Times for her. At that time it was a broadsheet consisting almost entirely of text so it gave the shelves a more uniform effect than her own Weekly News, a popular tabloid. She always saved The Weekly News for me because I liked the cartoons in it. And they would sometimes also pass on a copy of the Salvation Army’s newsletter, which featured a comic strip of The Adventures of Black Bob, featuring a hill shepherd and his faithful border collie.
Remains of the gardrobe shafts – medieval toilets – attached to the great chamber at Sandal.
My brief, for this illustration of life in a castle, is to draw ‘someone using a well’.
Following the restoration of Pontefract Castle, there’s now a scheme to improve access and restore the ruins at Sandal. I’ll be illustrating various features including the twelve-metre deep well, excavated in the bailey, conveniently close to the privy chamber, the castle’s private apartments.
I’ve tried to imagine the kind of servant who would have been assigned the task of hauling buckets from the well. Although the shaft of the well has been preserved, we can only guess at the arrangement of pulleys or rollers that were used but I’m sure that it would have involved a bucket and rope.
Wooden Poses
I’ve drawn the character on my iPad Pro using an Apple Pencil in the Adobe Fresco drawing program but for the pose I’ve used a 3D figure in Clip Studio Paint, tweaking the pose and the proportions. I felt that he would have developed broad muscular shoulders because of all that heavy lifting.
I’m still at the rough stage but this should give the team designing the interpretation a clear idea of what I have in mind. Just fourteen more illustrations to go . . .
In the days before computers, I’d occasionally use a Polaroid camera to take a photograph of a friend in a particular pose or I’d establish the proportions by setting up an artist’s lay figure, an articulated wooden doll.
Both these methods had disadvantages: under my direction, the friend would be likely to adopt a static self-conscious pose and the lay figure inevitably looked stilted and wooden.
My favourite way to draw people is to go out with a sketchbook and to try to capture their movement and character.
Virtual Brushes
I’ve got a bewildering number of virtual brushes available to me in Fresco including instant cross hatching and screen tones (left).
For the Sandal rough, after tracing the 3D figure with a virtual pencil, I’m going for a quick pen drawing – the one I used here is ‘vintage inks’.
The flat colour goes on a layer below the pen and ink. I outline each area of solid colour with a vector brush – such as ‘basic round’ – then fill using the paint bucket tool.
Last year was our best ever for the two small cordon apples by the patio but this year out of the few small apples that grew, all were blemished by insects or pecked by birds.
We grow a double cordon of Howgate Wonder and a single stem of Golden Spire. They’re in a tiny bed close to the wall of next door’s conservatory so in September I added a thick mulch of garden compost to refresh the soil. I also planted dozens of crocus bulbs.
