These larch cones from Langsett have opened up since I brought them back to the studio.
I’m pleased at how my habitual set up for natural history drawing is working: a Lamy Safari filled with Noodler’s brown ink plus Winsor & Newton professional watercolours (formerly known as artists’ watercolours) applied with a water-brush. In my early days I’d always carry a dip pen and a bottle of brown Indian ink with me but this gives very much the same effect and is so much more convenient and reliable.
There’s not much colour in this though; I started with yellow ochre, as I so often do, then added neutral tint to get the darker brown. There might be the slightest hint of raw umber and burnt sienna which I’d been using earlier in the palette lid of my W&N bijou watercolour box.