

The top end of the wood is looking equally good with the oaks in fresh leaf and dripping with little light green catkins.

Richard Bell's nature sketchbook since 1998


The top end of the wood is looking equally good with the oaks in fresh leaf and dripping with little light green catkins.


He would also have preferred it if it hadn’t looked so brand new and he suggested that one of the crew batter it about a bit, but he must have seen the disappointment on my face because it appeared in the film unscathed.
Thirty years later, it has acquired an ambience that would grace any arts film, so if there are any film crews in search of a subject, I’m now available and I can bring my own convincingly rugged water container (and I promise not to bring my squeezy plastic waterbrush, which really doesn’t look the part).
Drawn with my Lamy Safari with the extra fine nib (had intended to use my new Lamy AL-star but picked up the wrong pen and got lost in the drawing!). I thought that I’d leave it without a watercolour wash as I like the animation that the line gives to the drawing.






I’ve decided to stick to Noodler’s Bulletproof Black ink in this pen. On the strength of these test drawings, I’m intending to use the pen for my Waterton comic strip project. It doesn’t lend itself to the Hergé Claire Ligne (clear line) technique which I so much admire but that’s not my natural style anyway, as I’m not as decisive and clear-thinking as Hergé.
I’m working with two very different comic strip artists on this project but we’re not aiming for a house style that is consistent across the three sections of the story. In fact the more my section looks like my own work the better.

I’ve been reading my diary from forty years ago this month, in the summer of 1975, the year of my degree show at the Royal College of Art, and it reminds me of the energy that I used to put into my work. More energy than expertise, I’d say, I was waywardly ambitious, but there’s something charming about that, and the style lends itself to the energetic and eccentric Victorian character whose life I’m trying to evoke. I don’t want it to look like a facsimile Victorian naturalist’s notebook but I’m happy for it to have a rich, loosely cross-hatched ambience.

Links; Lamy pens at Pure Pens who supplied the pen and the Noodler’s ink.
Lamy AL-star pens and propelling pencils



The freshly shredded green hawthorn hedge trimmings make perfect composting material. After a day or two, when I felt just below the surface, the heap was throwing off heat and there were white ashy flakes on the edges of the leaf fragments.



4.50 p.m.; it perches on the debris I’ve raked towards the edge of the pond. Watches for a minute or so then flits to the centre of the pond and catches a dragonfly larva. It takes this into the flower border to deal with, then flies over to the hedge then perches on the top of a gate-post next door before taking to it’s nest in the hedge, approaching from our neighbour’s side, rather than taking its usual route direct from the pond.

I like the way my new fountain pen glides about on the paper, perhaps a bit out of control but that’s something that it can be good to go along with. In fact I’m getting so mellow that I even quite like the wax-resist effect of the paper in my Moleskine sketchbook, an effect probably accentuated by my hand resting on the paper as I draw.
On a cool breezy morning at Rabbit Ings country park, Royston, South Yorkshire, the only butterflies we see on our walk with Wakefield Naturalists’ Society are a small copper and dingy skipper which are sheltering on the south-facing bank of a ditch. They soon flit away and most of the wild flowers I film are equally restless, as they’re buffeted about by the wind.
Rabbit Ings country park is centred on the restored spoil heap of Monckton colliery. As you follow the path along the contour of the hill from the far end, a distant view of the gritstone moors of the Peak District opens up to the south-west, beyond Barnsley.
I’m guessing that the mystery object in my YouTube movie is a fox scat. It doesn’t look quite right for a short-eared owl pellet.
Links; Rabbit Ings Country Park

The building just visible on the left is the Old Printworks.
Links; Unity Works
The Old Printworks, ‘a family run pub with a passion for real ale.’